the struggle to decide; prints or not? downloads or not?

(originally published Published on: Sep 5, 2013)

I always struggle with the question of whether to make downloads of my work available, or prints. In one way, I hate doing it, because I like the idea of something I made with my own hands going to your hands, as it is, with no other stuff there. Then I realize some things.

  • If I was a musician, I’d sell records, not just perform live.
  • I can only make so many original things, in so much time.
  • I’d like to be able to earn enough from my art to make it worth the time and energy (see footnote)
  • I have to eat.
  • Many people want to be able to enjoy my work but couldn’t afford the cost of an original.
  • I can’t manage shipping and storefronts online and promotion for all of that, and STILL HAVE TIME FOR MAKING THINGS.

I will take these point-by-point.

shirtsIf I was a musician, I’d sell records. I’d want more people to enjoy my work than I could perform for in person. I’d want people to be able to take me anywhere with them. If I was a writer, I’d print books of my work. I wouldn’t expect people to only access my work through attending readings, or by buying the hand-written manuscript. I’d want my work to be accessible, something people could enjoy.  I also would maybe still sell the manuscript, or some signed first editions…but the books would be published, out there, even on a kindle.

I have two hands. If I work the equivalent of fulltime hours, I can make maybe four things, of substandard quality, in a week. I can make maybe one or two things of good quality in a week. I can make one great thing a month. Now…how much is minimum wage? Should I set all the art aside and get a job at McDonald’s? Because if I can only sell a piece of art one time, mcdonald’s will pay better, and maybe I should set this art stuff aside permanently and get a real job…I can only make so much stuff with my own two hands. But if I sell prints and let people download the works, I can post it – set it and forget it. I can sell those while I am busy making other new things, and can continue to make money from a piece for years sometimes, long after the original is sold or destroyed.

I love making art. I spend all my time making things. I do have to eat. So therefore I have to charge money and sell my work- my choice is, work a job which takes all my time, and rarely make anything, or sell my work at a reasonable price and live off that money. I love making art. The process of actually making things, well, I will do that no matter what. I’ve had my Kafka years, working fulltime then coming home and putting in another eight hours painting. But my work wasn’t as good. And I had no time to show it to anyone. I need the time to show my work- to scan it, photograph it, share it, post it. If I don’t make any money from a piece, I’ll still MAKE the piece- but I will not spend the time posting it and discussing it and sharing it with you, or with anyone. If I was lucky enough to have inherited wealth maybe I’d have that kind of luxury, but I don’t. I wish I did, really.

EPSON MFP imageAnd yeah- YOU GUYS are broke too! I mean everyone is hurting. Being poor shouldn’t mean you can’t enjoy or own art! I want to make things accessible to everyone as much as possible. So- digital downloads. Most people have a printer- or access to a library with a printer in it- and can pay me a few dollars for a file, take it there, pay a buck or two to print it, and hang it up. Prints are next in line- the quality will be better, professional grade, the print will last longer, years even. Limited run? Why? It seems like a waste of time, of energy. I put my initials and a number on them and they’re magically worth more somehow? No. I do handpainted prints though- the next higher price things- and those are fun. I can take an hour and embellish a painting I already did- make new details on it, play around. The buyer gets something unique, like an original, and I get to play…

I spend maybe an hour or two a day online writing copy for my work, explaining it, discussing it, sharing technical stuff, writing, posting, and keeping track of what has sold. I spend another hour or so every day taking photos, scanning, fixing the damn scanner. And another hour every other day packaging stuff to mail out, trying to keep track of what goes where. I am not good at any of these things. They are REAL WORK, hard work I don’t enjoy very much. I’d rather be actually making things. So this work- I need to streamline it, make it as handsfree as possible. Selling originals is difficult. I have to post it everywhere, and hope the right person sees it, and then once it’s sold, do it again, the entire process, from documenting the work to explaining it to answering questions and pricing it and packing it and shipping it. All that work has to be done completely from scratch, every time I sell an original.

A print? I scan it, touch it up, post it, and it’s done. I can leave it there, just like that, for years. People can buy it a year later, without any additional work from me. It’s what they call a secondary income stream, and as an artist working alone I NEED that to happen as much as possible. It frees up my hands for making more better things. The digital downloads are the same- even easier, in fact. There’s no parameters to set, no material-checking, no worrying about quality control. It’s set and forget.

EPSON MFP imageSo, in order to be able to make more and better art, and in order to live, I sell originals, downloads, AND prints of most things. I charge people a tiny bit extra if they buy an original and only want me to do a limited run of prints. I charge A LOT extra if someone buys something and wants me to make no prints at all…for example, A painting I make- the original is a hundred bucks. I will probably (if it’s a good painting) make another two hundred off of prints and downloads of it over the course of a year. For me to sell ONLY THE ORIGINAL and still pay my rent, I have to charge three hundred for that original, now.

Should I do that? Sometimes I want to. Because I love the idea of something I made with my own hands, being in YOUR hands, with nothing in between us. Also because I like originals myself. But I can’t manage to, or figure out how to, promote myself well enough to always sell my originals, let alone for three times what I have them priced at now. So unless a magical fairy of promotion comes and makes me famous or rich, without charging me anything or requiring more of my time to work it…I will keep selling prints and downloads, of nearly everything I make.

I love you guys. Those of you with two bucks, and those of you with a million. You’re all people I like, and I want you all to be able to touch and enjoy my work.

New rose tattoo and spinster shirts!

sppI have been ill, so I haven’t been the usual powerhouse of prolificity (is that a word?). Instead, I have been nursing my belly, and resting. I had a good solstice and as I write this, tomorrow is xmas eve.

The days before solstice I finished up a commission (which I’ll be posting soon) of a magpie with some roses, which was incredibly fun. I did it for a friend of mine, a supporter. She’s rad. I also did some sketches of seasonal hare paintings, which will be my main project in early January. And the rest of the time? When I felt well enough, I got caught up with making shirt designs.

A few people have asked me, so I thought I’d make sure you knew, you can order these in any size, any color- a few are even in kid’s sizes too. Just look to the right on the listing page, and use the little chart and dropdown to choose. Under each image there, you can see options like kid’s sizes, hoodies, or shirt style as well.

Here are the shirts I’ve been working on from my own art…

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blogjam, yay!

BEST. COMIC. EVER, just did a comic about me being brutal!!!

It’s great! If you browse through the comic’s archives, you’ll see why I love blogjam so much. Also, he made me look very…dapper, in the comic, which I think is hilarious.

Awesome!

(*I’m also really stoked because I am right after JOHN WATERS in the comics…oh my gawd I love him so much.)

 

Published on: Apr 19, 2009

“Heiliges Rochus”, canid skull mount with quilling, wings, and gilded frame

grey fox skull with wings
Originally Published on: Mar 19, 2012

St. Roch is the patron saint of dogs.

He is also a preventer of the plague.

he remained behind during the plague to treat people; he himself became ill. he went into the forest to die, but a dog (who is not named in any story) brought him bread and licked his wounds, saving him.

This is made from a grey fox skull, sea urchins, rockdove wings, and quilling done with paper I made myself. the tattered roses are preserved in glycerin and poly so they will stay just as they are. All mounted in a gilded frame.
I’ve got another quilling project in the works, I’ll post some progress shots this week.

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print edition of poetry book!

tar and gravel51E8o9iuGgL._AA200_

The print edition of my poetry book is now available!

For those of you who prefer actual ink on paper.

The book of essays goes to print tomorrow, there’ll be a kindle edition of that one as well. Pick one up! Or get both, that’d be awesome too. Or share the link with people who like poetry, the kooky bastards.

I’m pretty excited about all this. I’d never have done it without prodding, but now that it’s done and published I feel good about it. I’ll post links to the second book tomorrow once it goes live, and probably put a few new paintings up later tonight too (I have one or two things almost finished) 

UPDATE: Print and kindle editions of the essay/art/tattoo book are here!

The third book in the series will be mostly images: that one won’t be out til nearer the end of the month. And I am planning a kickstarter this month, for the horror coloring book, I’ll update when both of those projects begin!

Originally Published on: Oct 4, 2013

some trees I have made, tattoos and the like.

I love trees. 

Most of the tattoo trees I do are drawn on the skin, in marker, right before being tattooed. That way the person getting the tattoo can control the size and scale better, and I get a better feeling for the flow the tree needs to have to fit on three dimensions. I go outside and look at trees. That’s what I use for reference-I take a lot of photographs of trees as well. I love drawing them.

I used to climb trees all the time. Actually I still do when I see a decent climbing tree. Climbing a tree was always a way for me to get some time alone in a house full of extroverts- a way to escape.

I learned a lot about what each tree was like. They not only have a personality because of their species, but individually too.

Willows are always friendly and mellow, but can be risky to climb- they like to slip their bark once you’re high enough to get hurt by falling. Oaks are big and old and kindly, but their twigs are crackled and dry. Birches are my favorite trees- spry, springy, and easy to take a nap in.

When I tattoo a tree, I try to imagine how a real tree would grow, if the muscles were wind and weather. This means each tree is form-fitted to the wearer, their own. It would only fit that person, in that space of the body. I feel like trees adapt to any place where they grow, they adapt so completely, twisting to fit- they’re the perfect subject for tattoos.

(Originally Published on: Oct 20, 2011)

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flower art by commission!


colored pencil, 7x9". flowers

I do lots of flowers, in mixed media- and I do commissions. My turnaround time right now is ten business days. I accept a limited number of commissions at any time, so get in soon! Email me your commission request to resonanteye at gmail dot com, listing:

  • size of art you want
  • species of plant or flower
  • predominant or favorite color
  • any additional costs or choices, see below

I will add up cost, set my deadline, and email you an invoice with all details attached, including date of completion, estimated shipping date, and options for rush shipping if you need them. Prices include shipping within the US, I will invoice for international shipping cost.

(Originally  Published on: Oct 17, 2011 @ 2:25)

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Gel medium to transfer drawings and sketches, DIY

So I got a huge tub of soft gel medium, and immediately decided I wanted to put some of the drawings I’ve been doing (mostly figure studies) onto some cedar planks I had. I searched for a how-to, and could only find people discussing photocopies, printed photos.

Nobody seemed to be interested in putting their own drawings onto other surfaces- or if they were, they were willing to photocopy them first.

I wasn’t interested in that- I wanted to draw the piece on paper myself, in reverse, and then transfer it right to the wood.

I read up about the way gel medium works. If you’re using something that soaks into the paper, it won’t transfer. You need to be using something that sits on the surface of the paper, like prismas on tracing paper, or like inks on copy paper, or dry paints.

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the holiday gear.

I’ve put together a ton of things for the holidays, gift type stuff and new art, as well as shirts and such. Go get some holiday shopping done, and pick up some shirts for yourself!  Here are a few:

websnk

pillows, scarves, clutches, tablet covers, and other such things.

animals

shirts, prints, and hoodies/stickers.

allanimals

prints and handpainted monotypes, and some originals

http://www.redbubble.com/people/bristlybits/portfolio

graphic shirts and nonsense.

Print edition of essays!

51E8o9iuGgL._AA200_Real, actual ink on paper!

Here they are. In all their unvarnished glory.

Buy one for yourself and one for your auntie.

Or just one for yourself! Who am I to judge.

Contains rants about art, explanations of various tattoo things, stories about tattooing, about squatting, and about zines. Also contains some taxidermy info, essays about madness, and more.  A ton more! 166 glorious pages!

My next book will likely be the horror/cryptid coloring book. You can find individual downloads of the pages here if you like.

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