the struggle to decide; prints or not? downloads or not?

(originally published Published on: Sep 5, 2013)

I always struggle with the question of whether to make downloads of my work available, or prints. In one way, I hate doing it, because I like the idea of something I made with my own hands going to your hands, as it is, with no other stuff there. Then I realize some things.

  • If I was a musician, I’d sell records, not just perform live.
  • I can only make so many original things, in so much time.
  • I’d like to be able to earn enough from my art to make it worth the time and energy (see footnote)
  • I have to eat.
  • Many people want to be able to enjoy my work but couldn’t afford the cost of an original.
  • I can’t manage shipping and storefronts online and promotion for all of that, and STILL HAVE TIME FOR MAKING THINGS.

I will take these point-by-point.

shirtsIf I was a musician, I’d sell records. I’d want more people to enjoy my work than I could perform for in person. I’d want people to be able to take me anywhere with them. If I was a writer, I’d print books of my work. I wouldn’t expect people to only access my work through attending readings, or by buying the hand-written manuscript. I’d want my work to be accessible, something people could enjoy.  I also would maybe still sell the manuscript, or some signed first editions…but the books would be published, out there, even on a kindle.

I have two hands. If I work the equivalent of fulltime hours, I can make maybe four things, of substandard quality, in a week. I can make maybe one or two things of good quality in a week. I can make one great thing a month. Now…how much is minimum wage? Should I set all the art aside and get a job at McDonald’s? Because if I can only sell a piece of art one time, mcdonald’s will pay better, and maybe I should set this art stuff aside permanently and get a real job…I can only make so much stuff with my own two hands. But if I sell prints and let people download the works, I can post it – set it and forget it. I can sell those while I am busy making other new things, and can continue to make money from a piece for years sometimes, long after the original is sold or destroyed.

I love making art. I spend all my time making things. I do have to eat. So therefore I have to charge money and sell my work- my choice is, work a job which takes all my time, and rarely make anything, or sell my work at a reasonable price and live off that money. I love making art. The process of actually making things, well, I will do that no matter what. I’ve had my Kafka years, working fulltime then coming home and putting in another eight hours painting. But my work wasn’t as good. And I had no time to show it to anyone. I need the time to show my work- to scan it, photograph it, share it, post it. If I don’t make any money from a piece, I’ll still MAKE the piece- but I will not spend the time posting it and discussing it and sharing it with you, or with anyone. If I was lucky enough to have inherited wealth maybe I’d have that kind of luxury, but I don’t. I wish I did, really.

EPSON MFP imageAnd yeah- YOU GUYS are broke too! I mean everyone is hurting. Being poor shouldn’t mean you can’t enjoy or own art! I want to make things accessible to everyone as much as possible. So- digital downloads. Most people have a printer- or access to a library with a printer in it- and can pay me a few dollars for a file, take it there, pay a buck or two to print it, and hang it up. Prints are next in line- the quality will be better, professional grade, the print will last longer, years even. Limited run? Why? It seems like a waste of time, of energy. I put my initials and a number on them and they’re magically worth more somehow? No. I do handpainted prints though- the next higher price things- and those are fun. I can take an hour and embellish a painting I already did- make new details on it, play around. The buyer gets something unique, like an original, and I get to play…

I spend maybe an hour or two a day online writing copy for my work, explaining it, discussing it, sharing technical stuff, writing, posting, and keeping track of what has sold. I spend another hour or so every day taking photos, scanning, fixing the damn scanner. And another hour every other day packaging stuff to mail out, trying to keep track of what goes where. I am not good at any of these things. They are REAL WORK, hard work I don’t enjoy very much. I’d rather be actually making things. So this work- I need to streamline it, make it as handsfree as possible. Selling originals is difficult. I have to post it everywhere, and hope the right person sees it, and then once it’s sold, do it again, the entire process, from documenting the work to explaining it to answering questions and pricing it and packing it and shipping it. All that work has to be done completely from scratch, every time I sell an original.

A print? I scan it, touch it up, post it, and it’s done. I can leave it there, just like that, for years. People can buy it a year later, without any additional work from me. It’s what they call a secondary income stream, and as an artist working alone I NEED that to happen as much as possible. It frees up my hands for making more better things. The digital downloads are the same- even easier, in fact. There’s no parameters to set, no material-checking, no worrying about quality control. It’s set and forget.

EPSON MFP imageSo, in order to be able to make more and better art, and in order to live, I sell originals, downloads, AND prints of most things. I charge people a tiny bit extra if they buy an original and only want me to do a limited run of prints. I charge A LOT extra if someone buys something and wants me to make no prints at all…for example, A painting I make- the original is a hundred bucks. I will probably (if it’s a good painting) make another two hundred off of prints and downloads of it over the course of a year. For me to sell ONLY THE ORIGINAL and still pay my rent, I have to charge three hundred for that original, now.

Should I do that? Sometimes I want to. Because I love the idea of something I made with my own hands, being in YOUR hands, with nothing in between us. Also because I like originals myself. But I can’t manage to, or figure out how to, promote myself well enough to always sell my originals, let alone for three times what I have them priced at now. So unless a magical fairy of promotion comes and makes me famous or rich, without charging me anything or requiring more of my time to work it…I will keep selling prints and downloads, of nearly everything I make.

I love you guys. Those of you with two bucks, and those of you with a million. You’re all people I like, and I want you all to be able to touch and enjoy my work.

serial killer portraits, originals.

Here we go, the full list (so far) of originals and prints for all my serial killer portraits. Click the image to see it bigger- and here’s a link to prints of these, Please go buy one there, as I am no longer producing handmade prints of this series. For originals, which I do have available, please email me. 

I started working on these because I have an inordinate fondness for true crime books, movies. Because I love gory things, horrorful stuff, and always find it fascinating that some people behave this way. (here’s an interview crimelibrary did with me, which explains a bit further.)

I also remember what Richard Chase said- that he didn’t choose his victims, he just tried doors until he found one open- because if it was locked he wasn’t welcome there. I think that sums up a lot of the phenomenon. Serial killers, sociopaths, they exploit our human weaknesses, and yet they don’t see others as human. It’s very interesting to me, the way watching predators on nature shows is interesting to me.

The first set of these I did are cannibal killers- the second set, which I am still working on (and which starts with Gacy, Martha Wise, and Albert Fish) are parental figures who were also serial killers. That set will be pretty big, as a lot of serial killers were parents, and upstanding citizens by their neighbors and friends. I plan to work with images of necrophiles after that, such as Gein, Bundy. That set should actually include Kemper, but I liked his story so much I worked on him already. Click through to see the rest of the collection so far! (more…)

Three things I miss about 1989.

tumblr_llv78nlRaH1qepg0fo1_500I miss watching Female Trouble a few times a week.


It was the first movie I had ever seen that completely acknowledged how I felt about life, that made perfect sense to me. It was reassuring in all the right ways and it influenced my speech, my life in fact. It made me feel all right about being a xenophile, and being unable to fit in. We were strange people and the world shit on us regularly- and somehow this movie made it all ok, because it meant there was a whole world of other strange people out there, and they all had been through it and survived. 

And yes, it came out in 1974- around when I was born(ish). But I saw it in 1989 and that for me is the era I associate it with, being that I was only a toddler when it was made.

(more…)

SYTYN zine, 1993

When I was much younger I put together about ten issues of a zine.

This was in the early 90s, when such things were able to be picked up at bookstores, record stores, and the like.

I loved zines, loved them so much.

I built this with the assistance of my good friend and roommate Jen, she wrote a lot of stuff and drew things.

It’s amazing to look back and see how much and also how little my politics and deeper feelings have changed over the years.

more after the jump…

(more…)

The Secret Soul of America

images (2)I know a lot of folks from other nations who have a poor perception of Americans. They usually refer to wars, police actions, attacks, and poor choice of presidents as their reason for believing something terrible about us. They are missing the key to changing all those terrible things we do-
We are not bad people. In fact, we have a secret soul.

I know, you’re thinking of the blues, or of rap, or of Mark Twain, or about our affable naivetie. This is not what I mean.
Mr. Rogers. He is, in fact, the secret soul of the US.

(more after the jump)

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My dog is a bit paranoid.

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also yes, I’m going to clip his toenails right NOW. yeesh, they grow like weeds.

Charity work, part one- Women.

51b6a0c0 (64)Tomorrow I’ll be doing some charity work for a group I highly admire, who have assisted me personally in the past.

If you’ve ever been the victim of a sexual assault, RAINN can help. They even have online chat support, people you can talk to online. This is pretty good news for a lot of people- part of the way an abusive situation can manifest is in agoraphobia, or fear of the telephone. For some people even being able to call for help is impossible. And for those people, RAINN provides an online support mechanism.

If you need help, to get away from an abusive situation, or to get help coping with a past sexual assault or abuse, follow this link http://rainn.org/get-help/national-sexual-assault-online-hotline to the online support group.

 

If you want to help, you can become a volunteer for the new National Sexual Assault Online Hotline and be a part of this generation’s most innovative source of support for victims of sexual violence. For more info, and to sign up, visit http://www.rainn.org/get-involved/volunteer-for-RAINN/ohl-volunteer.

 

I owe them my life, pretty much. I have for many years. I am finally settled in with a kindly, gentle man, in a safe place, without any of the troubles I have at other times had in my life. I’m capable of helping, finally. If you too can, please do!

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I’ll be posting my charity plans/works weekly as I go through the summer. My next charity post will be Animals, and time spent volunteering at the shelter.

“dwelling portably, formerly known as Message Post, Sept, 2001-2005”

Printed originally in “dwelling portably, formerly known as Message Post, Sept, 2001-2005”

A tightly-printed little stapled zine, Dwelling Portably was printed in Philomath OR. I have three or four issues of it, and it would be almost two novels’ worth of typing to get them posted online in their entirety. This zine is CRAMMED with text, tiny tiny text. I’ll try to get the more interesting snippets up.

“”about Chaz’s hobo castle and Ozark land,

I don’t recommend building around campers. Building around something is much more difficult, and the result is not a new building because this old thing is in there. Better to start from scratch and, if you do a good job, you will have something worthwhile when you’re done. If I was doing it again, I would build a straw-bale house.

I now have a far better toilet system, inspired by Joe Jenkins’ Humanure Handbook. I now cover with sawdust, then compost. If done properly, the heat will kill all pathogens, and, in two years, I’ll be able to use the compost directly on my garden. Eastwind Community has successfully used this system for several years, and fertilize their extensive organic gardens. I helped collect one day.

(more…)

We believe in nothing, Lebowski.

I am an atheist. Well, technically, I am a nihilist.

Atheists tend to believe in the good nature of humanity, or the ability to make the world a better place, or willpower, or some such like. A lot of them enjoy viewing the Universe as a remarkable place full of wonder.

A lot of them want to build community, work together to improve life for everyone. Many are generous and kind, and think that empowerment of others is a good thing. Most atheists are dedicated to making this world, the only world they believe in, a better place in general.

I like atheists. I like them a lot. You can tell that a lot of them are optimistic about humanity’s chance to survive, about our ability as human beings to turn around the destructive forces within us. Forces like hate, religion, patriotism, racism. Most atheists I know want some kind of peace, some way to make it easier for human beings to work together.

They aso are very curious about the way the world functions, about the mechanics and the meaning of it all, in ways that religious people simply are not. Religions answer all the questions, without giving any explanation, and to question is heresy. For atheists, questioning and finding explanations is the purpose.

Did I say I like atheists? Because I really, really like them.

Anyway, I’m a bit more of a nihilist. I think the human race, as a species, is doomed to certain extinction, and sooner rather than later. I think that it’s already far too late to do anything like make vasectomies and abortion mandatory and oil and fossil fuels illegal; I think we have passed the window in which such drastic measures would have saved us. We’ve pretty much shitted this place up beyond repair.

The world will go on. The earth and whatever animals and plants manage to evolve to suit the coming changes. Humanity, on the other hand, I do not think will persevere. We haven’t destroyed the planet, only our own chances of surviving on it. If perhaps we’d been able to overcome our lizard-brains long enough to stop breeding and greeding, we might have staved it off.

But now- with the top tiny number of humans in control of almost all resources, and the rest frothing at the bit to revolt- it is likely too late for turning back.

I may be an old woman when this happens, or I may not live to see it. Or it could begin now, tomorrow, tonight. I have no way of knowing. But I will, as all humans do, live out my life. If that means a grim aeon in a cage or cell, so be it. If it means eating soylent green, ok then. If it means starving or being shot, well that’s what happens to some humans, right?

We’re all doomed to die. It’s a certainty. And we’re doomed to die OUT, as well.

People who are breeding, driving massive SUVs, cutting forests, and the like- well, technically that’s evil. If I believed in such a thing. What was once the highest purpose for most people- hoarding and breeding- is now the worst imaginable modern demon. Greed and narcissistic reproduction have been allowed to flourish until- now- we are all doomed.

All of this is not to say that I do not enjoy my life. My life is all there is, and right now, it’s enjoyable. I will always want to know what happens next, even if my doomsaying nature thinks it can’t possibly be anything good.

Also, it’s fun to watch atheists try. They would give me hope, if I believed in such a thing.

And yes I know- I’m not supposed to talk about what I really think or believe. I’m supposed to be mute, or at the very least neutral, or else nobody will want to buy my art.

I’m sorry- but Picasso was an avowed womanizer and plenty of conventionally-moral women hung his works in their home. Van Gogh publicly adored hookers, and now the middle class has bunches of sunflowers in their front rooms.

I feel that if someone likes my art, they like my art, and will buy it. If they don’t personally like me, it shouldn’t matter- it adds strength to the story behind the piece, actually. (“I got it from this eccentric crazypants”) And if people disagree with me, I suppose I will just starve, as most vocal artists tend to do.

It’s our punishment, you see. Society likes to watch us frustrated, poor, and suffering. They don’t like their artists rich, fat, and happy- they save that for people whose skill is in manipulating others, owning cheap labor. and moving it from place to place.

enough ranting, time to draw.

watermarking images.

spider skeleton mount taxidermy artI’ve seen my work posted and reposted a lot online (it probably started in earnest, with my work, when this image was the main image on the wikipedia “tattoo” entry for almost a year) and I’ve never really thought about the amount of people who may be seeing it with no idea who made it.

A few things recently made me consider starting to watermark my stuff with this site’s address. First, I was looking at sketches done by some artists on a social network site I use, and found a sketch of my spider monkey mount’s skull and jaws. It was a great sketch, and I commented on it saying I loved that someone was using my work as inspiration. The artist blew it off, saying “Yes, I found this randomly online.” They had no idea they were talking to the creator of the work they were (tracing) drawing.
I explained that it was my work, she was excited to find out where it came from, we made friends.
It was a really good sketch.

Then, I found my spider skeletons posted to a russian site- and have no idea what on earth it says, whether it links back to me (update- it does) or not, and would love to comment but have no idea which buttons are for commenting or anything since I don’t read cyrilic.

Should I start watermarking things? I’d love it if every time my work was reposted or re-used, someone new came to see the rest of what I do, came here and maybe even said hi or spoke with me.
Having the site address on each photo is something I have alternately been too obstinate, or too lazy, to do. I don’t think even if I did this, that I would have the patience to go back and watermark all my older images (about twenty thousand images of my various works exist online) but maybe, going forward, I should make the effort.

What do you think?

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