The truth about fan art.

Now, I’ll admit  that I’m a fan of things. I enjoy things. I have problematic favorites just like anyone else. wanted to get that out of the way before I proceed.

case in point.

case in point.

 

now, about fan art. I’ll do it. I’ll do a caricature tattoo (more painterly- I don’t do photorealism) of any thing you like- especially if I like it too. however, I don’t want to copy a still frame of a film, a production photo or an exact image of a character someone else owns the rights to. it seems like bad karma somehow. those folks worked long and hard and they need to get paid for that, they own the character, the art, the film itself.

 

so my solution has always been to find a reference, a pertinent moment, and refine it into an idea that references the original without interfering in the ownership of the image. I’ve fallen down on this, all tattoo artists have. a tattoo is personal use, you see, so as long as I’m not using it to promote or create follow-up products, I’m on the ok side of things.

 

I prefer the subtle approach. for example, right now I’m obsessed with Westworld. I’ve got sketches of every damn character, based on extensive research into the actors, not based on any one moment in the series. they’re loose, painted. I’m ready to tattoo these. once. one person gets them. I may post them and tag we online (they are open to fan art) but I’m not interested in exact reproductions. I want to capture a moment or meaning, not a face.

 

all the things there were mechanical until the "upgrade" to cheaper materials like meat and bones. they were beautiful, now they're just like us. including the horses, the bison. so there it is.

all the things there were mechanical until the “upgrade” to cheaper materials like meat and bones. they were beautiful, now they’re just like us. including the horses, the bison. so there it is.

 

they can't ride that train anywhere. it's a goddamn loop around the park areas. it's headed nowhere. they can't escape. who laid those tracks? there it is.

they can’t ride that train anywhere. it’s a goddamn loop around the park areas. it’s headed nowhere. they can’t escape. who laid those tracks? there it is.

 

I’ve been obsessed with other things over the years, of course. mostly horror and sci Fi. I’d rather do something that contains the meaning of a scene, rough and raw and laid in strong, than copy and break a law or even piss someone off. there’s a lot of celebrity images in the public domain, I tend to rely heavily on mugshots, government images, and my paid Getty images access for these. I’ll use these and some of the character’s words or token totem items to make the piece. crossovers are fun, too, if I’m a fan of the actor.

 

looking at you, Walken.

looking at you, Walken.

 

looking directly at you, goldblum.

looking directly at you, goldblum.

 

 

I’ll do some things. I have dodgy soft spots. if I’m geeking on the same thing as you, I am a marshmallow and I’ll do it. I feel bad afterwards, but I love some things too much to say no outright. and I usually only do this if the creator has died.

 

Ernst Haeckel, public domain actually.

Ernst Haeckel, public domain actually.

 

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I really want to change the things to make then more my style, more to your fit, more important. I want to bring out the abstract qualities the original creator didn’t do- I want the meaning, the pith. if you’re a fan of a thing I’m a fan of, expect our consultation to be a geek fest about our fan theories and conceptual framework, finding symbols to use without infringing on copyright. that’s my goal every time.

 

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they never kiss.

from the literary description of It.

from the literary description of It.

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painting of a little sister.

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I wanted a real turtle.

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I’ll go abstract as fuck to capture the most powerful Disney villains.

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had to add sex appeal, sadness, and painterly feeling.

if, like me, you find important moments in media, like books, movies, shows… come talk to me. I like a lot of stuff, mostly horror/sci Fi and a little weird standard fiction. I’ve got a list of things I’d love to do, on standby. if our interests match, we’re going to end up with magic.

 

I was more lax about copyright in the old times of my career. after all, I need the word of mouth, the internet brings me about half my clients, and known franchises and characters will consistently outpace original works. people like the familiar and you’ll see a crap copy of a screenshot from a movie with 19,900 likes and hearts and comments, while thoughtful original content gets ignored. it’s really difficult to deal with as a creator. I’ve chased that little bump before. Won’t do it again. anything related to a media franchise from now on is all OC based on the universe in which the characters are set, all characters drawn from copyright free sources.

 

I’m an artist and I know artists need to get paid. while I need the exposure copying and making fan art gives me, and I enjoy it with my particular interests, we’ve got to find ways to change things- to use elements that are meaningful in that universe, without simply tracing a damn thing.

 

currently I’m interested in Westworld, the Wire, better call Saul, Ursula k Leguin sf (not fantasy though), everything from Stephen King, Octavia Butler, any horror movie you can think of, and of course, any celebrity who’s a little off their rocker. I’d like to do an Idris Elba, Antony Hopkins, Charlize Theron, Gary Bussey, Grace Jones, any woman in a good strong character actually from any era. I’d like to paint character actors. I’d like to tattoo a lot more characters from fiction instead of movies. true crime! but then also, I’m a horror movie creep so I’d like that too. inglorious basterds! hey just try me. if I’m not a geek for it, I’ll know someone who is.

don hertzfeldt tattoo

OH GAWD HELP ME MY ANUS IS BLEEDIINNNN-

just no direct copies. I’m not made for photorealism, my work is rugged and strange and won’t work that way. you can contact me if you’re interested by email, or with the link here: resonanteye.net/gettattooed.

I’ve been focusing more on skin and less on paper, so these images start out loose, they get refined on the skin. it’s about your interest in a thing matching mine, and your trust in the process. but I’m gritting my teeth waiting for more of this in the schedule, so please, bring it my way.

 

please. my inner nerd is underfed.

 

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outline of center areas done elsewhere, repaired and added the rest. xox John Waters

ka is a wheel. piece still in progress.

ka is a wheel. piece still in progress.

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bring these to me. please. I’m in the mood.

Been precoccupied, will be back to regular posting starting this week!

I’ve been traveling a bit for doctor visits, then had a fender bender.

I’m working on a new series of art, and should be back to regular posting, longform writing as well as images, this coming week!

 

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start rough, then refine

working with landscape in tattooing, getting a natural look to a landscape

 

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also some extra things that have happened recently

 

 

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“gathering” show ending, Feb 2

show is ending. if you bought pieces you can pick them up; giveaway piece will be going out on the third, and the remaining pieces will be listed on our shop page for sale!

 

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100<100

for the Kendall Yards first Friday artwalk in February, we’re doing one hundred pieces of art, each priced less than one hundred dollars! prints, originals, mini paintings and full sized works. it’ll be a mix of works by Traci Manley, Anji Marth, and Beth Swilling.

 

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getting tattooed with scars from self-harm-answers to common questions.

I’m not going to include many photos in this post, to provide my clients with some privacy.

 

don hertzfeldt tattoo

 

I’ve got some scars from self harm. I know a lot of people do. it can be really embarrassing, or feel shameful to have them seen. if they’re in really visible areas, it’s even worse.

I’ve had mine covered with tattoos (I stopped cutting years ago, when I was still fairly young). I’ve gotten images that remind me of what I’ve been through and of what I’d like my future to look like. I want you to know you’re not alone with this, first of all. I also want you to know that not only are you not alone, I have seen and tattooed worse scars than yours- burn wounds, surgical scars, all of it. yes, you may have done serious damage to yourself, but no- it’s not impossible to tattoo over it.

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If you want to do this, here’s a few things to keep in mind.

  • you have to stop cutting in that area and adjoining areas for at least a few months before we can start working on it. the skin can only heal so much at once, so nearby open wounds will mess up the healing process of the tattoo. if you can’t entirely stop SH/SI, try to go lighter and in a completely different area for a while before you come for a tattoo.
  • make a consultation time with me first. that way we can figure out the pattern and texture of your scars and skin, what areas are “ripe” for tattooing and which may need more time. scars should be a little bit settled in before we tattoo on them, so the ink will hold properly. a consultation gives us a chance to also meet up and discuss what your goal is with the tattoo itself.
  • it’s OK if your goal is ‘hide these’, it’s OK if your goal is ’emphasize these’, it’s OK if your goal is to stop SH/SI and it’s OK if your goal has nothing to do with stopping. I won’t judge. I won’t look down on you. I know that you have your own reasons, and you don’t have to explain that to me or go into detail. you don’t have to relive your troubles just so that I will tattoo you. my goal is to make you happy with your tattoo- that’s all. I’m just here to make something positive happen for you.
  • minimal, crisp, geometric, thin-lined, pale, wispy art doesn’t cover or hide scars. if your goal is to camouflage the scars, we will likely end up doing painterly, saturated, textured organic shapes of some kind. branches, trees, flowers, plants, animals. things that have volume and texture. if your goal is NOT to hide or cover the scars, let me know, so that we can work out what you do want to do.
  • scars that are fresh, still healing, or very livid usually don’t take ink very well. usually, moisturizing often with vitamin e and/or a good scar reducing lotion for a few months will fix this. this is yet another reason to stop harming the skin in the area you want tattooed and the surrounding area. we need to give your cell walls a chance to regenerate, to hold the ink in.
  • don’t be afraid to email me or contact me EVEN IF you aren’t coming to me for the tattoo. I’ve been through some shit and I know how intimidating it can be to walk in to strangers and talk about this stuff. I can always answer questions, possibly suggest understanding artists in your area, or even just listen. I think everyone deserves a good experience when getting tattooed, and I’m here for that if you need it.
  • you’re likely to get an endorphin high during or after the tattoo, similar to what you’d get from shallow cuts or abrasions. getting heavily tattooed was part of how I broke my cycle of self harm- I realized I could get that sensation in other ways. it’s almost the same chemicals released as a “runner’s high”- so just speaking from personal experience, running and getting tattooed are both good ways to get that little kick, without doing more damage.
  • come prepared to comfort yourself. your favorite blanket, pillow, headphones, dress in comfy clothes. self-soothing is totally welcomed in my space, I will never mock you for making sure you’re comfortable and feeling safe. bring a snack as well, or something you like to munch or drink (no booze!) you can bring a friend or come alone- whatever makes you feel safer.

 

yes, that's me

me getting my upper arms worked on.

if you need further information, email me, or, preferably, comment below. I’ll try to answer any comments I get here as quickly as I can.

 

it goes without saying that SH/SI is dangerous and you shouldn’t do it. we all know that. but I know, and you know, that sometimes it’s a thing we do to cope, and we can’t just stop until you find better ways to cope with all the bullshit life throws at us. I hope we all find better ways to cope, I hope everyone reading this is able to find things that help. I did-and if I can do a thing I am damn sure that you can do the thing.

I understand that it takes time and work so again-don’t feel ashamed. It’s just a thing some of us do. Be as safe as you can be.

 

(sterile saline wound wash, steri-strips, and clean hands help a lot)

 

xox

 

 

 

you just found the perfect tattoo idea online.

listen to me.

if you see tattoos and artwork online that you really like and would like to have tattooed on you, that’s totally a good thing. the next step is not to copy that thing exactly, but to find a tattoo artist whose work you like, bring them that thing, and say “I want something like this, and I like this piece because (reason you really like that idea)”

kjhkjb

the tattoo artist will tell you they can’t copy it, and will draw you your very own tattoo using your taste and that idea as a starting point. that’s what good tattoo artists do.

it’s OK if you printed it out, traced it, or saved it to your phone for us to look at. don’t panic. it’s OK. just tell us that you found it online and want something like it because (reasons you like it so much). seriously, it’s OK, bring it along and tell us why you like it.

it’s good when you find things you’d love to wear. showing us that stuff helps us figure out what your taste is, what qualities you want in the finished piece. it’s totally fine to want similar ideas to other people’s tattoos. it’s just not OK to try to copy exactly.

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find a good tattoo artist, then talk to them. show them things you like. show them that perfect tattoo and tell them why it’s perfect. they can make it fit YOU.

we get into tattooing because we like to draw. part of our job is to figure out how to draw a thing that fits you and nobody else.

the other part of our job is to be able to reproduce a thing exactly. so if you find tattoo flash, (it’ll be labeled “tattoo flash” and have the artist’s name attached) let us know!

because usually you, or we, can buy the rights to do that. cheaply. plenty of artists draw world that are designed to be sold as tattoos. if we know the source, we can often get permission. you can also ask us what we have drawn- most of us have flash, prepared art, ideas and sketches of things we’d like to do.

 

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keep in mind you don’t HAVE to find exactly what you want. find your tattoo artist first, then show them the things related to the tattoo you want. we can work from stick figures and bad explanations! it’s part of the job.

(also, if you lie and say you drew it, we know you’re lying. although the internet is big, the tattoo industry is small and we all know each other.)

 

 

 

over the holidays, December ’16

a few recent things.

 

I’ve added a few of the skull mounts to the shop section, I’m still photographing them and figuring out shipping costs.

mandala nipple tattoos IMG_20161223_194422_574

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December! the Inlander, and a few ideas.

I had an interview in the inlander, which was great. They were very easy to talk with and they quoted me correctly!

 

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also, a reminder; I’d like to do more works like the following images.

painterly flowers, solid black heavy rough edges, and high contrast works. winter is a good time to get a tattoo, mainly because it’s easy to heal this time of year. I’ll be at mom’s in Spokane (and in Eugene for the evergreen convention in March)

ukokprincess

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the missing flash

even though it was all stolen, I have every original drawing from ALL of these sheets, ready to tattoo!

 

flashresonanteye

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