more things I did in roseburg!

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halloween and horror arts.

I make a lot of creepy things.

witchiowl

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il_170x135.324889630 shy owl EPSON MFP image shirts wpid-IMG_20131002_174925.jpg turtle springmorning

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Some of the prints!

 

spider skeleton taxidermy mount

devil, pig, bat, black cat, witch tattoo flashalkonost., harpy, painting, art for salered rose tattoo artdeer hunter tattoo artwalrus totem art, lolrus, animal art, painting

 

All original except those that have sold, available via my store page. Go buy something~! Or share anything online, if you like it. I like being pinned, reblogged, signal boosted, reddited, tweetered, facebooked to grandma, even myspaced. xox

Published on: Sep 5, 2013

hand-painting prints


Sometimes I feel like just making prints of a painting isn’t enough.

I feel like- man when I buy stuff, I buy prints because I like the artist but can’t afford a bigger piece- but I always feel like it’s not as good as an original. So I end up kind of going halfway sometimes, and painting over a print of my own work.

I’ll do the painting first.

I did this in watercolor and colored pencil on plain tinted paper,then painted over the prints with blood and white highlights.

If you plan to try this, make sure your original art has decent contrast and a solid area or three where detail or added color would add, rather than detract, from it.

further instructions after the break:

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new works and a snake and fish in progress!

I’ve been painting the last few days. It’s so hot that I only go outside if  absolutely have to..
I’ve been adding things to my square shop slowly but surely too.

Here’s some of the new stuff that’s finished:

 

And here’s a snake I’m working on:

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EPSON MFP image

AND a fish from start to finish.

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why does everything have those three lines and/or dots in it?

I always use three lines/three dots on anything I do. Sometimes they’re front and center, the focal point of the art, and Sometimes they’re obscured- hidden in the backdrop or repeated in a pattern so as to be less noticeable.

I began doing this because of the greek character Ξ, Xi. There’s a few layers of meaning there, and all of them combined made me interested in the symbol/shape, and that interest led to me using it as a part of my signature for a while. After that it migrated, getting further detached from my initials, and becoming more a part of the artwork. And from there it just sort of infiltrated every piece I make.

Back in the 80s-90s I was really interested in mindhacks and psychedelics and pTv and related art and music.

I did some work with sigils. I’m not a believer, not even agnostic, but I do know that our subconscious is a strong force, and that affecting it, changing it, tinkering in there, can bring some odd results. Working with visual symbols is one of my ongoing experiments- using an eye as the main focal point in a painting that is smaller and might be stolen from a gallery (even the most abstract eye affects the behavior of the people around it- see this study for details) or using hands, in various gestures, to suggest action to the viewer.

So while I have an abiding interest in all these things I am not any kind of believer. I do entertain the idea that Jung may have had a good point about how symbols and visual cues lead us, and have an impact on our lives, so it’s always been my effort to find ways to incorporate these things, at least subtly, into my work. The three lines/dots is a personal symbol, though, which I use in my art to influence MYSELF. So in the sense of it meaning something to the viewer, maybe- it’s done intentionally as a prompt to myself while working, though.

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brainpan

10354092_10152260725527712_8901077227845494865_nBased on some Tibetan gore art I looked over recently.brains

All watercolor, brush and ink. 22×30″ on 300# kilimanjaro coldpress.

Yeah it’s warped (drying) in these images.

not for sale, made as a gift for a friend.

might make prints before I give it away, I haven’t decided yet.

PRINTS AVAILABLE HERE!

click through for more process shots and a full view of the finished piece.

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the struggle to decide; prints or not? downloads or not?

(originally published Published on: Sep 5, 2013)

I always struggle with the question of whether to make downloads of my work available, or prints. In one way, I hate doing it, because I like the idea of something I made with my own hands going to your hands, as it is, with no other stuff there. Then I realize some things.

  • If I was a musician, I’d sell records, not just perform live.
  • I can only make so many original things, in so much time.
  • I’d like to be able to earn enough from my art to make it worth the time and energy (see footnote)
  • I have to eat.
  • Many people want to be able to enjoy my work but couldn’t afford the cost of an original.
  • I can’t manage shipping and storefronts online and promotion for all of that, and STILL HAVE TIME FOR MAKING THINGS.

I will take these point-by-point.

shirtsIf I was a musician, I’d sell records. I’d want more people to enjoy my work than I could perform for in person. I’d want people to be able to take me anywhere with them. If I was a writer, I’d print books of my work. I wouldn’t expect people to only access my work through attending readings, or by buying the hand-written manuscript. I’d want my work to be accessible, something people could enjoy.  I also would maybe still sell the manuscript, or some signed first editions…but the books would be published, out there, even on a kindle.

I have two hands. If I work the equivalent of fulltime hours, I can make maybe four things, of substandard quality, in a week. I can make maybe one or two things of good quality in a week. I can make one great thing a month. Now…how much is minimum wage? Should I set all the art aside and get a job at McDonald’s? Because if I can only sell a piece of art one time, mcdonald’s will pay better, and maybe I should set this art stuff aside permanently and get a real job…I can only make so much stuff with my own two hands. But if I sell prints and let people download the works, I can post it – set it and forget it. I can sell those while I am busy making other new things, and can continue to make money from a piece for years sometimes, long after the original is sold or destroyed.

I love making art. I spend all my time making things. I do have to eat. So therefore I have to charge money and sell my work- my choice is, work a job which takes all my time, and rarely make anything, or sell my work at a reasonable price and live off that money. I love making art. The process of actually making things, well, I will do that no matter what. I’ve had my Kafka years, working fulltime then coming home and putting in another eight hours painting. But my work wasn’t as good. And I had no time to show it to anyone. I need the time to show my work- to scan it, photograph it, share it, post it. If I don’t make any money from a piece, I’ll still MAKE the piece- but I will not spend the time posting it and discussing it and sharing it with you, or with anyone. If I was lucky enough to have inherited wealth maybe I’d have that kind of luxury, but I don’t. I wish I did, really.

EPSON MFP imageAnd yeah- YOU GUYS are broke too! I mean everyone is hurting. Being poor shouldn’t mean you can’t enjoy or own art! I want to make things accessible to everyone as much as possible. So- digital downloads. Most people have a printer- or access to a library with a printer in it- and can pay me a few dollars for a file, take it there, pay a buck or two to print it, and hang it up. Prints are next in line- the quality will be better, professional grade, the print will last longer, years even. Limited run? Why? It seems like a waste of time, of energy. I put my initials and a number on them and they’re magically worth more somehow? No. I do handpainted prints though- the next higher price things- and those are fun. I can take an hour and embellish a painting I already did- make new details on it, play around. The buyer gets something unique, like an original, and I get to play…

I spend maybe an hour or two a day online writing copy for my work, explaining it, discussing it, sharing technical stuff, writing, posting, and keeping track of what has sold. I spend another hour or so every day taking photos, scanning, fixing the damn scanner. And another hour every other day packaging stuff to mail out, trying to keep track of what goes where. I am not good at any of these things. They are REAL WORK, hard work I don’t enjoy very much. I’d rather be actually making things. So this work- I need to streamline it, make it as handsfree as possible. Selling originals is difficult. I have to post it everywhere, and hope the right person sees it, and then once it’s sold, do it again, the entire process, from documenting the work to explaining it to answering questions and pricing it and packing it and shipping it. All that work has to be done completely from scratch, every time I sell an original.

A print? I scan it, touch it up, post it, and it’s done. I can leave it there, just like that, for years. People can buy it a year later, without any additional work from me. It’s what they call a secondary income stream, and as an artist working alone I NEED that to happen as much as possible. It frees up my hands for making more better things. The digital downloads are the same- even easier, in fact. There’s no parameters to set, no material-checking, no worrying about quality control. It’s set and forget.

EPSON MFP imageSo, in order to be able to make more and better art, and in order to live, I sell originals, downloads, AND prints of most things. I charge people a tiny bit extra if they buy an original and only want me to do a limited run of prints. I charge A LOT extra if someone buys something and wants me to make no prints at all…for example, A painting I make- the original is a hundred bucks. I will probably (if it’s a good painting) make another two hundred off of prints and downloads of it over the course of a year. For me to sell ONLY THE ORIGINAL and still pay my rent, I have to charge three hundred for that original, now.

Should I do that? Sometimes I want to. Because I love the idea of something I made with my own hands, being in YOUR hands, with nothing in between us. Also because I like originals myself. But I can’t manage to, or figure out how to, promote myself well enough to always sell my originals, let alone for three times what I have them priced at now. So unless a magical fairy of promotion comes and makes me famous or rich, without charging me anything or requiring more of my time to work it…I will keep selling prints and downloads, of nearly everything I make.

I love you guys. Those of you with two bucks, and those of you with a million. You’re all people I like, and I want you all to be able to touch and enjoy my work.

hand of doom, ancient aliums and flowers.

563917_10150950782782712_317334313_n 10382451_10152208414317712_4743554048112002914_n 10313588_10152208858407712_8462537469363611427_n 10367174_10152208530892712_173987794698938486_n10463948_10152208794702712_1283401893093453263_nYesterday was great!

I tend to have good conversations with my clients, and the whole day I spent talking to awesome people about hilarious things.

I didn’t get to do my bird drawing (he chose the hand of doom instead) but I’d still love to do it on someone…

I’ll be back at work saturday- I go to the dentist tomorrow, wish me luck.

Oh and also, some more new and old art for sale at the bottom here. I’ve been revamping my printshop a little, so go take a peek!

framing works to bring to Seattle.

CAM00408I’m bringing a few paintings to Seattle with me to hang at Laughing Buddha; these pieces will be for sale there after this weekend. They’re originals. I only sliced my hand once framing and matting them!

I’ll be tattooing there, one more guest spot, from the 7-16 of June, too. I’d love to do some floral work, birds, or op art this trip, so if you are interested in getting some work done by me while I’m there hit me up by email (there’s a link to contact me at the top of the left sidebar on this page!)

 

 

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