my daily routine.

 

image

image

I have two separate routines for work. it depends whether I am having a tattoo-studio day or a home-studio day.

if I’m working at the shop, I wake around ten or eleven and lay around like a slug until it’s time to rush to work. I arrive, drink coffee, plan out my hours. talk to clients. clean my inks off or monkey with a machine until  “real work” shows up. I leave right after the shop closes for the day. I usually don’t do any other art on these days; working on commission is draining (satisfying though!)

if I’m not going in to the shop, I wake up late, noon or one. I have coffee and laze around a little.then eat, and start looking over the mess I left the previous day. usually I will have something drying and ready to be worked over a little more. so I pick up where I left off. at some point I’ll reach a moment where everything is tacky. then I start something new…I work a little, stop and stare. smoke, have a sandwich and more coffee.

a lot of times I’ll just get in the car and go exploring, searching for objects or supplies, detritus. things that make me feel creative. it’s a lot of walking along the river or the side of the road.

I work until very late at night when I’m doing my own art. I’ll stay up until the birds are talking. sometimes I work all night and into the next day. coffee is my friend. this happens a lot more in the winter. I tend to have a very hard time waking up in the mornings, it’s always been that way.

of course I spend about two months each year  “on the road”; I can’t call it a vacation because I usually am tattooing just about that whole time- I don’t like not working anyway. but when I travel I have no routine at all, and when I return it takes me a while to get back in rhythm with my schedules and routines at home.

bi winning tattoo

tiger blood winning tattoo

Honestly, if you’re an incredibly rich and talented weirdo, why the fuck SHOULD you fight being manic? Hell, ride it as far as you can.

There are millions of people who have to work normal jobs or take care of kids or whathaveya, that are vicariously living through Charlie Sheen. Yeah, he’s probably bipolar. So? I mean…

Stability is a great thing, don’t get me wrong. But if you don’t actually HAVE TO be stable to survive, then why the fuck would you turn down mania or hypomania? Those mental states are rich in inspiration and productive as fuck.

If he has to eventually deal with a crash-he has the resources to do it.

If he loses his job- he can do other work. So…fuck yeah Mr. Sheen. Ride it out.

Guesting and the road

image

image

image

image

image

image

image

image

Just got back from phoenix. I love my desert tribe. Thinking I’ll visit Spokane next. Anyone up there got a chair to fill?

DEAR FILM INDUSTRY:

more and better wolves please. and no cgi shit either.

Please produce an original well-written, non-cgi werewoilf movie as soon as possible, in order to entice me back to a theater again.
This means no remakes, no sequels, but a real, awesome, SCARY werewolf movie. No teenage love stories either, please.

I say non-cgi also because far too often I see movies that lean on the ffects when the rest sucks; however cgi LOOKS LIKE A VIDEO GAME and doesn’t improve a movie; it’s dated and ugly, like seeing an 80’s film with computer effects. So knock that shit off.

No remakes or sequels either. Jesus fucking Christ Hollywood, what the fuck are we even PAYING you for? Just because you’re cheap profit-driven fuckheads that won’t pay for a decent writer…ugh. I avoid remakes. I want to see something fresh- I will spend my money on films that take risks, not the same shit over again.

Werewolfs seem to be such an easy hit, too. Like really, we have so much connection to dogs/wolves. Our folklore (western) is practically MADE OF wolf; and yet we get more  vampire in our movie diet…Think dog soldiers or american werewolf in london- but don’t remake …those. WRITE SOME NEW ONES. Thanks.

Sincerely,
your former audience

JUCIFER/KEMOSABE/PARADEOFSTORMS/OAKSTSPEAKEASY

Just some images from the show. So fucking good.

cardages

funny

http://ugliesttattoos.com/2010/05/16/funny-tattoos-scissoring/#comment-28576

Marylin was kinda upset but only I think because she didn’t realize that they post not only ugly or “bad” work, but also joke tattoos and silly ones, that are well done. I understand that not knowing what the site was like she would be pretty upset. But I love that site so…

Any rate here’s the tattoo that caused the flak.

At any rate, this is my own photo of the tattoo. It came out great and makes me really happy. Marylin is an awesome person, and the tattoo made us both giggle a ton. So it didn’t bother me to see it posted there. Go check out their site, too. Except for the fact that they don’t even TRY to find the source for the better-quality tattoos and credit the artists (COME ON GUYS) it’s a great site. And the truly ugly tattoos that do get posted are hilarious too.

http://resonanteye.com/2008/09/18/pair-of-pairs-of-scissors-scissoring/

art opening

Had a great time at the Unfine Art’s 8th anniversary.

I had a piece hanging in the show—

I enjoyed Honey Vizer’s reading of the manifesto to Shawn’s awesome sax madness—

The Ninkasi and some of the food was delicious—

And I even had an attractive date to bring with me, who was willing to help re-build a bucky ball, and discuss the PNW-china connection with some strangers.

All in all a successful evening.

(more…)

in progress moment

I love my job.

working together with friends

collaborative backpiece Jazzy’s backpiece, finally complete. This was a collaboration done by me and Splat.

SO. MUCH. FUN.

The angler fish at the base are a bit washed out in this image. But you can get a good idea of the overall scope of the piece.

Collaboration is enjoyable like no other way of working. It’s motiavting to have someone to hang out with while working. It’s great to be able to ask someone what shade of brown they think you should use (even if you don’t follow their advice!) It’s great to have another set of eyes right there, and you can play off the other artist’s strengths and weaknesses, which makes each piece much better I think, in the end.

I am glad I work with people with whom collaborating is fun and challenging and helpful. Teamwork at the shop is such a valuable thing, maybe the best thing about a place.

Being helpful friends to co-artists is a good feeling.

« Newer -- Older »

This is a unique website which will require a more modern browser to work!

Please upgrade today!