recently! (summer ’18)

working on assemblage for the October show

working on assemblage for the October show

pin and book set in the shop section of the site!

pin and book set in the shop section of the site!

an anniversary party on July sixth!

an anniversary party on July sixth!

a cover-up for Josie <3

a cover-up for Josie <3

two trips to the post office

two trips to the post office

self portrait

self portrait

flowers.

flowers.

GOING LIVE

I’ll be live painting at the Kendall Yards night market tonight at five!

there’ll be a Livestream going on my Facebook for anyone out of town.

live painting Spokane

 

 

Contest, tarot deck project, tattoos, and skull mount projects.

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the “coordination” series is listed in the store here and also as prints in redbubble.

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my patreon project is a tarot deck! go check it out and jump on board- you’ll have to be a patron to order the final deck.

https://www.patreon.com/resonanteye/posts

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IMG_20180511_003954edition three, uncensored, of the Horrors is now available!!!  HERE

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I’m running a cover-up contest on my Facebook and Instagram.

http://Facebook.com/resonanteye

http://Instagram.com/resonanteye

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interview in Pain magazine! thanks guys!

new skull mounts and taxidermy/nature assemblages in progress.

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here’s some newer works:

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the world on fire; new art, end of summer.

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my current interest/deal.

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the crew . i love these fine people.

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i have the spice.

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seattle tattoo convention.

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with some of my heroes.

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devil shin is nine years old, well healed and settled in.

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i also saw the eclipse and retreated to the forest.

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the world is on fire.

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start rough, then refine

working with landscape in tattooing, getting a natural look to a landscape

 

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also some extra things that have happened recently

 

 

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you just found the perfect tattoo idea online.

listen to me.

if you see tattoos and artwork online that you really like and would like to have tattooed on you, that’s totally a good thing. the next step is not to copy that thing exactly, but to find a tattoo artist whose work you like, bring them that thing, and say “I want something like this, and I like this piece because (reason you really like that idea)”

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the tattoo artist will tell you they can’t copy it, and will draw you your very own tattoo using your taste and that idea as a starting point. that’s what good tattoo artists do.

it’s OK if you printed it out, traced it, or saved it to your phone for us to look at. don’t panic. it’s OK. just tell us that you found it online and want something like it because (reasons you like it so much). seriously, it’s OK, bring it along and tell us why you like it.

it’s good when you find things you’d love to wear. showing us that stuff helps us figure out what your taste is, what qualities you want in the finished piece. it’s totally fine to want similar ideas to other people’s tattoos. it’s just not OK to try to copy exactly.

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find a good tattoo artist, then talk to them. show them things you like. show them that perfect tattoo and tell them why it’s perfect. they can make it fit YOU.

we get into tattooing because we like to draw. part of our job is to figure out how to draw a thing that fits you and nobody else.

the other part of our job is to be able to reproduce a thing exactly. so if you find tattoo flash, (it’ll be labeled “tattoo flash” and have the artist’s name attached) let us know!

because usually you, or we, can buy the rights to do that. cheaply. plenty of artists draw world that are designed to be sold as tattoos. if we know the source, we can often get permission. you can also ask us what we have drawn- most of us have flash, prepared art, ideas and sketches of things we’d like to do.

 

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keep in mind you don’t HAVE to find exactly what you want. find your tattoo artist first, then show them the things related to the tattoo you want. we can work from stick figures and bad explanations! it’s part of the job.

(also, if you lie and say you drew it, we know you’re lying. although the internet is big, the tattoo industry is small and we all know each other.)

 

 

 

December! the Inlander, and a few ideas.

I had an interview in the inlander, which was great. They were very easy to talk with and they quoted me correctly!

 

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also, a reminder; I’d like to do more works like the following images.

painterly flowers, solid black heavy rough edges, and high contrast works. winter is a good time to get a tattoo, mainly because it’s easy to heal this time of year. I’ll be at mom’s in Spokane (and in Eugene for the evergreen convention in March)

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end of the daystar tour!

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some works from the archives.

These are the more popular things I’ve made available as prints over the last few years. They’re not all my own personal favorite pieces, but they’ve gotten the most attention and love from you guys. I think collecting them together here might give me some clues about what you all like so much, maybe.

Also I won’t be posting for a few days as we’ll be celebrating solstice here, but I’ll be back right after, on the 23rd. xox

“Down with the Ship”
This was a piece of tattoo flash I did as part of a series, and people really seem to like the sideways lighthouse in it. I did it at 11×14″ in watercolor, and did the linework with a nib pen and ink. The original sold and the prints have sold a lot too, I don’t often draw ships but I think I did a decent job on this one. You can still get some sizes of prints of this, here.

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“Einstein”

I did a little contest on my facebook asking people to tell me the funniest story about someone falling down. My friend Tiny told a great story, and was the winner. The prize was a portrait of anyone famous they liked, they’d get to keep the original art. He chose Einstein, and man was he fun to draw. Lots of people seem to like this one. I tried to give him nice gentle eyes. Yes, there are still prints of him. I did this one at 8×12″ in colored pencil.

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“Red Highway”

The original of this, I gave to a collector of my work. It was a 10×13″ watercolor. Of all the landscapes I’ve done, people seem to be most interested in this one. Maybe it’s all that hot dawn cloud color. I’m not sure.

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“Dahlia with Dice”

Of all my still life work, this one gets the most attention. Maybe it’s the format, that high vertical? It was originally a 12×16″ watercolor painting. The prints of this one are popular and I’ve made a few handmade runs of it, as well as the open edition prints.

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“River Otter”

A lot of you guys love the animal totem series, and this guy is the crowd favorite. He’s a little more simple than some of the others, so I think a lot of people just really, really like otters. Colored pencil on handmade tinted paper, 8×12″.

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“Weeping Doll”

I’ve done handpainted prints of her. The original sold as soon as it was finished. I’ve redone the entire image twice and both reproductions by hand sold immediately. And the open edition prints…people really like this beat-up old doll. She’s pretty melacholy. It’s originally a 10×13″ watercolor on hotpress.

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Then, there’s “Shy Owl”. The most popular of them all. Due to the buyer of the original schmoozing me out of open edition printing, (I was an idiot and won’t be doing that so cheaply ever, EVER again) there are only cards available of this guy. Every print I did make of it, that limited amount, sold instantly. People email me asking for a print all the time. I’d be at least a few hundred dollars richer if I’d never said I’d only make a few prints of him.
An expensive lesson.

I'll never give up my reproduction rights so cheaply ever ever again.

I’ll never give up my reproduction rights so cheaply ever ever again.

 

The easiest, best place to get a tattoo.

I know that the real wise advice I could give you would be; “Get it where you want to see it.” Because after all, the pain is temporary, right? The tattoo is what lasts. But I get asked this question a lot, so I’ll give you my honest, true answer.

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actually, inner forearms are cool too. For all the same reasons. They’re just harder to hide when you visit grandma.

Get it on your outside calf, shin, or on the front or outside of the thigh.

These are the easiest areas to get tattooed. They hurt the least, look the best, and last the longest with clarity to the original. Even if you gain and lose weight, these areas won’t change much. Even when you get ancient, the wrinkles on the rest of you won’t really effect these areas so much.

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If you have to hide tattoos for work, high socks or knee-length skirts will cover one or the other of these. The areas are capable of being used in either a very soft, flowing and feminine way, or a blocked, solid masculine manner- so either way, the space can be used how YOU want it to turn out. It can emphasize the curves or obscure them. It can accent muscle or smooth it.

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A design with a strong s-curve looks great in either place.

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The skin structure is good and will be more solid and consistent than ANYWHERE AT ALL ON THE TORSO. Your torso twists, bends, and the skin changes all over it with every pound gained or lost, every gym day or potato chip, every pregnancy, every time you reach for a thing your torso skin gets stretched a tiny bit. Every wrinkle and sag is concentrated on your ribs, waist, and chest. It’s the worst possible area for a tattoo really.

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Going back to the start of this whole thing- calves and thighs hurt less than any torso tattoo as well. AND they will last longer. It’s win-win.

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So, if you want my real advice, and not just the thing I am supposed to say, then listen to me and get your calf or thigh tattooed. It’ll look amazing there. Promise. Big or small, get it there.

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Small tattoos look great just above the ankle bone, or just below the hipbone on the thigh. Big tattoos look great all over the leg.

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The only “bad” leg areas are the knee, the foot, and the groin. All of these areas have odd skin and won’t last as long or hurt as little as the calf and thigh. Plus the nice, flat areas of the calf and thigh make the design less likely to get distorted with movement, making them a good place for geometric work, or images with faces or human figures in them.

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Get your legs tattooed. It’s awesome.

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