2008, work gear.
It’s time for the yearly list of weird searches that have brought people here, and questions that I can answer in a few words.
I can see search terms that people have used to find my site so every year I trawl through them and find the ones that make me giggle- or the ones that are simple questions I can answer. This year was a good year for this.
if you don’t like spoilers or are too fragile don’t read any further and avoid the comments.
this dog was not harmed in the making of this death scene
I usually only watch horror films, spiced with the occasional psychological thriller,sci-fi indy film, or action flick. So recently when someone asked me what my favorite death scene was, from a movie, I first piped up with an obvious one from one of my favorite horror movies.
“No,” she said. “I mean for the impact it had on you. Not for the plot to advance.”
I had to think hard. I mean, very hard. There are so many deaths in the movies I watch, you see, and yet most of them are plot devices, not seriously meaningful beyond that. Not the kind of thing that affects me, really. I mean, even when I watch emotional movies, I don’t get very emotional, and I’ve never cried during a movie (books, yes. movies? no.)
So after a few days of deep thought, I’ve made a list. There are a lot of spoilers in it, and if you don’t like spoilers or are too fragile to handle knowing the end of something don’t read any further and avoid the comments. I’m serious, I’ll just delete comments complaining about spoilers.
There are a lot of great books on art out there, and I’m bound to miss a lot in my list. These are just books I have found incredibly helpful in my work, and which I refer to often.
These are not books of reference images (although I did come up in the time before google images took over, and every shop had its own reference library on site…I still can’t part with all those books!)
These are, instead, books about art in general, about art techniques, or about being an artist that I think apply very well to tattooing. If you have favorites that I do not list, please add a comment and link me to them! I read voraciously and love to find new sources of knowledge.
At least a few of these are free on kindle/ebooks, most are cheap, one or two are pricey, all are available and not rare.
An artist is not paid for his labor but for his vision.
To say to the painter that Nature is to be taken as she is, is to say to the player that he may sit on the piano.
~J. M. Whistler
I’ve been tattooing for a long time and I’ve worked on every conceivable shade of human skin. I’ve noticed that the most important thing isn’t usually how dark or light someone is (although that matters when you discuss tonal value and contrast) but the hue of a person, the underlying warmth or coolness of their skin.
Skin color is created by melanin, a pigment found in the upper layer of the epidermis. Tattoos lie beneath this layer, in the area between the epidermis and dermis. This placement of the ink prevents it from being shed with dead cells, by the top layer, and by being dispersed into the capillaries, in the bottom layer.
Since the ink itself lies beneath the epidermal melanin, looking at a tattoo is like looking through a tinted window. Except for albinos, everyone on earth has melanin in this skin layer. Some will have a ruddy skin tone, some a cold tone to their skin. Some will be dark, some light. Some freckled, and some smoothly pigmented.
healed palette test
Taking all of this into account when designing a tattoo is important. Tattoo ink is not opaque, but translucent, so you see through one tinted window, then through the ink itself. More than one factor has to be taken into account to make a great tattoo on uneven or darker skin tones.
my list of favorites… (new additions at the end)
the woman – domestic violence, rape, and revenge horror
possession (the one from the 80s) – monsters, divorces, and doppelgangers
altered – aliens and a hermit guy, innawoods
resolution – drug addiction, atmosphere, original premise, creepy spying, innawoods
slither – aliens, bad relationships, marriage, monsters
relic – bad science, monsters, sexy beasts
the seasoning house – brutality, warfare, rape, oppression, and revenge
from beyond – science, monsters, villianous experimentations
pontypool – language, viral plagues, zombies of a sort, bad day at the office
the grey – animal attacks, betrayal, isolation, survival horror, innawoods
the thing (80s) – brilliant. isolation, distrust, betrayal, aliens.
return of the living dead (any of the first three) – zombies that can speak.
dead end – dark humor, great acting, excellent dialogue, ghosts, innawoods
teeth – abstinence-only sex ed, incest, revenge.
trick r treat – werewolves, murderers, ghosts, pumpkins.
pieces – slasher film with lots of suspense moments.
pioughkeepsie tapes (if you’re a fan of true crime documentaries, you’ll love it)
s&man – mockumentary, self-referential to the horror genre and “extreme” video.
V/H/S – anthology film, harpies, ghosts, video nasties.
abcs of death – anthology, some artsy, some feminist, some violence, zombies.
the masters of horror series. varies
memories of a murder – serial killers, korean horror.
audition – best bad guy ever, gory
funny games – self-aware horror that breaks fourth wall
cabin in the woods – same
the pact – murders, ghosts, incest, abuse.
the host – monsters, claustrophobia
the frighteners – ghosts, bad cgi, JEFFREY COMBS’s BODY IS AN INSTRUMENT OF PAIN
the road (not the one with viggo in it. the foreign one)- ghost road
the shrine – demons, religions, eastern european fear
severance – killers, history, warfare, strife, business, bad days at the office, innawoods
andromeda strain – viral plagues, government fuckups
the mist – monsters, religious nuttery, perfect ending
the shining – domestic abuse, ghosts, evil places, creepy kids
the descent – claustrophobia, monsters, betrayal, great characters/acting, innawoods
anamorph – crime thriller, dark arts, murder
the stuff – consumerism, monsters, plagues, cassandra complexes, industrial espionage
troll – (NOT TROLL 2!) – naked julia louis-dreyfus, sonny bono, monsters, fairy badness, creepy kids
nightwatch – fate, monsters, secret worlds, russian behavior
primal – aussie mayhem, monsters, claustrophobia, isolation, innawoods horror
dogtooth – incest, abuse, control issues, isolation
barton fink – isolation, art horror, serial killers, mayhem, the life of the mind
call of cthulu – silent horror, monsters, elder gods, madness
dead man – existential horror, art horror, isolation, innawoods, ghosts
ravenous – cannibals, innawoods, isolation
american werewolf in london – monsters.
dog soldiers – monsters, betrayal, war games
may – social anxiety, medical weirdness, frankensteining
they live – a documentary
the changeling – possessed wheelchair, kid ghosts, perfect soundtrack
contracted – sexual repression, rape, body horror, gay rights being impeded
REAL THINGS THAT HAPPENED:
cropsey, dark days, the dust bowl (ken burns), tell me and I will forget, kinjongilia, reel injun, titicut follies, just melvin just evil, child of rage, a place for pedophiles, children underground, this entire series
When you ask most people “how should I promote my art?” you will often get well-meaning people, telling you “you should sell at *printsite*!” or “are you on *marketsy* site yet?” or even “maybe you should sell them on *auctionworld*!” “Do you have a *deviantshit* profile???” It’s as if they purposely misunderstood your question! “But I already sell on *somesite*!” You protest. “I already have a *americanartprints* profile, do I really need to be on *shirthoarders* too?”
You know, and I know, that you already ARE selling your work on a site like these. There is already at least one site out there with your work on it, for sale, clearly marked prices and all. What you need isn’t TEN MORE OF THOSE, you need PEOPLE TO GO TO THE ONES YOU ALREADY HAVE, and spend their money on your work. Yet asking how to do this never gets that kind of response! This is because most people have one or two sites they have heard of, vaguely, or bought something from once, and so they assume- if you are asking how to promote, it’s because you don’t even know where to list shit.
Most people aren’t trying to sell art. They’re buying it. So yeah- if ten people suggest *randomprintplace*, you should check it out, maybe. Because you already know ten people shop there. But be wary of paying for a bunch of shops or profiles on these sites, because they usually don’t offer much return. (If you DO need to know which sites to sell on, you’re not ready to promote the art yet. concentrate first on listing it, a lot of it, all in one place. I like redbubble for print-on-demand and squareup market for direct sales of originals. )
I keep my favorites to the left.
Let me guess- you post your work to facebook, twitter, tumblr, instagram, googleplus, wanelo, weheartit, pinterest, linkedin, and maybe even a few dozen other places like this. You’re exhausted. You put off making stuff because you spend way too much time in an endless round of liking and sharing and pinning and chatting with people who never buy a damn thing. Then you get caught up in talking to friends and family, and somehow the day is gone and you actually didn’t do anything you could call “work”. I know. OH TRUST ME I KNOW. Then you go look at your own site, your own blog on your own domain and there’s only like two views. Ghost town. Well, of course it’s a ghost town! You don’t live there, you live in social networks, and you don’t invite anyone there- you talk to them on facebook!
How many people on there do you NOT know? How many people on there BUY things from you that way? I know I get sales to previous clients or friends on these sites sometimes, so it’s tempting to post there a lot, and spend time interacting, and all that…and call that “promotion”. But it’s not, really. It’s not work-related, it’s not promoting, if you do it that way. It’s either time spent with friends hanging out, or you’re just creating content for free so someone else can make money off of your work.
How social sites work, you see, is that people who make things and write stuff, they post these things on that site. That site then slaps ads everywhere and rolls in the dough. If they find out they can charge you to post your work too, they will. They’ll take the ad money YOU and YOUR WORK attracted, and ALSO charge you too. Without your work and your writing and your time spent there, THEY DO NOT MAKE MONEY FROM ADS or datasharing or…or any money AT ALL. YOU ARE PAYING THEM TO GET PAID. There are solutions to this, which will be in the next section (if you click through)
Every bit of information about art can be applied to tattooing- especially information about composition. Here are some basic ways to do this-
How to get the bones from animal remains you find that still have a bit of meat on them, and which are not dried out:
Wear disposable gloves. Wild animals carry loads of diseases which you can in fact succumb to, such as rabies, flu, and even leprosy (YES, leprosy).
This is the low-investment method. You can also bury or macerate the remains to get the bones; but maggot cleaning will be less involved. You could get a beetle box, but maggot cleaning is less upkeep.
TEAL DEER:
DON’T FUCKING BOIL OR BLEACH BONES! IT DESTROYS THEM!
How to disinfect feathers (legal ones- domestic and game birds)
Find out if they’re legal to own!
Wear disposable gloves.
Be especially cautious with feathers, because bird flu is an actual thing. So is west nile virus, salmonella, and more…
TEAL DEER? MOST FEATHERS ARE ILLEGAL, DON’T BE A DUMBASS.
(you can find my work in these materials here or here)
originally written on: Aug 1, 2012
updated today
bride portrait
Originally published 12/5/2011
I was looking at the viewing statistics for the site here and noticed that one person among the couple hundred went through every post just about in the space of a day or two. OMG ARCHIVE BINGE! It made me extremely happy and I felt warm, and loved.
Whenever I find a site or an artist I like online I just read EVERYTHING from them, I will binge until I am reading their diary from ten years ago, if it’s posted. Like when I found crimelibrary the first time, or when I started looking at explodingdog. I just went nuts, spent all my internet time following the trail back to the start. I suddenly realized that you guys read my stuff and look at my site the same exact way I look at yours and that made me feel really good. So thank you, anonymous archive binge person, for making me both happy and more educated about what I am trying to do, and how people feel about it.
THEN- I have gotten a slew of emails from total strangers, asking questions, tattoo and art process stuff, and general sort of things. I LOVE talking to you guys. Man, if you’re reading my stuff someplace and suddenly have a question, and you email me that you like my things and want to know the answer, I get sweaty excited about it. It makes me feel good- I love sharing information, and while I am not the most educated or the most knowledgeable about everything the things I DO know I love to share. And sometimes even if I don’t know, I can send the question to someone who does. And that feels great too.
.
And also- I spent the last few days interviewing a series of artists for a longer article I’m putting together. I’m working hard to write something useful about it. It’s taking me some time to assemble but I think it’ll be good. Talking to new people who get it, and who are working in smaller ways to affect the world- people who put their hands on the work and make things that have deeper meaning as well as visual aesthetics- that’s been really eye-opening and inspiring to me too.
Oh, and, last of all, I spent a day making paper. That was fun as all fuck, too.
I love talking to people about art. I don’t know how approachable I seem but really, I like talking to new people and I really feel great when I can help someone, give information, or just even see that people are interested in what I’m doing. So thanks guys for reading along.
If you have questions for me to answer, let me know in the comments. Or email me!
(you can find more of me by googling resonanteye, I am literally everywhere online. I talk to all the strangers!)
DON’T GET TATTOOED IN SOMEONE’S BASEMENT
Tattoos done in a home, in prison, or in an unlicensed facility carry grave health risks. This article is about the health risks associated with being tattooed in a clean, licensed, and proper tattoo facility- NOT about home tattoos or jail tattoos. Those are TOO DAMN RISKY FOR ME TO EVEN TALK ABOUT.
In some states, tattoo artists and studios are regulated by the state and have to meet health requirements. In some states this goes so far as to test artists for various communicable diseases. In others, it merely requires training in the control of bloodborne pathogens and sterile, disposable equipment. Studios will usually not tattoo anyone who is intoxicated on any substance, or who is under the age of 18. Most states have laws pertaining to this, and most studios will turn away anyone who is incapable of legally signing a consent form.
This is a unique website which will require a more modern browser to work!
Please upgrade today!
