electric eye candy tattoo convention, seminar info

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LINK TO PRE-REGISTER HERE

ONLINE AVAILABILITY OF WRITTEN MATERIALS HERE

On Sunday, September 11, I’ll be teaching my seminar on the use of social media and the internet for passive income, for tattooers. This seminar includes a huge packet of resources and information as well as access to a private group on which you can ask follow up questions, get recent information on changes, and talk and network with anyone else who’s taken the course. Location: Electric Eye Candy Tattoo Extravaganza
you do not have to be working at the convention to come to this seminar.

It’s a two-hour seminar- usually runs a bit longer for questions. I cover “branding”, username and site selection, basics of building a site, consolidating media, passive income streams, how to leverage your client base and word-of-mouth to reach further online, how to protect your copyright, and go over free or cheap tools you can use to share your work.

Even though we all make our daily bread tattooing, we all are also human beings, living inside bodies that can get broken or worn. When you’ve got slow times or an injury or illness, passive income is a good backup, and if done properly it will complement and improve your work on skin.

If you’re using social media at all- to share your tattoo work – or if you would like to start selling your other artwork online to reach a wider audience- this class is for you.

the course does count as continuing education credit for two hours. (I know a lot of you may not need that accreditation, but in some states your license requires this and yes, this seminar counts)

at this convention the seminar will cost $100 per person. tattoo artists at any level AND apprentices, are welcome. if you are an artist in another medium you may attend as well, although a lot of the information may be things you cannot utilize the same way.

to pre-register, email me at re*********@gm***.com. I accept paypal and Square. you can also show up on Sunday and pay at the door with cash or credit.

Bring pen or pencil, a piece of art you’ve made (or an image of one) and your smartphone, tablet, or laptop. there will be a wifi hotspot in the room for everyone to use as you follow along with the class.

If you’d like to speak to people who have taken this seminar to find out more, you can ask Curby Dickens, Bonnie Gillson, or Joanne Martian. All three have put a lot of the information to good use.

I can’t wait to meet you guys, I hope we have a good turnout, and good questions asked at the end! xox

Pennsylvania: Heritage tattoo in Easton, Abaddon tattoo in Pine Grove, and some family time.

female tattoo artist at shop

walk-in sign at abaddon

 

Photo-heavy post after the jump!

I’ll be at Abaddon until the 8th. I’m booked full except for an hour or two on this saturday.
After that I go on to Frankfort NY, to the electric eye candy convention. I’m teaching the seminar there on sunday at noon- if you want in on that, you can pre-register HERE (preregistration gets you a little extra swag.)

I think I have an hour or two open friday and saturday at that convention. Sunday is solidly booked though! Again…get a hold of me. You can use the form HERE if you’re not sure how to reach me.

(more…)

spidermonkey, and mom’s

My last two stops before I go east for six weeks-ish. I spent last weekend at Spider Monkey in Olympia- I LOVE that shop and everyone in it. What a great time!

I spent the morning today building a portfolio page within the site; you can view that HERE if you like.

This coming weekend (thurs the 4th through sunday) I’ll be at Mom’s Tattoo in Spokane. Can’t wait- they’re such lovely people, and the shop environment is so light and airy. I’ll be taking walkins every one of the days I am there!

Here are a few recent photos to keep you entertained.

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end of the daystar tour!

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a big fish and a tattoo repaired


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round two of the DayStar tour!

Eugene, Seattle, and Auburn WA.

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tattooing at the linq!

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I’ll be here today and tomorrow! Vegas people, desert people, now is your chance. xox

Inkess crew at the Laughlin River Run Tattoo Convention, 2016!

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Hi there, all you tattoo lovers on two wheels! We’re a group of four chicks from the Pacific NW, coming down to ink you up at the Laughlin river run. We’ll be at the Laughlin Tattoo Convention, inside the Colorado Belle, all day and all night from the 27-30 of April. We’re bringing plenty of art pre-made for you to choose from, plus we all love to draw custom work that’s uniquely yours.

Let us introduce ourselves! Click our photos to see work we’ve done and find out more about us.

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Our booth manager is Brook. She can answer your questions when you get there, and will be selling our art, books, jewelry, and prints too! She can schedule you to get tattooed, too. Don’t be shy, come up and say hello to us.

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We’ll be working first-come, first-served — so just head on over and let us know what you’re looking for.
If you have questions ahead of time or want bigger work from one of us, please click on our face up above and there will be contact information so you can reach us ahead of time.

the road

See you all there! Ride fast, ride safe.

some works from the archives.

These are the more popular things I’ve made available as prints over the last few years. They’re not all my own personal favorite pieces, but they’ve gotten the most attention and love from you guys. I think collecting them together here might give me some clues about what you all like so much, maybe.

Also I won’t be posting for a few days as we’ll be celebrating solstice here, but I’ll be back right after, on the 23rd. xox

“Down with the Ship”
This was a piece of tattoo flash I did as part of a series, and people really seem to like the sideways lighthouse in it. I did it at 11×14″ in watercolor, and did the linework with a nib pen and ink. The original sold and the prints have sold a lot too, I don’t often draw ships but I think I did a decent job on this one. You can still get some sizes of prints of this, here.

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“Einstein”

I did a little contest on my facebook asking people to tell me the funniest story about someone falling down. My friend Tiny told a great story, and was the winner. The prize was a portrait of anyone famous they liked, they’d get to keep the original art. He chose Einstein, and man was he fun to draw. Lots of people seem to like this one. I tried to give him nice gentle eyes. Yes, there are still prints of him. I did this one at 8×12″ in colored pencil.

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“Red Highway”

The original of this, I gave to a collector of my work. It was a 10×13″ watercolor. Of all the landscapes I’ve done, people seem to be most interested in this one. Maybe it’s all that hot dawn cloud color. I’m not sure.

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“Dahlia with Dice”

Of all my still life work, this one gets the most attention. Maybe it’s the format, that high vertical? It was originally a 12×16″ watercolor painting. The prints of this one are popular and I’ve made a few handmade runs of it, as well as the open edition prints.

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“River Otter”

A lot of you guys love the animal totem series, and this guy is the crowd favorite. He’s a little more simple than some of the others, so I think a lot of people just really, really like otters. Colored pencil on handmade tinted paper, 8×12″.

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“Weeping Doll”

I’ve done handpainted prints of her. The original sold as soon as it was finished. I’ve redone the entire image twice and both reproductions by hand sold immediately. And the open edition prints…people really like this beat-up old doll. She’s pretty melacholy. It’s originally a 10×13″ watercolor on hotpress.

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Then, there’s “Shy Owl”. The most popular of them all. Due to the buyer of the original schmoozing me out of open edition printing, (I was an idiot and won’t be doing that so cheaply ever, EVER again) there are only cards available of this guy. Every print I did make of it, that limited amount, sold instantly. People email me asking for a print all the time. I’d be at least a few hundred dollars richer if I’d never said I’d only make a few prints of him.
An expensive lesson.

I'll never give up my reproduction rights so cheaply ever ever again.

I’ll never give up my reproduction rights so cheaply ever ever again.

 

Using the internet to find your next tattoo? Read this.

The internet has so much imagery in it, it’s understandable why you’d want to use it to find good ideas for your next tattoo. But there are a few things to watch out for, and a few things you definitely shouldn’t do.

will bodnar, cicada tattoo, anji marth, high priestess tattoo, at tattoo convention

an artist using antique, copyright-free woodcuts as reference

When you have no idea what you might want, it’s really tempting to just start googling “tattoos” or “tattoos for girls” or something, and look around at what other people have. There’s nothing wrong with this; this is a great way to get ideas, seeds of ideas. You have to be careful though, because these tattoos belong to other people. Either they belong to the tattoo artist or the wearer, one or the other, no exceptions.

They own them.

So, yes, use the images online of other people’s work to get ideas for subject matter or placement- but not as an exact thing to get tattooed. There are reasons for this; ethically, it’s theft for the tattooer who ends up doing your tattoo. They don’t get to really do their best work, because you’ve instead asked them to steal art from someone else. Legally, it’s also theft. The original artist who drew and tattooed it owns the no-shit actual copyright to that tattoo. It’s plagiarism and is considered theft.

You can bring in these images as ideas, as things you like the style or subject of- but you shouldn’t try to get someone else’s tattoo exactly copied onto your own body. I think everyone is entitled to their very own tattoo, and I think artists are entitled to be paid for their work in drawing and designing the tattoos.

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The best way to use the internet for tattoo ideas is to follow the advice here, and use the internet to find the artist that did an awesome tattoo. That way you can go to them and tell them “I liked this piece you did and want something like it” and you will get exactly that, without any ethical problems. You find the artist you want first, then figure out the art with them, this is the very best way to get a very good tattoo done. (this applies to big or small, extensive or simple tattoos.)

big or small!

big or small!

If you bring in someone else’s tattoo and the artist is willing to steal it, they probably are not very skilled to begin with. Good artists won’t steal. Copying someone else’s tattoo is really, really a dick move. It makes you a thief, really and truly it does. I promise that if you find a tattoo artist whose work you love, they will do a MUCH better version of the idea for you, that will suit YOU and not some other random person you’ve never met. Find the tattoo artist you trust, whose work you love, and you won’t have to copy someone else’s tattoo to get something awesome.

ink travelers tattoo convention

Note that while this applies to other people’s tattoos online, it doesn’t work the same way for art in general. If you see a painting you love, and want tattooed, contact the artist who made it and tell them you want to get it tattooed on you. A large majority of artists will just say yes, go for it, or at most they will say “buy a print first please then go right ahead!”

There are very few artists in this world who object to people getting tattoos of their work- but you should always ASK first anyway, because the artist owns that art. They own it. They own the rights to it, and using without permission is stealing. This applies to paintings, photographs of flowers or wild animals, every image has an owner. There are exceptions (copyright-free websites, tattoo flash that your tattooer has paid for, etc) but things that you find on google are NOT NOT not free for the taking. Those images all belong to somebody. If you can’t figure out who the original artist is, ask your tattooer to help you out. A  lot of the time we can find out for you.

lyle tuttle tattooing.

If your tattoo artist has flash on the walls of their shop, or books of images for tattooing, it’s because they paid for the rights to tattoo those images. This means they’re not stolen, they’re totally fine to choose from.

For tattooers, take your photographs so that the tattoo is seen at an angle or so part of it is obscured. Use a strong watermark across the image to make theft more difficult. And rest assured that only assholes steal; your work being stolen is not any detriment to your reputation, but to theirs.

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A real asshole can and will use your tattoo image to make a stencil of sorts:

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But if the image is at an angle, their finished piece will never look quite right. Symmetry and details will look skewed and wrong. This helps a lot. Try it.

Further advice for tattooers on retaining copyright is available in my seminar.

 

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