recently! (summer ’18)

working on assemblage for the October show

working on assemblage for the October show

pin and book set in the shop section of the site!

pin and book set in the shop section of the site!

an anniversary party on July sixth!

an anniversary party on July sixth!

a cover-up for Josie <3

a cover-up for Josie <3

two trips to the post office

two trips to the post office

self portrait

self portrait

flowers.

flowers.

why some shops are cut rate, who drew the lion?

the reason some tattoos/piercing shops have really low minimums or hourly costs:

  • little experience or inconsistent abilities,
    substandard, imported inks (could be risky to you),
  • don’t provide follow up
    like good aftercare and personal answers to questions (this should always be available!),
  • don’t care about touchups or fixing a piercing that healed improperly,
  • substandard materials in jewelry, (dangerous!)
  • inconsistent machinery or other actual tattooing gear,
  • not paying for licensing or training (legally required but people will cut corners),
  • not paying taxes, insurance, or other necessities
  • they have known you for twenty years and actually are your real life friend.

my minimum/hourly ensures that I cover the shop’s commission, my equipment (good stuff), and a living wage for a professional in a trade. it also covers any and all time you need to ask me questions afterward via text or email, touchups if needed, aftercare info and good bandaging, continued contact with me in case you have questions, and twenty years of experience.

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it’s my hope that everyone I tattoo, even when they get tattooed by other artists besides me, ONLY ever gets AMAZING tattoos after they get work by me. I want all you guys to get worked on by great artists that treat you well and value your patronage. I know the piercers I work with are the same, they use the best, modern, safe, high quality things and will always help you after.

If you’ve been tattooed by me you can always contact me with questions about anything tattoo related. I’m always here. even if I only did a dot on you. You guys are my people. I want you all to look and feel good.

This is what my hourly and minimum cover, and they’re cheap at the price.

(also, I have PUMPKIN SPICE)

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Below, the first kind lion with cherry blossoms and lotuses, was drawn by Guen Douglas. It’s a really good drawing.

She drew it as a custom tattoo for one of her clients. Since then, tons of people have fallen in love with it. That’s fine. A lot of people have copied it exactly though, and that’s not fine!

If you want an amazing lion tattoo it’s OK to say “look, like this, amazing” and bring it as reference or an idea that appeals to you… then have your artist draw you your OWN lion and flowers. Pick your favorite flowers. Make the lion have the kind of look on its face that you want to feel. Hell, pick an animal you identify with instead of a lion! All these things are possible.

The second picture is a fierce lioness with acacia and freesia that I drew for someone. If you pick a good artist they will make you something amazing that is YOURS, not a copy of someone else’s. If you don’t have a good artist… GO GET ONE. If you’re completely fixated on that lion that Guen drew… may I humbly suggest that you contact her and GET TATTOOED BY HER.  She drew it! She’s really good!

Of course if you find a tattoo online that you love, I’ll use it as the basis for your idea. YES. I won’t copy someone else’s tattoo exactly, line for line. that’s THEIR tattoo. We will come up with changes so that it fits YOU .

xox

by Guen Douglas

by Guen Douglas

 

by me, anji marth

by me, anji marth

things I’d like to do this year.

looking through the year’s work so far. for next year’s portfolio, I’d love to have:

a full sleeve of mums with soft background
at least one non-pine forest landscape
an angery shrew holding red nightshade berries
one completed abstract backpiece
rough lettering galore, like loose marker or ink
a witch with cauldron
at least one really grody, wicked harpy.

if these ideas appeal to you, get on it. I usually put together the year’s portfolio in February- I’d want to start the bigger pieces now. and finish them by then.  share with any interested parties, or hit https://resonanteye.net/gettattooed/ to sign on.

 

also, some drawings I want to do as tattoos. these are ready to go when you are!

 

start rough, then refine

working with landscape in tattooing, getting a natural look to a landscape

 

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also some extra things that have happened recently

 

 

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you just found the perfect tattoo idea online.

listen to me.

if you see tattoos and artwork online that you really like and would like to have tattooed on you, that’s totally a good thing. the next step is not to copy that thing exactly, but to find a tattoo artist whose work you like, bring them that thing, and say “I want something like this, and I like this piece because (reason you really like that idea)”

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the tattoo artist will tell you they can’t copy it, and will draw you your very own tattoo using your taste and that idea as a starting point. that’s what good tattoo artists do.

it’s OK if you printed it out, traced it, or saved it to your phone for us to look at. don’t panic. it’s OK. just tell us that you found it online and want something like it because (reasons you like it so much). seriously, it’s OK, bring it along and tell us why you like it.

it’s good when you find things you’d love to wear. showing us that stuff helps us figure out what your taste is, what qualities you want in the finished piece. it’s totally fine to want similar ideas to other people’s tattoos. it’s just not OK to try to copy exactly.

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find a good tattoo artist, then talk to them. show them things you like. show them that perfect tattoo and tell them why it’s perfect. they can make it fit YOU.

we get into tattooing because we like to draw. part of our job is to figure out how to draw a thing that fits you and nobody else.

the other part of our job is to be able to reproduce a thing exactly. so if you find tattoo flash, (it’ll be labeled “tattoo flash” and have the artist’s name attached) let us know!

because usually you, or we, can buy the rights to do that. cheaply. plenty of artists draw works that are designed to be sold as tattoos. if we know the source, we can often get permission. you can also ask us what we have drawn- most of us have flash, prepared art, ideas and sketches of things we’d like to do.

 

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keep in mind you don’t HAVE to find exactly what you want. find your tattoo artist first, then show them the things related to the tattoo you want. we can work from stick figures and bad explanations! it’s part of the job.

(also, if you lie and say you drew it, we know you’re lying. although the internet is big, the tattoo industry is small and we all know each other.)

 

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The Horrors is here, get your creatures!

 

The horrors-cover lo-res rgb AVAILABLE HERE.
The Horrors is an adult coloring book, featuring 61 pieces of original line art representing monsters, cryptids, and ghosts from around the world. For each of the nightmares, there is a page explaining their origin and history.(here are two pages as a sample, you can print these to color for free!)

 Since some of the illustrations include guts, gore, and possibly (monstrous) nudity, this coloring book is not suitable for children, only for adults.

(more…)

spidermonkey, and mom’s

My last two stops before I go east for six weeks-ish. I spent last weekend at Spider Monkey in Olympia- I LOVE that shop and everyone in it. What a great time!

I spent the morning today building a portfolio page within the site; you can view that HERE if you like.

This coming weekend (thurs the 4th through sunday) I’ll be at Mom’s Tattoo in Spokane. Can’t wait- they’re such lovely people, and the shop environment is so light and airy. I’ll be taking walkins every one of the days I am there!

Here are a few recent photos to keep you entertained.

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some works from the archives.

These are the more popular things I’ve made available as prints over the last few years. They’re not all my own personal favorite pieces, but they’ve gotten the most attention and love from you guys. I think collecting them together here might give me some clues about what you all like so much, maybe.

Also I won’t be posting for a few days as we’ll be celebrating solstice here, but I’ll be back right after, on the 23rd. xox

“Down with the Ship”
This was a piece of tattoo flash I did as part of a series, and people really seem to like the sideways lighthouse in it. I did it at 11×14″ in watercolor, and did the linework with a nib pen and ink. The original sold and the prints have sold a lot too, I don’t often draw ships but I think I did a decent job on this one. You can still get some sizes of prints of this, here.

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“Einstein”

I did a little contest on my facebook asking people to tell me the funniest story about someone falling down. My friend Tiny told a great story, and was the winner. The prize was a portrait of anyone famous they liked, they’d get to keep the original art. He chose Einstein, and man was he fun to draw. Lots of people seem to like this one. I tried to give him nice gentle eyes. Yes, there are still prints of him. I did this one at 8×12″ in colored pencil.

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“Red Highway”

The original of this, I gave to a collector of my work. It was a 10×13″ watercolor. Of all the landscapes I’ve done, people seem to be most interested in this one. Maybe it’s all that hot dawn cloud color. I’m not sure.

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“Dahlia with Dice”

Of all my still life work, this one gets the most attention. Maybe it’s the format, that high vertical? It was originally a 12×16″ watercolor painting. The prints of this one are popular and I’ve made a few handmade runs of it, as well as the open edition prints.

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“River Otter”

A lot of you guys love the animal totem series, and this guy is the crowd favorite. He’s a little more simple than some of the others, so I think a lot of people just really, really like otters. Colored pencil on handmade tinted paper, 8×12″.

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“Weeping Doll”

I’ve done handpainted prints of her. The original sold as soon as it was finished. I’ve redone the entire image twice and both reproductions by hand sold immediately. And the open edition prints…people really like this beat-up old doll. She’s pretty melacholy. It’s originally a 10×13″ watercolor on hotpress.

EPSON MFP image

 

Then, there’s “Shy Owl”. The most popular of them all. Due to the buyer of the original schmoozing me out of open edition printing, (I was an idiot and won’t be doing that so cheaply ever, EVER again) there are only cards available of this guy. Every print I did make of it, that limited amount, sold instantly. People email me asking for a print all the time. I’d be at least a few hundred dollars richer if I’d never said I’d only make a few prints of him.
An expensive lesson.

I'll never give up my reproduction rights so cheaply ever ever again.

I’ll never give up my reproduction rights so cheaply ever ever again.

 

process photos, owl and quince.

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tattoos from seattle in september! (and other things)

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seriously I take a lot of notes. there's also reference images you brought me, loose doodles that get abandoned because they won't fit right, and all the other people's packets of this stuff piled nearby so I can do each drawing in order.

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