print edition of poetry book!

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The print edition of my poetry book is now available!

For those of you who prefer actual ink on paper.

The book of essays goes to print tomorrow, there’ll be a kindle edition of that one as well. Pick one up! Or get both, that’d be awesome too. Or share the link with people who like poetry, the kooky bastards.

I’m pretty excited about all this. I’d never have done it without prodding, but now that it’s done and published I feel good about it. I’ll post links to the second book tomorrow once it goes live, and probably put a few new paintings up later tonight too (I have one or two things almost finished) 

UPDATE: Print and kindle editions of the essay/art/tattoo book are here!

The third book in the series will be mostly images: that one won’t be out til nearer the end of the month. And I am planning a kickstarter this month, for the horror coloring book, I’ll update when both of those projects begin!

Originally Published on: Oct 4, 2013

landscape paintings.

oregon landscape painting, original watercolor art, office decor

All watercolors are on arches 140lb paper (some hotpress, some cold) and oils are unframed, on gallery-wrapped canvas.

All are painted from memory and photo reference I took, OR on site, en plein aire. When I travel, which is often, I go by car. This gives me a lot of time for landscape painting, photography, and just stopping to look around. I tend to look for places with a big vista. I grew up on the east coast and the sky out here west still seems so massive to me, crowding down against the ground in every direction. I’m a little bit obsessed with the sky out here,

Usually I include the road in my landscapes. This is because I love the road, and to me it’s the central reason, the thing I want to speak to and about, in any landscape. Whether it’s a dirt logging road, or a major highway, it’s a vein connecting all my experiences in the world.

Some are available as prints, here. Some are available as originals, if you click the images.

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Innawoods pictures, 8/13.

The end-of-summer trip.

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car vape

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backwoods handicrafts. grass tiedown.

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I spent a day at Neptune, south of Yachats on the coast.

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“dwelling portably, formerly known as Message Post, Sept, 2001-2005”

Printed originally in “dwelling portably, formerly known as Message Post, Sept, 2001-2005”

A tightly-printed little stapled zine, Dwelling Portably was printed in Philomath OR. I have three or four issues of it, and it would be almost two novels’ worth of typing to get them posted online in their entirety. This zine is CRAMMED with text, tiny tiny text. I’ll try to get the more interesting snippets up.

“”about Chaz’s hobo castle and Ozark land,

I don’t recommend building around campers. Building around something is much more difficult, and the result is not a new building because this old thing is in there. Better to start from scratch and, if you do a good job, you will have something worthwhile when you’re done. If I was doing it again, I would build a straw-bale house.

I now have a far better toilet system, inspired by Joe Jenkins’ Humanure Handbook. I now cover with sawdust, then compost. If done properly, the heat will kill all pathogens, and, in two years, I’ll be able to use the compost directly on my garden. Eastwind Community has successfully used this system for several years, and fertilize their extensive organic gardens. I helped collect one day.

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tattoo convention! ink traveler’s photos.

ink travelers tattoo conventionink travelers tattoo conventionHere are some pictures from the tattoo convention, what a great time!

Thanks to my clients who sat so well this weekend, and everyone who bought some of my art, I really had a great time chatting with everyone and talking shop. xox

more after the jump.

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feather and tar

human bones, on the other hand, are just fine. as long as you didn’t collect them yourself.

The most recent revisions to the migratory bird act can be found online; my favorite part, and the most useful, is the list of species NOT covered by the act. These are the birds I find, use, and adore (along with game birds, and pets). If you decide to scroll to the bottom (or actually read the notes, I don’t know what kind of sicko you are, after all) you will find quite an extensive list, many of which you will also find represented in my artworks.

I collect a lot at wildlife facilities, and the feathers and bone I collect there are from birds that do not inhabit north america or the US.

As for bones, skulls, and incidentals of mammals and reptiles/amphibians- I don’t use anything on the CITES list, I either purchase or obtain my pieces legally; sometimes through roadkill salvage where that’s permitted, by finding natural remains, or by beach combing.

It’s not hard to find beautiful natural objects. Simply taking a walk away from other people is often enough. I use plant materials, as well, and collect those in the same way. There’s something deeply fulfilling about walking, looking, and finding. I will use anything I find in some way, just about- whether for my private collection or for artwork.

I do have an artist’s statement hanging wherever these sorts of works are shown. If you’re at the gallery it’ll be right by the first piece you see when you walk in. I will probably post it up here this time too.

my daily routine.

 

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I have two separate routines for work. it depends whether I am having a tattoo-studio day or a home-studio day.

if I’m working at the shop, I wake around ten or eleven and lay around like a slug until it’s time to rush to work. I arrive, drink coffee, plan out my hours. talk to clients. clean my inks off or monkey with a machine until  “real work” shows up. I leave right after the shop closes for the day. I usually don’t do any other art on these days; working on commission is draining (satisfying though!)

if I’m not going in to the shop, I wake up late, noon or one. I have coffee and laze around a little.then eat, and start looking over the mess I left the previous day. usually I will have something drying and ready to be worked over a little more. so I pick up where I left off. at some point I’ll reach a moment where everything is tacky. then I start something new…I work a little, stop and stare. smoke, have a sandwich and more coffee.

a lot of times I’ll just get in the car and go exploring, searching for objects or supplies, detritus. things that make me feel creative. it’s a lot of walking along the river or the side of the road.

I work until very late at night when I’m doing my own art. I’ll stay up until the birds are talking. sometimes I work all night and into the next day. coffee is my friend. this happens a lot more in the winter. I tend to have a very hard time waking up in the mornings, it’s always been that way.

of course I spend about two months each year  “on the road”; I can’t call it a vacation because I usually am tattooing just about that whole time- I don’t like not working anyway. but when I travel I have no routine at all, and when I return it takes me a while to get back in rhythm with my schedules and routines at home.

Seattle pictures

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Seattle tattoo expo stuff!

blue whale!!!

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