Works in progress.

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Working. Skull pen and ink with wash, landscape, and Bear. Also some coffee with rice milk, and an mvp.

landscape paintings.

oregon landscape painting, original watercolor art, office decor

All watercolors are on arches 140lb paper (some hotpress, some cold) and oils are unframed, on gallery-wrapped canvas.

All are painted from memory and photo reference I took, OR on site, en plein aire. When I travel, which is often, I go by car. This gives me a lot of time for landscape painting, photography, and just stopping to look around. I tend to look for places with a big vista. I grew up on the east coast and the sky out here west still seems so massive to me, crowding down against the ground in every direction. I’m a little bit obsessed with the sky out here,

Usually I include the road in my landscapes. This is because I love the road, and to me it’s the central reason, the thing I want to speak to and about, in any landscape. Whether it’s a dirt logging road, or a major highway, it’s a vein connecting all my experiences in the world.

Some are available as prints, here. Some are available as originals, if you click the images.

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spring morning.

springmorningfinished this last night.

original is for sale, here: https://squareup.com/market/anji-marth/spring-morning

prints are here: http://www.redbubble.com/people/resonanteye/works/10972960-spring-morning?p=photographic-print

handpainted print with metallic details, here: http://www.zibbet.com/anjimarth/artwork?artworkId=1743053

 

some new things added. prints, and bat originals.

 

the rites of spring.

mating snakes original art

original is available here,   https://squareup.com/market/anji-marth/rites-of-spring

prints are available here,   http://www.redbubble.com/people/resonanteye/works/10826954-the-rites-of-spring-mating-snakes#

and yes- digital downloads of this file, at print-size and high resolution, are available here.   https://www.etsy.com/listing/162550040/digital-downloadthe-rites-of-spring

It’s 9×12″, oil glaze over watercolor, ink, and pencil on heavy arches hotpress paper.

routines of creative people

20063091023341After devouring all the old posts at Daily Routines I decided that I should make record of my current daily work.

I suffer from insomnia, and have throughout my life. The hours in which I do these things slowly shift later and later, until the day begins at nightfall, This progresses until eventually, I once again wake up early in the morning. Right now I’m in the morning phase, in about three months I’ll be back around to the night time again. But the order in which I do everything stays the same, only the tattooing hours change, being sometimes early in my day and sometimes at the end of it. I do all but the tattooing every single day, I take no days off usually unless I am feeling under the weather in which case I shorten all my work hours and spend more time reading or watching movies. I do at least some little bit of creative work every day.

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more landscapes. more snow.

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snowed all night, melting a bit today. still living by firelight, without a laptop until later this week.

all of these are for sale here, if you’re interested!

ghost ship; glazes

I recently did a painting of a ghost ship for a good friend of mine.

I used a lot of glaze layers in this; starting with the hard edged underpainting, then proceeding with white glazes, and blue.

I used ivory in my liquin to dull and smooth out the moon, and the ship itself. I wanted it to be ghostly and still, despite the rough and choppy water.

I aimed for ghostly more than violent. At first I was going to do sharks and severed hands and gore, but my friend wanted ghost ship, not disaster scene. So I toned it down a whole lot for this one.

The water was particularly fun. I shipped this out, and it was the first bigger canvas (16×20″) that I’ve shipped. I sent it insured, media mail…next time I might splurge on priority though…

I know she’s waiting for this to arrive, but I figured I would spoil the surprise by posting it right now. haha

I painted this during our big storm here; I had to keep stopping when it got dark outside, since painting by candlelight doesn’t work very well. Also my electricity was out.

making art, making life.

The world is a very grey and dismal place at times. There are deaths, horrors. We are all alone in these little bodies, floating around, disconnected most of the time- from each other and from the ground we stand on. Most people DO live quietly, desperately, working and thinking and amassing a thousand new worries each day.

Most people walk around afraid, nervous. Or angry. Or just focused on the task at hand, which for more people all the time involves merely surviving the vicissitudes of economy and thrift, of bad jobs or no work. Of struggle. Life is mostly struggle and concern for most people on earth, and for the rest it can be even worse.

It’s our job, as artists, to show people that there is more. I am not a religious person, nor even a spiritual one. I do not believe that there is a sky-man or any kind of conscious entity watching over us carefully, or interested in our problems. I do not believe. BUT- I do believe that the world itself is a being of grace, and by truly seeing it, and being within it, we can lighten our weight. This entails details.

When one is in a chain gang, there will be a beautiful weed sprouting in the ditch. When one has lost hope and is starving, there will be the smell of dry morning air, and the sunrise. When the worries about the future become too much, there is still the present.

I know this doesn’t make up for any of it. I also know that there are times for all of us when we realize our solitude, when we are alone and in pain, in the dark. Cold and possibly hopeless. In those times it is art’s job to expose the alternatives, to bring the world into us and that way bring us out of ourselves.

Art doesn’t have to be “good” or skilled or perfect or even beautiful to do this. It will be a different view for each artist and a different piece that speaks to each viewer. Sometimes the crude and the ugly do this much more effectively than the pretty and the sweet- actually for me, when I am alone and in pain in the dark, it is the reminder that others have been there as well that helps. And art that speaks this way is often NOT beautiful to look at.

nude watercolor painting, naked smileI need to sell art to live- to pay rent. To eat. If I could give it away and not be homeless I would. But the necessities of the world insist that my work must be valued at a number. I know that for some the value of their work is low and their hours are long and hard; that they must do work which is difficult, upsetting, dangerous. I am lucky to be an artist, I am privileged in ways not many are. I love my work. That alone is a stroke of fortune.

People who hate their work but must do it deserve my best efforts, because I know that at times my work, seeing my work and interacting with it, is their release and their reminder. Artists have an obligation to try their damnedest to do that, and to do it as best they can every time.

time-lapse painting

[youtube=http://www.youtube.com/watch?v=YSrNNQ9kkAg&w=420&h=315]time lapse video- this is older but still fun to see.

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