tattooing on darker, or uneven, skin tones

henna style
I’ve been tattooing for a long time and I’ve worked on every conceivable shade of human skin. I’ve noticed that the most important thing isn’t usually how dark or light someone is (although that matters when you discuss tonal value and contrast) but the hue of a person, the underlying warmth or coolness of their skin.

Skin color is created by melanin, a pigment found in the upper layer of the epidermis. Tattoos lie beneath this layer, in the area between the epidermis and dermis. This placement of the ink prevents it from being shed with dead cells, by the top layer, and by being dispersed into the capillaries, in the bottom layer.

Since the ink itself lies beneath the epidermal melanin, looking at a tattoo is like looking through a tinted window. Except for albinos, everyone on earth has melanin in this skin layer. Some will have a ruddy skin tone, some a cold tone to their skin. Some will be dark, some light. Some freckled, and some smoothly pigmented.

healed palette test

healed palette test

Taking all of this into account when designing a tattoo is important. Tattoo ink is not opaque, but translucent, so you see through one tinted window, then through the ink itself. More than one factor has to be taken into account to make a great tattoo on uneven or darker skin tones.

making things, and some cheesy friend tattoos.

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on fear

I want people to know and see my work, that is why I do it. yet a part of me fears people, being known, shaking a hand. I seek eyes on my work but I fear the people who own the eyes.

why? why are people frightening?
I love the people I have known. I’ve only met a few people who are fearsome. most are kind, nervous, friendly, excited. some are hilarious, supportive, witty, swift.

why be afraid of it? it’s not fame. it’s some other thing I’m seeking. fame would be truly terrifying and also, I don’t think I have the talent required, both in my work and in my self.

some do get famous with less, but I don’t admire that. I would like to admire myself.

I want everyone to see my work. and then I want to curl into a small, invisible ball and roll away.

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the internet is made of eyes. yet you are people, and when I remember that, I’m afraid. but I know many of you and you’re wonderful people who have given me no reason to fear. what is this, then? where does it come from?

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I don’t know the answers. why would I?

a few older works. very older!

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This first piece is based on tattoos found on a mummy, the Ukok ‘princess’ (probably a shaman). Her body is 2500 years old and was preserved in ice. Like the iceman of the Alps, these ancient human remains show intricate and amazing tattoo work, showing that our art has been around far longer than many might think.

Her body is about to be reinterred, which I think is a very good thing. We’ve learned a lot from her and need to return her to her resting place. You can read more about her here.
The woman who has these modern versions of the tattoos found on this ancient woman, is an anthropologist.

I think that all of the Ukok woman’s work is beautiful, and find the art very inspiring. I’ve seen actual full-scale images of these tattoos, and they are done impeccably. Even 2500 years ago, there were great tattoo artists in the world.
The work is astounding, compared to other tattoos we’ve seen from that era (which is not many). They’re not the typical bronze age/neolithic art we see, with its stick-figure base and straight lines, they’re ALIVE, in motion, vibrant. So inspiring.

The most recent MRI and other testing they did showed that she had advanced breast cancer, was using cannabis regularly (for the pain possibly) and had been thrown from a horse (which most likely is what killed her).

I really think that we’re not seeing all the things that were being done then. There’s almost…almost a thread that goes back, if you look at older tattoos (say, 1800s, or indigenous works) that makes me think our very earliest human ancestors were doing tattoos, and quite complex and intricate ones. Some motifs appear again and again, worldwide, and imply to me that there may be a previous, paleolithic art we’ll never get to see.

This woman’s tattoos hint at that even more strongly.

Feel free to share this post (or anything on my site, for that matter) or post any further information in the comments!

(more…)

Are tattoo artists rich?

some are, some aren’t.
most are able to get by. the fact that we do what we love for a living makes us all rich, though.

today at laughing buddha, seattle!

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Signing party for the Horrors, the night before Halloween!

SIGNING PARTY! come color in some horrors!

more things I did in roseburg!

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Resonant Eye and violet mandorla piscis vescica for dear, sweet Katie.

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today at work!

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today, I made a list. I trimmed a tree. I did a tattoo. two people sent me pictures of ear weights I made that they bought!
just lots of photos today.
here I am with a giant dog, too.

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