hobo how-to, makin an old-timey drawing

Here’s an old timey post for you guys. Tattoo artists that like old-timey stuff will recognize some of the in-jokes here that others might not- I kind of wrote it for you guys as a joke anyway, but these directions WILL work…so enjoy. You can actually buy prints of this guy here, YES PLEASE FUCKING BUY ONE I AM A FUCKING BROKE HOBO.

How to make an extremely old-timey picture

1.First, You have to brew coffee.

Good strong coffee.

The kind your grandpa would make at a hobo camp.

Coffee that will put hair on your chest.

Shit your sister would never drink.

The kind of coffee that people see in the glass and look confused about.

Brew your coffee first and brew it strong,

Not only will it keep you alert throughout this process, and taste better with whiskey in it,

but we’re going to use it as a dye.

2. Then, pour into a tray. Soak some cardstock or watercolor paper in the coffee,
crumpling it and savaging it at random, if you are in a foul mood. or just soak it flat if you feel pretty amiable.

3.Lay the paper out on a towel or other handy surface, to dry out a bit. You want the paper to be just about totally dry when you start working with it. Not damp, just chilly. You’ll notice that the crumpled scapegoat paper looks kind of cool.

4.Next find yourself some reference, or using your brain and its own images, start drawing in light pencil on the paper. I used a 6h pencil so it would be very faint.

If you use a hard pencil don’t get too angry at the paper.

You’ll rip it to bits.

If you’re using a softer pencil go ahead and be a jerk to it.
Then take a small soft filbert brush, dip it into black waterfproof ink, and draw some more.

Right over all the pencil marks.

I use either FW or higgins ink, for this.

5.I have used reference for my hooter picture. Whatever you are drawing, remember that you only have a few minutes before the yard bulls show up and stick ya in the pokey, so hurry the fuck up.
Keep it extremely simple.

6.I mean real simple. You can use watercolor black from the tube. Or you can use some liquid watercolors.

Or you can use kid’s paint, dry watercolors, although those are a pain in the ass. I suppose you can also use sharpie or prismacolor with alcohol on the brush, too, but those dry really fast, too fast for me to do old timey stuff with them. They do have the benefit of using up your whiskey spit.

Here is my ink and brush- as you can see, my brush is flattened and curly? That’s because I’m too lazy to clean them up right away, so they sit in the water til they dry out weird and curly. Don’t do that.

7.I usually lay in the darkest areas first, then come back through with a dry brush and smooth out the edges, then with a only very slightly damp brush I moisten the edges of that again, making it blend. it doesn’t take long and you don’t need water- it’s easier to use a damp sweaty hand or your spit to do it. if you are drinking your coffee like you should be then your hands will be nice and sweaty by now. I know a lot of people will have the unbearable urge to wet the paper then paint onto it, like you’re supposed to use watercolors.

WE’RE NOT DOING THINGS THAT WAY IN HERE, GO BACK TO WETCANVAS FORUMS.

8.At this point, just crank up the music and keep going. you wanna
keep it minimal.

Suggested music would include baby gramps, tom waits (early works, or like bone-machine)
I actually think I did way too much on this one, way more shading and fucking around than I should have.

The simpler, the smoother, the less work, the better with this stuff.

If you mess up somewhere, just find a way to hide it with more black.

That’s what it’s there for, right? I guess if I was truly old timey I’d be using lampblack soot, dirt, and saliva  to make the picture.

I try to get pretty close, anyway.

Eventually, you will come to believe you are finished, or the yard goat’s light will pick you out, and you’ll have to stop with the feverish sweating and blending.

9.Now, since you’ve come so far, finish out any little things you got confused about,or forgot to do, while you were blending.

Like his fucking feet and the perch.

Everything will probably look a little rough and shitty at this point. It helps when doing this kind of artwork to make sure your lighting is inadequate, and that you have someone sitting near you drinking and exclaiming at random intervals,
and that you work on a shitty piece of uneven wood, or at least a stained old clipboard precariously balanced
on your knees.

Markers are only considered cheating if you do them with your right hand.

roughed out

10.Now if you want to be schmancy, you can pick a few spots and put a color in it. One color. What do you think this is, art school?
One color only. Remember, you’re a bindlestiff, a wayfarer, a gandy…you ain’t got no room for paint pots in that sack, kiddo. One color. It’s not even 1940 yet, so simmer down.

I like to use red everytime. Feel free to use green, yellow, or brown if you prefer.

No blue, no purple, definitely no hot pink- you’re in the wrong place to get fancy.

Put a dot where you think the darkest red should be.

11.Do this for every place red will go.Then use the almost all the way-dry brush you’ve been chewing on, to blend them out. I like to make the areas of color into little half-circles.

12.Wow, that’s come along pretty far. Looks nice and clean. At this point I usually would put on a monocle and top hat.

No matter what you are drawing, just go ahead and do it,
trust me, monocle and top hat.

Man, if you can give it a cigarette in a long holder, even better.

The closer you get to the monopoly guy, the better.

You want the art to be classy, goddamnit.

If you can’t do a monocle and top hat, whatever you do, DON’T ADD A MUSTACHE-

This is old timey, not HIP.

13.At this point, get out a thin liner brush, or a permanent black non-water soluble marker,and clean up the edges of the black and all the lines.

Now if you want to be a dick you can add a bunch of crap around it. This one looks like a capitalist pig owl to me, so I’m giving him a name and a joke.

It’s a shitty joke, I know.

No really. I know.

You will be tempted to draw blood, or if you are a tattoo”er” some raindrops, around the object. Resist this temptation!!!
Your picture should be a combination of items that is humorous to you, and you alone.

that means no unicorns, no mustaches, no ironic shit.

Nothing that popular modern culture would enjoy

(says the one painting an owl in a top hat)

14.Now get a damp, really damp rag, and a candle, and set that shit on fire!

15.The rag is for putting out the fire, so that you only burn the parts
of your page that seem useless to you, or where it would look cool to have a singe.

You need the rag.

I should make it very clear that if you’re kind of half-assedly following the instructions and didn’t bother to get a damp rag you might be kind of fucked right now,

because you set your shiny new art on fire.

That’ll teach you to follow instructions.

16.Bet you like it so far, huh?
Think you did a good job?
That’s some kinda cool picture?

BULLSHIT, IT’S GARBAGE!
THROW IT THE FUCK AWAY!
YOU SAD SACK OF SHIT,
YOU CAN’T DRAW!!!

UGH SERIOUSLY YOU SUCK!

JUST CRUMPLE THAT WASTE OF TIME INTO A BALL AND THROW IT AT A POKEY OR A COP!

IT’S NO GOOD FOR ANYTHING ELSE!

Damn, I was just kidding!
Sheesh, man, try to have a thicker skin!
Why you gotta be so worried
about what I think, anyway? flatten that
thing out again, let me get a closer look.

Go easy on it. I mean it’s still kind of-

oops oh shit hey I’m sorry-

Hey waittaminute…ok

dry that crap off with the rag. the burny rag.

You really needed that rag.

17. Crumple it up, flatten it out,
spill coffee all over the back of it,
and let it soak for a few. Don’t do this
until ALL the paint has dried completely.
That looks right out of a hobo museum.

Good show, sir, good show.

Originally Published on: Nov 12, 2007

SYTYN zine, 1993

When I was much younger I put together about ten issues of a zine.

This was in the early 90s, when such things were able to be picked up at bookstores, record stores, and the like.

I loved zines, loved them so much.

I built this with the assistance of my good friend and roommate Jen, she wrote a lot of stuff and drew things.

It’s amazing to look back and see how much and also how little my politics and deeper feelings have changed over the years.

more after the jump…

(more…)

youth of today

I once came to the conclusion that I usually have dated younger men because men my age are bitter old farts who just want to complain or make babies. I don’t think this is true in all cases but …

I do enjoy being around someone my own age and when I go out with guys my age or close to it I get really happy because the weird stuff I think about they just…get it right away. There’s no explaining why “piano wire and a block of ice” is a funny reference when I see an emo kid, or why singing a certain riff from xray spex is awesome, why long duck dong said fast makes me giggle, why I think jocks suck, or or or…

I was born in the early 70s. I remember watching the monkees on tv. I remember brown and orange and avocado green rugs. I remember not worrying about accepting candy from strangers (much). I remember a lot of stuff that just…doesn’t exist after about 1981.

And I was just old enough during the 80s to finally take part in the culture. Like during the 70s I listened to the music my parents played, but once I was 12 or 13 I started getting my own records and watching my own movies that I liked. I started being able to create and participate in my cultural environment, and ever since certain things have had a very warm place in my heart.

I was a geeky, dirty, awkward kid. I didn’t have a lot of friends. Then I went to a punk rock show and people talked to me! Nobody really cared what I looked like, because I could write and draw and add and was smart. They made me tapes, took me in when stuff was rough at home, and showed me how to spike my hair. I found people that cared about the same stuff I cared about…I tried many ways of living. I experimented with my own life in ways I never would have thought were possible without their influences.

I tried everything.

I still do.

I wonder how it is for people younger than me- if the roles we cut out for ourselves then broke in that scene ever carried over? If they feel stuffed into boxes, if any of them escape how we did? In groups or alone? I see very few younger people that are really different from the majority … I see few leading the way to the future, really thinking about it. I like it a lot when I DO see it, though.

I hope I haven’t lost all my vanity, enthusiasm, all my drive to change the world. I’m doing it in different ways of course but I still have hope that it can be done…and that I think is what I miss in men my own age or older. I love extremism, idealism…I want more of that. No matter someone’s age.

This is really just more rambling. Glad you guys keep reading it all…I don’t know how you manage.

 

 

originally written in june, 2010

“dwelling portably, formerly known as Message Post, Sept, 2001-2005”

Printed originally in “dwelling portably, formerly known as Message Post, Sept, 2001-2005”

A tightly-printed little stapled zine, Dwelling Portably was printed in Philomath OR. I have three or four issues of it, and it would be almost two novels’ worth of typing to get them posted online in their entirety. This zine is CRAMMED with text, tiny tiny text. I’ll try to get the more interesting snippets up.

“”about Chaz’s hobo castle and Ozark land,

I don’t recommend building around campers. Building around something is much more difficult, and the result is not a new building because this old thing is in there. Better to start from scratch and, if you do a good job, you will have something worthwhile when you’re done. If I was doing it again, I would build a straw-bale house.

I now have a far better toilet system, inspired by Joe Jenkins’ Humanure Handbook. I now cover with sawdust, then compost. If done properly, the heat will kill all pathogens, and, in two years, I’ll be able to use the compost directly on my garden. Eastwind Community has successfully used this system for several years, and fertilize their extensive organic gardens. I helped collect one day.

(more…)

watermarking images.

spider skeleton mount taxidermy artI’ve seen my work posted and reposted a lot online (it probably started in earnest, with my work, when this image was the main image on the wikipedia “tattoo” entry for almost a year) and I’ve never really thought about the amount of people who may be seeing it with no idea who made it.

A few things recently made me consider starting to watermark my stuff with this site’s address. First, I was looking at sketches done by some artists on a social network site I use, and found a sketch of my spider monkey mount’s skull and jaws. It was a great sketch, and I commented on it saying I loved that someone was using my work as inspiration. The artist blew it off, saying “Yes, I found this randomly online.” They had no idea they were talking to the creator of the work they were (tracing) drawing.
I explained that it was my work, she was excited to find out where it came from, we made friends.
It was a really good sketch.

Then, I found my spider skeletons posted to a russian site- and have no idea what on earth it says, whether it links back to me (update- it does) or not, and would love to comment but have no idea which buttons are for commenting or anything since I don’t read cyrilic.

Should I start watermarking things? I’d love it if every time my work was reposted or re-used, someone new came to see the rest of what I do, came here and maybe even said hi or spoke with me.
Having the site address on each photo is something I have alternately been too obstinate, or too lazy, to do. I don’t think even if I did this, that I would have the patience to go back and watermark all my older images (about twenty thousand images of my various works exist online) but maybe, going forward, I should make the effort.

What do you think?

home tattooing, round 13,879

http://resonanteye.net/2012/01/06/on-learning-to-tattoo/

 

Needlestick injuries, are also a consideration.

The risks associated with home tattooing start with minor Staph infections and end with septicemia (which can be fatal) and transmission of serious, life-threatening viruses. Also, using your home as a tattoo studio puts you and your family at extreme risk of infections and diseases. Simply put, this is not safe, and is most likely against the law.

Learning on your own will not allow you the ability to use modern techniques and equipment, since most retailers will not sell professional-grade equipment to amateurs. Despite what you may have read on the internet, there are NO books that will teach you everything you need to know to be a tattoo artist. These will only give you bits of information, and without good, working equipment and true, complete information, you just can’t tattoo all that well.

If you’re planning on doing this for fun, don’t bother. It is an actual, honest-to-god, real-life career, and should be approached as one.

DEAR FILM INDUSTRY:

more and better wolves please. and no cgi shit either.

Please produce an original well-written, non-cgi werewoilf movie as soon as possible, in order to entice me back to a theater again.
This means no remakes, no sequels, but a real, awesome, SCARY werewolf movie. No teenage love stories either, please.

I say non-cgi also because far too often I see movies that lean on the ffects when the rest sucks; however cgi LOOKS LIKE A VIDEO GAME and doesn’t improve a movie; it’s dated and ugly, like seeing an 80’s film with computer effects. So knock that shit off.

No remakes or sequels either. Jesus fucking Christ Hollywood, what the fuck are we even PAYING you for? Just because you’re cheap profit-driven fuckheads that won’t pay for a decent writer…ugh. I avoid remakes. I want to see something fresh- I will spend my money on films that take risks, not the same shit over again.

Werewolfs seem to be such an easy hit, too. Like really, we have so much connection to dogs/wolves. Our folklore (western) is practically MADE OF wolf; and yet we get more  vampire in our movie diet…Think dog soldiers or american werewolf in london- but don’t remake …those. WRITE SOME NEW ONES. Thanks.

Sincerely,
your former audience

classy

sharpdsc_1049I was on the road once and stopped to visit Gil Montie. He’s a very helpful guy to younger artists; I really liked him once I spoke to him a few times. I stopped at his awesome shop (Tattoo Mania) in Texas, just to say hello, after seeing him and hanging out with him at a convention. He took a look at me- in road gear, dirty shirt, busted up cowboy hat, tired, bedraggled. and he told me that I had to make myself look better.

That I should respect the work I do enough to be professional about my appearance, and that I was better than that. That tattooers are important people, that we do useful work, and we should care about ourselves, each other, and the work we do. That what we do, who we are, means something. And that it should be taken seriously by us (if not by the world at large)

It kind of stunned me because I’d never thought of it before. I’d been a crusty like punker when I was younger and went through years of politically-charged poor hygiene…but now I was a professional.

He was right. Ever since then I’ve tried to maintain at least some semblance of good hygiene. I usually dress down for work but I wash my face before I go in. Anyone that’s worked with me will tell you that I have good days and bad days…I tend to the smelly side, always have, even when I’m clean. But some days I can manage to do it right. I’m not usually in a three piece suit, but it’s not unheard of. So here are some pictures from work yesterday…that sum it up well.

some things you can do

  1. take your old blankets and towels and any pet toys or things to the local no-kill shelter. If you have time, volunteer to walk the dogs, or play with the cats.
  2. take all your canned food that you didn’t eat or use down to food for lane county. especially if it’s good stuff.
  3. take all your books that you’ve already read, to the local literacy center. in eugene there’s one downtown that teaches people to read.
  4. take your old clothes, wash em, and give them to goodwill.
  5. volunteer to go to a nursing home and visit people who don’t have relatives that visit. You can offer to record memoirs (often single people without kids have led very interesting lives)
  6. let someone who looks more tired than you have your seat.

casflagbg Everyone can do something. Seriously.

I don’t have a lot of time but I do what I can, and my politics have nothing to do with it.

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