I’m in PA. (full tour tattoo dates are here). Here’s the trip, in all its glory. photo-heavy post after the jump.
I wanted to show you what I use with my oils. in this photo you can see at the top left an expandable wash bucket. I use detergent in the water, this is for any washing I have to do with my brushes, but I usually don’t. if you paint every day and rinse the brushes with turp when you’re done they stay soft.
in front of that you can see a good example of modernization. in the left is a bottle of “copal”. this new product is not copal, which is made from amber/pine resin, instead it’s some citric junk. next to itf you can see a corked bottle of real copal, which I’ve got a jug of hidden away from many years ago and dole out to myself in small quantities. I’ve been using this small jar for about a year.
in front of that is a sealable jar I use for turp. I get the odorless but it still stinks. I use this while I’m working to wipe paint off the brushes. nothing else.
on the right
you can see my paints. they’re antique, I inherited them. the cadmium paints I use aren’t hues (substitution colors) but real cad reds and yellows. it’s poisonous so I can’t eat a sandwich while I work. I’ve got a smallish tube of real rose madder which I hoard. this and the ultramarine are also very old. I think maybe 40s-60s era based on what I was told. they’re heavy pigments, really rich compared to the newer brands I tried. I use lead white from the same batch as well, I’ve got a lot of that. more poison!
the brushes- that big one is hog bristle. the next biggest is synthetic sable and very soft, I use it to blend. there’s a stippler there I use for scrubbing color into or off of the canvas. a few filbert and bright firm synthetics, small chisels, and then a really nice long real sable rigger.
I use a mayo tray as a palette, I’ve bought a few over the years for tattooing but this one got dented while I was traveling so it’s a palette now. I cover it with clingwrap at the end of the day so my paint stays soft.
Here you can see everything set up for working. I use a mayo tray that unfortunately got dented as a palette. I’m working on two paintings, more about those in a minute. you can see I use a lot of paper towels too as well as a rough old rag. The not-paint-water mug makes its usual appearance, though when I work in oil it just holds the brushes. I don’t trust my brain. There is a bottle of Bob Ross gesso in this photograph. It is empty, I like having it there though. It reminds me not to eat paint.
This is an underpainting, I don’t do them every time but this time I did. I then screwed up the painting beyond repair with some bad composition choices so it’s going to get scrubbed and I’ll reuse the canvas for another thing.
Here is a terrible blurry photo of the little seascape, which I think will turn out just fine.
This is a thin first layer just to lay in shape and tone. It’ll get a second layer, some detail and smoothing, and a glaze.
I don’t use a lot of medium, I have liquin if I’m impatient and a stand oil too just in case but mostly I work fat, just paint, and heavy and thick. it takes a long time to dry but I like the look. the copal is my glaze at the end.
I use liquin early on, I like the early layers to dry fast. I keep two or three pieces going at once in oil, so something is always ready to be worked on. Going back and forth from watercolor is like stepping onto the ground from a carousel, though. Takes me a minute to get my sea legs back.
You have seen my watercolor setup, which is a lot simpler.
I trust myself more when it’s water and not turp in the mug. All these things have been put away for a few weeks so I can work with oil for a bit. Then the oils will get packed into the box and these things will come back out. I used to have a few dining room tables, each with a different medium set up on it, so I didn’t have to pack things away like this. Right now my space is very limited so it’s one thing at a time. We are supposed to be putting in a shed studio though, so maybe that will change.
I also want to mention the fantastic magazine Brut Force, which recently interviewed me. The whole magazine is great and I feel a little out of my depth being in there among so many beautiful creative artists and their work. You can read about that here. I usually do not use the telephone but the interviewer had a good bedside manner and he got me through it with aplomb.
As a last thought, I’m planning to start scheduling posts by topic; I think mondays will be tech/materials day, tues will be tattoo advice or informaion, weds will be process shots, thrs or fri will be tattoo or other photos.
all-saints’ day. i’m not religious but i was mainly raised catholic, my middle name is a saint’s name. patron saint of migraine sufferers and writers. she liked to read. she was a rebel at home so they sent her to the convent, which was a lot less strict than her family had been.
she of course was religious but not nearly enough. she had malaria and seizures and visions, and decided to promote reform in the church. “The only right prayers are those that create actíon. Prayer without action does go unheard.”
this was a bit of a mistake. the catholic church persecuted her and disliked that a woman was ‘teaching’. she lived a good long time though.
I’m pretty sure that my middle name was intended to be the name of the “little flower”, st. therese. however it’s spelled as the english version of st. teresa of avila, which means they done screwed up and gave me a hotshooter as a namesaint rather than a quiet little girl, and I’m ok with that.
tomorrow is all-souls’, or dios de los muertos if you’re latinx/excatholic. a much more meaningful day for me. but I figured I’d share this tidbit about saints and middle names. what’s your middle name? who’s watching out for you?
It’s very hot in AZ. Also there was lightning.
On this visit I got to meet two incredible, creative women. One was Niharika, who does costume/dress for movies in India. She is so sweet, funny, and stylish. And she made me feel stylish too.
I worked overtime one night and stayed late, and when I came home she gave me the most perfect soft sweater ever…
Also she took some pictures of me which are kind of funny. We had cactus tacos together, and she got a really fun floral tattoo (with wasps in it! I’ve been dying to do some wasps.)
Here are picture she took and pictures I took.
Here we are looking fantastic.
Art opening images: what a great show! My friend Aaron and I had work hanging, there was a great DJ, and snacks. Thanks to George Long for putting on the show and being such a great organizer. True Love has a great space for art, too.
The work will be hanging until October 4th, so stop by there and take a look if you missed the opening. Some things have sold but some are still up and waiting for you… xox
Today we had arts and crafts day here in Roseburg. I made these three sets of weights! Jimmy made a split sheet of flash, and Zack made a painting, and Annee made a pair of earrings with beads. Here’s some photos of everyone crafting and drawing.
I grew up the oldest of a bunch of kids. Until my brother was born, I was the only kid in a house full of people, uncles and aunts and grandparents and cousins. I love when there are a bunch of other people around making art, crafting, doing things. The energy of a group really makes it easier for me to work somehow. Even just someone in the other room writing, feeds my energy and my ambition to see things through.
Today was great.