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“gathering” show ending, Feb 2

show is ending. if you bought pieces you can pick them up; giveaway piece will be going out on the third, and the remaining pieces will be listed on our shop page for sale!

 

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over the holidays, December ’16

a few recent things.

 

I’ve added a few of the skull mounts to the shop section, I’m still photographing them and figuring out shipping costs.

mandala nipple tattoos IMG_20161223_194422_574

IMG_20161224_143532_822  IMG_20161228_043720_483

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December! the Inlander, and a few ideas.

I had an interview in the inlander, which was great. They were very easy to talk with and they quoted me correctly!

 

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also, a reminder; I’d like to do more works like the following images.

painterly flowers, solid black heavy rough edges, and high contrast works. winter is a good time to get a tattoo, mainly because it’s easy to heal this time of year. I’ll be at mom’s in Spokane (and in Eugene for the evergreen convention in March)

ukokprincess

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Gathering, Art Opening, First Friday of December

Nature isn’t cruel or kind; it’s just hungry.

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"Phineas"

Statement for the collection, “Gathering”, which will be on display for First Friday in Kendall Yards in Spokane in December.

 

Facebook event information.


I work with the feelings that remains and found objects give me, to make a piece that expresses that creature’s life.
Many artists who work with animal remains are more humorous than I am about it. I see the remains as a medium for art, with some neutrality, but I don’t make jokes with them. The horrors of life, death, and the hard times most animals go through, are the stories behind each of my works.

 

Usually, animals live difficult lives, and their bones speak to me about this.

 

rugged dog skull, taxidermy art

I often get questions because there are other artists that do slaughter animals in the context of their work. I don’t do this.

 

Many of my pieces come from road strikes. I have been working on a series of photographs and an extended essay about roadside nature and roadkill, human safety, and how highways effect the animals that live near them.

 

As a consequence of this work I have seen that these wild animals are the survivors of repeated injuries (fractures and old healed injuries in their skeletons attest to this) and the way they interact with the road, the difficulty of their lives, fascinates me.

sold

I work with human bones too. It is easier to buy human bone than many animals. I get my human bone from places which sell vintage anatomical displays and specimens. Yes, these bones are legal. I didn’t kill anyone to get them. I don’t use anything illegal, and I avoid using items which violate CITES or the MBA.

These works are dark. I don’t get silly feelings from death.

her roses resonanteye

I’ve sold work and done commissions for vegans- for people who are animal and conservation activists. My work speaks of  people’s misunderstanding of the natural world. Nature is full of drama, death, struggle, and strangeness. I try to use the materials I have to portray that.

Reminders of mortality are not for everyone. And yet, we need to be confronted with these reminders, because there’s a beauty in impermanence, a longing sensation, and we crave the reality of time’s dark passage.

The winter is the best time to think about endings, about death. Rebirth will come, but first we have to pass through the solstice- the darkest hour is always just before dawn.

 

 

 

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Posting some skull mount images!

sold

fox skull mount

listing a few photographs of my work as prints here, along with other creepy things.

new works, and some things I’ve been up to in Seattle

 

new prints and shirts ^^^

and some random stuff…vvv

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new works, and some things I've been up to in Seattle

 

new prints and shirts ^^^

and some random stuff…vvv

cardfront1 10536549_10203260424763644_29020461_n orchids_by_resonanteye-d4cety3

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skulls, bones, dead things, and where they come from.

Originally published on 11/16/2013

raccoon skull mount taxidermyI want to talk a little bit about my materials. Mainly because I read a lot of forums and craft and art blogs, and tend to see the same comments over and over about artists that work with taxidermy or animal remains.

Nature isn’t cruel or kind; it’s just hungry. 

I get a lot of questions about various things I use- mostly about bones and skulls, but a lot of people have asked about other things too- plants, rocks. Usually people are just being dense- “did you kill all those raccoons?” or “who do you have buried in the crawlspace?” or, even better, “ewwww it’s dead!” A lot of people saying this also eat fast food, buy meat at the grocery store, and let their cats roam outdoors…

I work humanely- in a sense. I don’t kill anything to make my art but yes, they are real bones and skulls. I get them from a lot of different sources. Most of the game animal bones and skulls I get from hunters- I have friends who hunt for food, and who will give me remains to work with. Most of the deer, elk, and turkey skulls and bones I use come from these sources. I also get bones from family farms- chicken, pig, and goose or turkey bones, even a few ostrich and cow remains. Most of these animals are also killed for food.

I don’t use anything from factory farms, just farms where the animals are treated well. I know this is enough to upset some people but since I also eat meat I don’t feel bad about it- I WOULD feel awful using factory-farmed items. However if I came across some, or had a source, I might use them; that piece would probably be pretty damned dark though. I tend to work with the feelings the animal’s remains give me, to make a piece that expresses the creature’s life.

I know a lot of artists who work with animal remains are a bit more humorous than I am, or more light-hearted about it in general. I do see the remains as a medium but at the same time I don’t feel good making jokes at the animal’s expense. Very rarely I get a skull or part which is light, and happy- I will sometimes make a brighter piece with those. Usually though animals live difficult lives, and their bones speak to me about this, so I don’t work very light very often.

I get questioned partly I think because of artists that do slaughter animals in the context of their work. While I don’t do this, I don’t find these artists offensive at all, it’s just not my own way of working. I don’t think it’s horrible. I have hunted for food myself, and been present for slaughtering at farms. Again- I don’t think it’s awful if you eat at KFC, either. I just personally don’t.

Some of my pieces come from road strikes. I have been working steadily on a series of photographs and an extended essay about roadside nature and roadkill, about human safety and how highways affect the animals that live near them. As a consequence of this work I have come across a LOT of roadside remains. I did get a license to collect roadkill in several states (not all states need one, but some do) and have spent a great deal of time working with these remains. A lot of these wild animals are obvious survivors of repeated injuries (fractures and old healed injuries in their skeletons attest to this) and the way they interact with the road fascinates me.

skunk skullNo, I have not used anything I myself ran over.

Most of my feathers come from friend’s farms. Almost all of my plant matter comes from my own place- I live on the edge of the Siuslaw, and not only the yard/forest of my house but the clearcuts nearby furnish most of my lichens, moss, and wood. I do a lot of beach collecting too. I live in Oregon, and it is legal to collect many things here, since all beaches are public. I do refrain from collecting in park areas, since those are restricted. I also don’t collect or mess with the remains of pinnipeds, or vertebrate fossils- just invertebrate fossils, collected in nonrestricted areas.

I have a few skulls and things which I have purchased. A few mink, fox, and beaver skulls which I am certain are fur trade castoffs- these items have a very dark feeling to them, and so the pieces built with them reflect that. I also have used vervet monkey skulls- the importation of these was a pain in the neck, and they are killed as a nuisance animal- so they too have a very dark feeling. Like I said, the horrors of life, death, the hard times most animals go through, are the reason my work is not light-hearted and silly. I don’t use anything illegal, and I avoid using items which may violate CITES or the MBA. (More information on the legality of animal remains is available here, if you are interested.)

I don’t work much with animals that are domestic pets, but I occasionally get some materials this way. Usually these are used for commissions for the previous owner. Some of these are more light and happy. I’ve worked with a very battered stray-dog skull, just making that piece was very upsetting. It wasn’t a joke to me.

zpg, anti-breeding artI’ve worked with human bones too. This is where people tend to be most alarmed- although in reality it is easier to buy human bone than many animals! I get most of my human bone specimens from places which sell vintage anatomical displays, or from places such as necromance (among others) which sell oddities. Yes, these bones are legal. No, I didn’t kill anyone to get them. And YES, they are expensive for a reason. Again- most of these works are dark. I don’t get silly feelings from death.

I’ve sold work and done commissions for vegans- for people who are animal and conservation activists. My work is intended to speak about the way people are oblivious to the natural world. Nature is full of drama, death, struggle, and strangeness. I try to use the materials I have to portray that. Reminders of mortality are not for everyone. Horrific art is not for everyone. There are people who cannot sit through a horror movie and people who cannot listen to a description of how their hamburger was made. My work is not for these people, really- although knowing that my work may have given them pause or made them think about these things, about the darker side of life, is kind of the point.

Originally Published on: Apr 19, 2012

hand of doom, ancient aliums and flowers.

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I tend to have good conversations with my clients, and the whole day I spent talking to awesome people about hilarious things.

I didn’t get to do my bird drawing (he chose the hand of doom instead) but I’d still love to do it on someone…

I’ll be back at work saturday- I go to the dentist tomorrow, wish me luck.

Oh and also, some more new and old art for sale at the bottom here. I’ve been revamping my printshop a little, so go take a peek!

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