Horror Movie list: 2020 edition

We’ve seen so much real-world horror this year that it’s hard to top it. But in the spirit of all previous Halloween lists, I’m going to go ahead with this anyway.

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TOP THIRTEEN!

In no particular order, the 13 movies you should be watching this week.

  1. attack the block: a classic, 10/10
  2. snowpiercer: uprising of the underclass. 9/10
  3. people under the stairs: BELONGS IN 2020. 9/10
  4. society: a better documentary than They Live. 9/10
  5. contagion: it drags a little, but have you gotten your hydroxychloroquine forsythia yet? 9/10
  6. us: class uprising, metaphorically. 9/10
  7. green room: racism, cults, punk rock culture, innawoods. 10/10
  8. the crazies: the kind of year it’s been. we didn’t realize our neighbors were this fucked up. 10/10
  9. the thing (even the sequel is good) every year, all the time, we’re gonna find out who’s the thing. 10/10
  10. children of men: how we’ve reacted isn’t much better. 10/10
  11. invasion of the body snatchers: you can’t tell if people are assholes or not, until now. now you can tell. 9/10
  12. the dead zone: we need this. we needed this a while ago. 8/10 (points deducted for effects)
  13. dead snow: We all wish we had snowmobiles and axes these days. 10/10

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The rest of the movies aren’t listed in order of best/worst, just as I remember them. Themes listed and my short thoughts, and a 1-10 scale for my personal enjoyment. There’s been a lot of shitty horror made since my previous lists (see here, here and here) (and a list of horror passing various analytical tests, HERE)

click through for the big list.

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horror movie talk with LFR

My friend Lucy F. R. has really great taste in movies.

I don’t say that lightly. You all know (if you’ve been reading me a while) how fussy I am about horror/weirdshit and how many movies I’ve watched. It’s my actual hobby, unrelated to anything else I do, purely for enjoyment. It’s hard for me to find people to talk about movies with, really- my uncle, who first introduced me to horror movies, and weird cinema, and one or two friends. So I’m really happy to have a conversation here about movies with someone.

Sal doesn't take any shit from no man.

Sal doesn’t take any shit from no man. (Beyond the Valley of the Ultravixens)

(R: me,  L:them)

R:  you’re on a grimy southern/grind horror kick right now. But what genre do you like best? What feeling are you after?

LFR: Horror is my favorite genre, I just get very into specific branches. I always want to end up saying to myself “this is a GOOD movie”.

R: What’s the best of the batch you’ve been into recently?

LFR:The Dunwich Horror (the 70’s one), Ghost Galleon, House By The Cemetery, Werewolves On Wheels, and Tourist Trap.

R: Tell me about Werewolves on Wheels. I just watched Dog Soldiers again, and I’ve been on a werewolf kick.


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the world on fire; new art, end of summer.

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my current interest/deal.

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the crew . i love these fine people.

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i have the spice.

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seattle tattoo convention.

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with some of my heroes.

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devil shin is nine years old, well healed and settled in.

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i also saw the eclipse and retreated to the forest.

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the world is on fire.

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“gathering” show ending, Feb 2

show is ending. if you bought pieces you can pick them up; giveaway piece will be going out on the third, and the remaining pieces will be listed on our shop page for sale!

 

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Gathering, Art Opening, First Friday of December

Nature isn’t cruel or kind; it’s just hungry.

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"Phineas"

Statement for the collection, “Gathering”, which will be on display for First Friday in Kendall Yards in Spokane in December.

 

Facebook event information.


I work with the feelings that remains and found objects give me, to make a piece that expresses that creature’s life.
Many artists who work with animal remains are more humorous than I am about it. I see the remains as a medium for art, with some neutrality, but I don’t make jokes with them. The horrors of life, death, and the hard times most animals go through, are the stories behind each of my works.

 

Usually, animals live difficult lives, and their bones speak to me about this.

 

rugged dog skull, taxidermy art

I often get questions because there are other artists that do slaughter animals in the context of their work. I don’t do this.

 

Many of my pieces come from road strikes. I have been working on a series of photographs and an extended essay about roadside nature and roadkill, human safety, and how highways effect the animals that live near them.

 

As a consequence of this work I have seen that these wild animals are the survivors of repeated injuries (fractures and old healed injuries in their skeletons attest to this) and the way they interact with the road, the difficulty of their lives, fascinates me.

sold

I work with human bones too. It is easier to buy human bone than many animals. I get my human bone from places which sell vintage anatomical displays and specimens. Yes, these bones are legal. I didn’t kill anyone to get them. I don’t use anything illegal, and I avoid using items which violate CITES or the MBA.

These works are dark. I don’t get silly feelings from death.

her roses resonanteye

I’ve sold work and done commissions for vegans- for people who are animal and conservation activists. My work speaks of  people’s misunderstanding of the natural world. Nature is full of drama, death, struggle, and strangeness. I try to use the materials I have to portray that.

Reminders of mortality are not for everyone. And yet, we need to be confronted with these reminders, because there’s a beauty in impermanence, a longing sensation, and we crave the reality of time’s dark passage.

The winter is the best time to think about endings, about death. Rebirth will come, but first we have to pass through the solstice- the darkest hour is always just before dawn.

 

 

 

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The Horrors is here, get your creatures!

 

The horrors-cover lo-res rgb AVAILABLE HERE.
The Horrors is an adult coloring book, featuring 61 pieces of original line art representing monsters, cryptids, and ghosts from around the world. For each of the nightmares, there is a page explaining their origin and history.(here are two pages as a sample, you can print these to color for free!)

 Since some of the illustrations include guts, gore, and possibly (monstrous) nudity, this coloring book is not suitable for children, only for adults.

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a look back at Gremlins

it’s now time for gremlins.

1. “bring your dog to work day”
2. “threatening to torture an animal, in public, is acceptable if you have a nice coat”
3. “these damn foreign cars”
4. Judge Reinhold.

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5. mom is chopping six hundred onions.

i'm crying because I hate onions.

i’m crying because I hate onions.

6. seriously, you can’t take someone’s dog for breaking your lawn ornament, even when this movie came out that was a bizarre set-up

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seriously, even back then, a nice coat didn’t keep you out of trouble

?7. “I told you, everything is real”

sorry, we're in the wrong suburb

sorry, we’re in the wrong suburb

8. Chinese people are broke too and yet so mysterious and mystical that ‘toothbrush’ is meaningless to them

seriously, motherfucker, we brush our teeth.

seriously, motherfucker, we brush our teeth.

9. sunlight will kill the thing, it’s obviously a fuckin vampire
10. singing the alien hello song from ‘close encounters’ is also a bad sign

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IT DOESN’T APPEAR IN MIRRORS EITHER

11.this guy is old enough to drink and have a bank teller job and lives with his parents, never draws and only once is it mentioned that he’s ‘artsy’, but he has unused art supplies in his room.

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book signing and coloring contest!

We had a good time, two prizes were won, and all these pages got colored!
You can still pick up the book in person at Laughing Buddha, or you can order one online here.

Thanks to my instafriend Jon and his sweet lady for being so awesome that they won the prizes, and to everyone else who sat and colored with me! xox

Here are some photos from the night, and some pictures people have colored from the book itself.
(the jackalope? he’s in the second expanded edition, just you wait)

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The Krasue: page 6 of The Horrors.

EPSON MFP image

 

The krasue is a Thai monster, which feeds on entrails, fetuses, placenta, and babies. It’s considered very dangerous to pregnant women, and people put thorny branches around the house to keep it away when someone in the home gets pregnant. It glows red (as seen in this video) and floats. The krasue lives as a normal person during the day- but at night, its head and entrails separate from its body, which it leaves hidden away from view. It must go back to its body by daylight and reattach itself.

The krasue is Thai, but similar beings are known throughout southeast Asia. In all cases, it eats fetuses right out of the womb, and if it can’t find that, it eats animals’ guts or feces. If you leave clothing out overnight to dry, it will wipe its mouth on them, leaving slime, blood, and gore behind. Some say the krasue is a witch, who cast the wrong incantations and was cursed. Others think it is a woman who killed someone in a previous lifetime, or who had an abortion, or even an older woman jealous that she can no longer get pregnant. Still others believe it to be a ghost or supernatural creature, not human at all.

In the image, a krasue has just succeeded in stealing a fetus from a pregnant woman, and flies off, triumphant, to eat it.

 

(All this and more about the krasue, in my book!)

The Horrors, page 14: The Ilomba

EPSON MFP image

 

 

Ilomba is a sea snake with destructive powers in the mythology of the Lozi people of Zambia. It is provided by a witch doctor. Usually it is fed with eggs and porridge in the morning. It takes on the identity of the person that owns it. If it is killed, the owner feels the pain, and then dies. If the owner dies, it dies. The only way it can be destroyed is through the witch doctor.

~wikipedia

 It appears as a regular seasnake to normal people but on the desired target it has the head of it’s creator. …The eyes of the Ilomba paralyses the victim with fear and bites it sucking the blood and devouring its soul that makes the Ilomba double in size. The sorcerer or witchdoctor collects these souls to use as zombies.

http://fuckyeahafricanmythology.tumblr.com

The ilomba comes from Zambia, but is known here and there throughout Africa. It looks like a normal snake to most people. Only its victim sees its true nature. It’s made by a sorceror, whose face it will have when it attacks. It not only sucks the blood from its victim, but also their soul.

In this image a woman walks through a group of snakes, one of which is the ilomba. The fact that snakes are common in Zambia makes this tale all the more frightening- at any time you could be right next to one of these creatures and not even know it. Like many other monsters in mythology, it hides in plain sight. The ilomba may be created by a sorceror, but it is not ruled by one. The person who makes an ilomba must feed it, by directing it to other people to devour them. Without blood or souls, the ilomba turns on its creator, killing them both. And if an Ilomba is killed, its creator also dies.

(All this and more about the ilomba, in my book!)

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