ACEO and mini paintings.

I’m still not quite sure how I feel about working so small. I do like the idea of people without a lot of spare cash being able to own my art, though. So with a little nudge from some friends, I decided to paint a few.

I had done a few mini deer paintings before. I’m thinking of doing more- does anyone collect tiny art? What sizes do you like? I don’t even know how much to price things at, that are this small.

Do you paint mini-size, or ACEOs? What’s been your experience with them? I find it really hard, because for things like this I usually use a round nib on an ink-dip pen, and had to use such a tiny nib- also I am accustomed to doing BIG soft washes, so switching down to tiny-brush-size felt a bit odd too.

I suppose I will wait and see how much people want them too, before I make up my mind!

Let me know in the comments, if you have any thoughts about small media. I have a few more tiny frames for new ones.

some trees I have made, tattoos and the like.

I love trees. 

Most of the tattoo trees I do are drawn on the skin, in marker, right before being tattooed. That way the person getting the tattoo can control the size and scale better, and I get a better feeling for the flow the tree needs to have to fit on three dimensions. I go outside and look at trees. That’s what I use for reference-I take a lot of photographs of trees as well. I love drawing them.

I used to climb trees all the time. Actually I still do when I see a decent climbing tree. Climbing a tree was always a way for me to get some time alone in a house full of extroverts- a way to escape.

I learned a lot about what each tree was like. They not only have a personality because of their species, but individually too.

Willows are always friendly and mellow, but can be risky to climb- they like to slip their bark once you’re high enough to get hurt by falling. Oaks are big and old and kindly, but their twigs are crackled and dry. Birches are my favorite trees- spry, springy, and easy to take a nap in.

When I tattoo a tree, I try to imagine how a real tree would grow, if the muscles were wind and weather. This means each tree is form-fitted to the wearer, their own. It would only fit that person, in that space of the body. I feel like trees adapt to any place where they grow, they adapt so completely, twisting to fit- they’re the perfect subject for tattoos.

(Originally Published on: Oct 20, 2011)

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flower art by commission!


colored pencil, 7x9". flowers

I do lots of flowers, in mixed media- and I do commissions. My turnaround time right now is ten business days. I accept a limited number of commissions at any time, so get in soon! Email me your commission request to resonanteye at gmail dot com, listing:

  • size of art you want
  • species of plant or flower
  • predominant or favorite color
  • any additional costs or choices, see below

I will add up cost, set my deadline, and email you an invoice with all details attached, including date of completion, estimated shipping date, and options for rush shipping if you need them. Prices include shipping within the US, I will invoice for international shipping cost.

(Originally  Published on: Oct 17, 2011 @ 2:25)

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hobo how-to, makin an old-timey drawing

Here’s an old timey post for you guys. Tattoo artists that like old-timey stuff will recognize some of the in-jokes here that others might not- I kind of wrote it for you guys as a joke anyway, but these directions WILL work…so enjoy. You can actually buy prints of this guy here, YES PLEASE FUCKING BUY ONE I AM A FUCKING BROKE HOBO.

How to make an extremely old-timey picture

1.First, You have to brew coffee.

Good strong coffee.

The kind your grandpa would make at a hobo camp.

Coffee that will put hair on your chest.

Shit your sister would never drink.

The kind of coffee that people see in the glass and look confused about.

Brew your coffee first and brew it strong,

Not only will it keep you alert throughout this process, and taste better with whiskey in it,

but we’re going to use it as a dye.

2. Then, pour into a tray. Soak some cardstock or watercolor paper in the coffee,
crumpling it and savaging it at random, if you are in a foul mood. or just soak it flat if you feel pretty amiable.

3.Lay the paper out on a towel or other handy surface, to dry out a bit. You want the paper to be just about totally dry when you start working with it. Not damp, just chilly. You’ll notice that the crumpled scapegoat paper looks kind of cool.

4.Next find yourself some reference, or using your brain and its own images, start drawing in light pencil on the paper. I used a 6h pencil so it would be very faint.

If you use a hard pencil don’t get too angry at the paper.

You’ll rip it to bits.

If you’re using a softer pencil go ahead and be a jerk to it.
Then take a small soft filbert brush, dip it into black waterfproof ink, and draw some more.

Right over all the pencil marks.

I use either FW or higgins ink, for this.

5.I have used reference for my hooter picture. Whatever you are drawing, remember that you only have a few minutes before the yard bulls show up and stick ya in the pokey, so hurry the fuck up.
Keep it extremely simple.

6.I mean real simple. You can use watercolor black from the tube. Or you can use some liquid watercolors.

Or you can use kid’s paint, dry watercolors, although those are a pain in the ass. I suppose you can also use sharpie or prismacolor with alcohol on the brush, too, but those dry really fast, too fast for me to do old timey stuff with them. They do have the benefit of using up your whiskey spit.

Here is my ink and brush- as you can see, my brush is flattened and curly? That’s because I’m too lazy to clean them up right away, so they sit in the water til they dry out weird and curly. Don’t do that.

7.I usually lay in the darkest areas first, then come back through with a dry brush and smooth out the edges, then with a only very slightly damp brush I moisten the edges of that again, making it blend. it doesn’t take long and you don’t need water- it’s easier to use a damp sweaty hand or your spit to do it. if you are drinking your coffee like you should be then your hands will be nice and sweaty by now. I know a lot of people will have the unbearable urge to wet the paper then paint onto it, like you’re supposed to use watercolors.

WE’RE NOT DOING THINGS THAT WAY IN HERE, GO BACK TO WETCANVAS FORUMS.

8.At this point, just crank up the music and keep going. you wanna
keep it minimal.

Suggested music would include baby gramps, tom waits (early works, or like bone-machine)
I actually think I did way too much on this one, way more shading and fucking around than I should have.

The simpler, the smoother, the less work, the better with this stuff.

If you mess up somewhere, just find a way to hide it with more black.

That’s what it’s there for, right? I guess if I was truly old timey I’d be using lampblack soot, dirt, and saliva  to make the picture.

I try to get pretty close, anyway.

Eventually, you will come to believe you are finished, or the yard goat’s light will pick you out, and you’ll have to stop with the feverish sweating and blending.

9.Now, since you’ve come so far, finish out any little things you got confused about,or forgot to do, while you were blending.

Like his fucking feet and the perch.

Everything will probably look a little rough and shitty at this point. It helps when doing this kind of artwork to make sure your lighting is inadequate, and that you have someone sitting near you drinking and exclaiming at random intervals,
and that you work on a shitty piece of uneven wood, or at least a stained old clipboard precariously balanced
on your knees.

Markers are only considered cheating if you do them with your right hand.

roughed out

10.Now if you want to be schmancy, you can pick a few spots and put a color in it. One color. What do you think this is, art school?
One color only. Remember, you’re a bindlestiff, a wayfarer, a gandy…you ain’t got no room for paint pots in that sack, kiddo. One color. It’s not even 1940 yet, so simmer down.

I like to use red everytime. Feel free to use green, yellow, or brown if you prefer.

No blue, no purple, definitely no hot pink- you’re in the wrong place to get fancy.

Put a dot where you think the darkest red should be.

11.Do this for every place red will go.Then use the almost all the way-dry brush you’ve been chewing on, to blend them out. I like to make the areas of color into little half-circles.

12.Wow, that’s come along pretty far. Looks nice and clean. At this point I usually would put on a monocle and top hat.

No matter what you are drawing, just go ahead and do it,
trust me, monocle and top hat.

Man, if you can give it a cigarette in a long holder, even better.

The closer you get to the monopoly guy, the better.

You want the art to be classy, goddamnit.

If you can’t do a monocle and top hat, whatever you do, DON’T ADD A MUSTACHE-

This is old timey, not HIP.

13.At this point, get out a thin liner brush, or a permanent black non-water soluble marker,and clean up the edges of the black and all the lines.

Now if you want to be a dick you can add a bunch of crap around it. This one looks like a capitalist pig owl to me, so I’m giving him a name and a joke.

It’s a shitty joke, I know.

No really. I know.

You will be tempted to draw blood, or if you are a tattoo”er” some raindrops, around the object. Resist this temptation!!!
Your picture should be a combination of items that is humorous to you, and you alone.

that means no unicorns, no mustaches, no ironic shit.

Nothing that popular modern culture would enjoy

(says the one painting an owl in a top hat)

14.Now get a damp, really damp rag, and a candle, and set that shit on fire!

15.The rag is for putting out the fire, so that you only burn the parts
of your page that seem useless to you, or where it would look cool to have a singe.

You need the rag.

I should make it very clear that if you’re kind of half-assedly following the instructions and didn’t bother to get a damp rag you might be kind of fucked right now,

because you set your shiny new art on fire.

That’ll teach you to follow instructions.

16.Bet you like it so far, huh?
Think you did a good job?
That’s some kinda cool picture?

BULLSHIT, IT’S GARBAGE!
THROW IT THE FUCK AWAY!
YOU SAD SACK OF SHIT,
YOU CAN’T DRAW!!!

UGH SERIOUSLY YOU SUCK!

JUST CRUMPLE THAT WASTE OF TIME INTO A BALL AND THROW IT AT A POKEY OR A COP!

IT’S NO GOOD FOR ANYTHING ELSE!

Damn, I was just kidding!
Sheesh, man, try to have a thicker skin!
Why you gotta be so worried
about what I think, anyway? flatten that
thing out again, let me get a closer look.

Go easy on it. I mean it’s still kind of-

oops oh shit hey I’m sorry-

Hey waittaminute…ok

dry that crap off with the rag. the burny rag.

You really needed that rag.

17. Crumple it up, flatten it out,
spill coffee all over the back of it,
and let it soak for a few. Don’t do this
until ALL the paint has dried completely.
That looks right out of a hobo museum.

Good show, sir, good show.

Originally Published on: Nov 12, 2007

positivity

workingI like what I do.

It took a long time to get better at it (and I’m still only okay,) and during most of my life I have come across as a cynical, pessimistic person. I’ve usually played down whatever I was doing that was good or that I thought was awesome, just so as not to jinx things. I’ve jinxed stuff before and I don’t like it.

But through all of it I think I’ve always held deep inside a fundamental sense that things will eventually, somehow just be OK and that whatever I was doing at the time, as long as I enjoyed it, it made me happy, then all the rest would work itself out.

You have to decide what you like. That’s the hard part. I happen to like orange, so I painted my house orange inside. I mean, I rent, but fuck it, right? As long as it’s left how I got it… it can be orange as long as I live here. So bright orange, bright baboon-ass red, straight shock pink. All next to each other. I also like having tons of fun things laying around to pick up and make art or play with. So it’s kind of a haphazard mess of weird instruments, odd bits of plastic, paints. I live in Ville Villekula.

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pair of pairs of scissors scissoring

pair of pairs of scissors scissoring

something new. this was really fun. thanks marilyn for having the great idea and for getting a cool, propaganda-ish piece.

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rats win races, sloths succeed.

556740_10151360701822712_101340810_n559917_10151362094257712_740607251_nDSC_1159a reminder tattoo for a tattoo artist friend of mine. he wanted to remember to slow down, and do more focused work, instead of hurrying up and rushing himself. He is the kind of artist who feels a lot of pressure from his clients, he tends to feel so glad to be tattooing that he forgets that his work is valuable, that his BEST work is worthwhile…that people who want really good tattoos are willing to pay for them, and that he is capable of doing great tattoos, and therefore shouldn’t undervalue his time…

If you undercharge people, you start to feel rushed. it’s inevitable- you end up booked solid for months but barely making ends meet. hurrying up to get that tattoo done in time, in the small amount of time you quoted them for. it’s far better to quote high, to take your time, take that extra hour to do your VERY BEST work on people.

any rate- I love fucking sloths. And this one is particularly classy, too.

also,

 

298323_10151361506522712_1862424666_n

nightshade/flaming heart sleeve in progress.

sketches for the nightshade tattoo.

sketches for the nightshade tattoo.

the rest of the floral sketches, nightshade and bleeding/flaming hearts

the rest of the floral sketches, nightshade and bleeding/flaming hearts

placement/drawing

placement/drawing

DSC_1158

in progress!

in progress!

a bouquet of tattooed flowers…

DSC_1137

DSC_1134we did the outline for this a while back. She already had the pink carnation near the top, so we built a bouquet of her favorite flowers all around it. I like drawing and tattooing floral mixes like this. I feel like I’m a florist arrangement maker or something!

 

I think it’s in Japan, that along with household skills like cooking and decorating- floral arrangement and music are among the things women are expected to know and do well at. I keep trying to make these arrangement look natural, sometimes that’s a real challenge.

cobra lily cover-up.

original before cover-up, done very well by Lisa Hill. It's a pity such a nice, dark and creamy tattoo had to get covered- but that's what happens when you get small pieces in big spaces; eventually you want to fill that canvas, and the smaller tattoos have to get fit in or covered somehow.

original before cover-up, done very well by Lisa Hill. It’s a pity such a nice, dark and creamy tattoo had to get covered- but that’s what happens when you get small pieces in big spaces; eventually you want to fill that canvas, and the smaller tattoos have to get fit in or covered somehow.

my sketch for this cover-up. we've finished his upper arm, this is a sleeve of oregon places, animals and plants. So today we're adding a section of cobra lilies.

my sketch for this cover-up. we’ve finished his upper arm, this is a sleeve of oregon places, animals and plants. So today we’re adding a section of cobra lilies.

here you can see the cover-up under the stencil/drawing. luckily the shapes are pretty close, so I can use the black line from the previous tattoo to add dark areas in the right places.

here you can see the cover-up under the stencil/drawing. luckily the shapes are pretty close, so I can use the black line from the previous tattoo to add dark areas in the right places.

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partially done. I used really bold lines in this piece.

partially done. I used really bold lines in this piece.

the other part. oh yeah, and the beetle is one found on mt. hood.

the other part. oh yeah, and the beetle is one found on mt. hood.

we'll finish the lichen, as well as start the back of his forearm, next time.

we’ll finish the lichen, as well as start the back of his forearm, next time.

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