Contest, tarot deck project, tattoos, and skull mount projects.

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the “coordination” series is listed in the store here and also as prints in redbubble.

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my patreon project is a tarot deck! go check it out and jump on board- you’ll have to be a patron to order the final deck.

https://www.patreon.com/resonanteye/posts

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IMG_20180511_003954edition three, uncensored, of the Horrors is now available!!!  HERE

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I’m running a cover-up contest on my Facebook and Instagram.

http://Facebook.com/resonanteye

http://Instagram.com/resonanteye

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interview in Pain magazine! thanks guys!

new skull mounts and taxidermy/nature assemblages in progress.

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here’s some newer works:

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the world on fire; new art, end of summer.

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my current interest/deal.

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the crew . i love these fine people.

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i have the spice.

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seattle tattoo convention.

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with some of my heroes.

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20357F25-E919-4EB0-BD18-E40EE869198C-5209-00005AE95368529505518AAD-B5D2-4DA8-9F22-B29105ADACE7-5209-00005AE9AC210CAC

 

 

devil shin is nine years old, well healed and settled in.

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7724C3F4-8FA2-426E-8987-9DC71CDC047C-5209-00005AEA34CC3C49B174CC39-00EE-44D7-AF23-127DE7D978AF-5209-00005AEA2AC769B04AB5D1E2-2D60-4014-BABE-1B8F9EC37542-5209-00005AEA01A40B0F307F73A5-D932-4546-A537-F88680B75CE0-5209-00005AEA13F1F1F9237EFE75-69E9-4AE3-9BC8-8C27BD97CB0B-5209-00005AE9EA839CA4FB90BB9B-788B-4CF2-9181-3332714A0824-5209-00005AE9E341E20FA1263561-723B-4B1A-9C3F-45286D6E3B2B-5209-00005AE9D0C387864CCDF429-8E2F-44D2-BDB2-93A67E4E3AFB-5209-00005AE986298F58

 

 

i also saw the eclipse and retreated to the forest.

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the world is on fire.

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100<100

for the Kendall Yards first Friday artwalk in February, we’re doing one hundred pieces of art, each priced less than one hundred dollars! prints, originals, mini paintings and full sized works. it’ll be a mix of works by Traci Manley, Anji Marth, and Beth Swilling.

 

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over the holidays, December ’16

a few recent things.

 

I’ve added a few of the skull mounts to the shop section, I’m still photographing them and figuring out shipping costs.

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Seminar: Passive income and social media use for tattoo artists

13912592_10153856265657712_6602799035210498873_nSeminar: Passive income and social media use for tattooers.

Even though we all make our daily bread tattooing, we all are also human beings, living inside bodies that can get broken or worn. When you’ve got slow times or an injury or illness, passive income is a good backup, and if done properly it will complement and improve your work on skin.

If you’re using social media at all- to share your tattoo work – or if you would like to start selling your other artwork online to reach a wider audience- this class is for you.

If you see the internet ad social media as a chore, hate pinterest, and fear theft- this class is for you.

Learn to use social media properly — without compromising your copyright.

This class relates to the sale of secondary mediums beyond tattooing, and will go over the relationship between your existing client base and the collectors who will buy your work on paper rather than skin.

We’ll cover print-on-demand services, pros and cons of social media use, networking as a strategy to find collectors, consolidating your media management, and getting more reach with your work online.

Seminar text and cheatsheet handout packet, aftercare instructions, and legal consent form templates included.

round two of the DayStar tour!

Eugene, Seattle, and Auburn WA.

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How much does a tattoo cost? Here’s the answer.

424611_10151055899257712_1661654307_nGood tattoos are not cheap: cheap tattoos are not good.

I’ve been a tattoo artist for many years, and I’ve heard, and said, this phrase too many times to count. Often times people will hunt for the cheapest price, without realizing that the cheapest price is usually a red flag to poor quality or bad health and safety precautions.

When you’re searching for a tattoo, the first thing on your mind should be safety. You’ll want to get tattooed in a professional shop, with the proper licensing from the health department. Your health is more valuable than the few dollars you’d save otherwise. Think about the long-term cost of your tattoo. You will be wearing this art until you die. Compare it to the cost of your shoes-which wear out every year; a tattoo costs less in the long run than any other purchase you can make.

Most tattoo shops in a given city or area will cost about the same rate. There may be a few artists who are booked far in advance, who charge more than this. If you are seeking a large, custom-drawn original tattoo, you’ll probably be better off to pay more, and wait longer, for one of these artists to do your tattoo.

You can count on paying anywhere from one to two hundred dollars per hour of time spent tattooing. Most studios have a minimum price for any tattoo, no matter how small. This price usually takes into account the cost of new, disposable equipment, and time spent sterilizing/disinfecting. On average this can range anywhere from forty to a hundred dollars, depending on the ability of the artist. Some top-name artists have a waiting list of a year or more, and may cost up to a thousand dollars each sitting. New or apprentice artists may cost much less, or be willing to work at a deep discount, in order to gain experience. A word of caution is in order for these young artists, though, as many of them will NOT do the best work for the money. The base hourly rate will vary depending on cost of living where you are at.

Tattoo artists are often paid on commission, earning from forty to eighty percent of your payment. This means that for a fifty dollar tattoo, the artist gets paid less than ten dollars, after equipment costs and commission are subtracted. Artists that own the studio may be paid a higher rate, and artists that are working part time may be paying a flat amount in rent to work in the shop. The majority of artists, however, work on commission or “percentage”, and are independent contractors.

In most cases, a smaller tattoo will be quoted a flat price, while a larger tattoo will be quoted at an hourly rate. Tattoos on hands, feet, and faces will often cost more. The minimum for tattoos from me is $60, but it’s $100 for those areas, because the possibility of a needle stick for me is higher, and because they will most usually need a touchup.

Your best gauge for pricing in your area is to call one or two studios and ask if they have a minimum price, usually an hourly rate will be about double this minimum cost.

31148_403057647711_1851485_nSince most tattoo artists do not have health insurance, workmens’ comp, or any standard paycheck, and since they do not get to keep the majority of the price of the tattoo, tips are always appreciated. Tips can range anywhere from five to twenty percent; depending on the difficulty of the tattoo, your ability to sit still, and the service you felt you received. A large, difficult tattoo that you could not sit still for, during which you wiggled, cried, and made the artist pause, and during which the artist was polite and entertaining to you, represents a situation in which you should tip very well. Industry standard ranges from 5% (for a huge tattoo) to 20% (for smaller pieces).

Most tattoo artists will also be able to suggest alternative placement, rendering, or ways to simplify a tattoo so that the basic idea remains the same, but will cost less overall. If you have a budget, let the artist know and see if they can work within it– often there are ways to do this, and usually the artist can find a way to make your tattoo affordable, within reason.

Your tattoo should be a point of pride, so when you’re shopping for one make sure to look at the artist’s portfolio, photographs of work they have already done, to be sure they can do good work that you think looks right; because what you paid for your tattoo will be forgotten in ten years, but you’ll still be looking at it for years after that.

If you like my work, check out the new horror coloring book I made!

(written by me and originally published at this link)

How much does a tattoo cost? Here's the answer.

424611_10151055899257712_1661654307_nGood tattoos are not cheap: cheap tattoos are not good.

I’ve been a tattoo artist for many years, and I’ve heard, and said, this phrase too many times to count. Often times people will hunt for the cheapest price, without realizing that the cheapest price is usually a red flag to poor quality or bad health and safety precautions.

When you’re searching for a tattoo, the first thing on your mind should be safety. You’ll want to get tattooed in a professional shop, with the proper licensing from the health department. Your health is more valuable than the few dollars you’d save otherwise. Think about the long-term cost of your tattoo. You will be wearing this art until you die. Compare it to the cost of your shoes-which wear out every year; a tattoo costs less in the long run than any other purchase you can make.

Most tattoo shops in a given city or area will cost about the same rate. There may be a few artists who are booked far in advance, who charge more than this. If you are seeking a large, custom-drawn original tattoo, you’ll probably be better off to pay more, and wait longer, for one of these artists to do your tattoo.

You can count on paying anywhere from one to two hundred dollars per hour of time spent tattooing. Most studios have a minimum price for any tattoo, no matter how small. This price usually takes into account the cost of new, disposable equipment, and time spent sterilizing/disinfecting. On average this can range anywhere from forty to a hundred dollars, depending on the ability of the artist. Some top-name artists have a waiting list of a year or more, and may cost up to a thousand dollars each sitting. New or apprentice artists may cost much less, or be willing to work at a deep discount, in order to gain experience. A word of caution is in order for these young artists, though, as many of them will NOT do the best work for the money. The base hourly rate will vary depending on cost of living where you are at.

Tattoo artists are often paid on commission, earning from forty to eighty percent of your payment. This means that for a fifty dollar tattoo, the artist gets paid less than ten dollars, after equipment costs and commission are subtracted. Artists that own the studio may be paid a higher rate, and artists that are working part time may be paying a flat amount in rent to work in the shop. The majority of artists, however, work on commission or “percentage”, and are independent contractors.

In most cases, a smaller tattoo will be quoted a flat price, while a larger tattoo will be quoted at an hourly rate. Tattoos on hands, feet, and faces will often cost more. The minimum for tattoos from me is $60, but it’s $100 for those areas, because the possibility of a needle stick for me is higher, and because they will most usually need a touchup.

Your best gauge for pricing in your area is to call one or two studios and ask if they have a minimum price, usually an hourly rate will be about double this minimum cost.

31148_403057647711_1851485_nSince most tattoo artists do not have health insurance, workmens’ comp, or any standard paycheck, and since they do not get to keep the majority of the price of the tattoo, tips are always appreciated. Tips can range anywhere from five to twenty percent; depending on the difficulty of the tattoo, your ability to sit still, and the service you felt you received. A large, difficult tattoo that you could not sit still for, during which you wiggled, cried, and made the artist pause, and during which the artist was polite and entertaining to you, represents a situation in which you should tip very well. Industry standard ranges from 5% (for a huge tattoo) to 20% (for smaller pieces).

Most tattoo artists will also be able to suggest alternative placement, rendering, or ways to simplify a tattoo so that the basic idea remains the same, but will cost less overall. If you have a budget, let the artist know and see if they can work within it– often there are ways to do this, and usually the artist can find a way to make your tattoo affordable, within reason.

Your tattoo should be a point of pride, so when you’re shopping for one make sure to look at the artist’s portfolio, photographs of work they have already done, to be sure they can do good work that you think looks right; because what you paid for your tattoo will be forgotten in ten years, but you’ll still be looking at it for years after that.

If you like my work, check out the new horror coloring book I made!

(written by me and originally published at this link)

Korinne Robertson floats away.

1. Most artists have a favorite medium, what is yours? If you work in multiple media, which one is the most enjoyable for you? 

1. As a photographer, my medium could or should be film, but it’s not. To keep up with high demand, workflow and ease of use, I use a digital camera and photoshop.

1579947_10153689904190332_755628487_n2. Do you have any secret shortcuts? I mean, do you use odd tools, techniques, or anything else that isn’t strictly status-quo for your medium? How did you figure out that it worked?

2. I am not sure if I use secret shortcuts. I have my camera set and adjusted for my personal use, and if another photographer picked up my camera, they may find that they wouldn’t choose my default metering choice, or the fact that I am set up to burst shoot on demand. With my recent foray into levitation photography and surrealism, I figure I’m less “status quo” because I look for wind, light and environments that portrait/consumer friendly photographers would not gravitate towards. I spent countless hours learning how to shoot a model and encourage them to not look like a mannequin. Flow and movement play a huge part in my “other” photography work that doesn’t include my mainstream clients.

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