Contest, tarot deck project, tattoos, and skull mount projects.

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the “coordination” series is listed in the store here and also as prints in redbubble.

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my patreon project is a tarot deck! go check it out and jump on board- you’ll have to be a patron to order the final deck.

https://www.patreon.com/resonanteye/posts

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IMG_20180511_003954edition three, uncensored, of the Horrors is now available!!!  HERE

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I’m running a cover-up contest on my Facebook and Instagram.

http://Facebook.com/resonanteye

http://Instagram.com/resonanteye

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interview in Pain magazine! thanks guys!

new skull mounts and taxidermy/nature assemblages in progress.

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here’s some newer works:

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tarot tattoo series; reading your inner symbolism

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I’m currently doing three-card reading tarot tattoos. I pull cards and use related symbolism to do a spontaneous image tattoo on whoever signs up for it. these tattoos can’t be planned in advance, but can be booked ahead as a time slot.

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images are based on symbols/reminders/ideas that the deck suggests; are drawn by both of us together, on the spot; I want to make it a collaborative process. the colors and symbolic images that call to you and the design elements that carry a positive message to you- that’s what we’re reading for.

14 Temperance (Art)

I did tarot readings before I was a tattoo artist. I’ve always worked with the Thoth deck, and I consider tarot to be a way to access our subconscious mind and find ideas and solutions, rather than any kind of outside or spiritual communication. I am not theistic and I think that connecting to our inner selves is valuable, in its own right.

I’ve worked with tarot in this way for 25 years or more.

 

I see tarot as a way to access our inner selves through symbolism. the tattoo tarot work I’m doing, I’m reading the cards to see what imagery will best fit you in the present and give you a positive feeling into the future.

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with your input, I’ll pull three cards and we will examine them for their connection to you and your life, your goals. then we will use symbolism and color choices from those cards to create an image for the tattoo. these readings are to find the right tattoo, not for further life guidance. (they’re readings for a specific purpose instead of a general reading).

The reading we do is only about the tattoo you will get, and is to guide us to choose the right combination of items and symbols to give your subconscious self a boost, or reminder.

 

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As I said I approach it as a way to access the inner, higher self- a kind of Jungian approach. Spiritual content in these readings is fully your decision and what you bring with you to the cards, and isn’t my work. that is the content of your contribution- it’s your decision, your choice. I’m simply a conduit for this.

it’s up to you to decide what to take from it. for me, it’s a way to clarify and condense into an image, the things your full being wants or needs to see. I would not presume to call it “healing” work at all, I am not a therapist. I’m simply there to explain the cards, help you find symbols that resonate with you, and make a good tattoo from them. if there is healing, it has come from within you, because inside you is a whole, healthy being. this is not me, it is you, your own self. I’m honored if you let me be a tool you can use for this.

 

you can call the shop to book- simply decide the amount of time/money you’d like for a session, and we will draw to suit that. we’ll draw together after the reading, so the art is collaborative between us.

I’m leaving Sundays open for this through the winter, but any day is all right. they’ll note that it’s a tarot piece in the appointment notes when they take a deposit and set up the time. the shop is aware and ready to set up time for you, our counter staff is amazing and they handle all my scheduling for the shop. (509-426-4465) is the number here- you can also email me and I can have counter staff set up a time and date via email.

I know limited ASL but can likely find a fluent translator if text/writing isn’t enough. we are wheelchair accessible and I can put up screens if you need an enclosed space. you may bring a comfy pillow, headphones to wear during the tattoo itself, or a friend to talk to.

if you need anything else in the form of accommodation, let me know.

everyone here is amazing.

everyone here is amazing and helpful

I use proper and modern, clean and sanitary techniques to apply the tattoo. using a premium machine and a full setup, with all disposable, single use equipment.

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if I’m going to ask the muse (in any form) to assist me I feel I should carry out the work in the best possible way I can, do the very best tattoo I’m capable of, with the best tools and equipment available.

I feel that to use less than the optimal equipment and setting would be an insult to the process used to find the design.

I will not be doing these at conventions, as there’s too much distraction from the crowd for us to focus properly. if I am visiting a shop near you I will offer these there.

 

xox

why does everything have those three lines and/or dots in it?

I always use three lines/three dots on anything I do. Sometimes they’re front and center, the focal point of the art, and Sometimes they’re obscured- hidden in the backdrop or repeated in a pattern so as to be less noticeable.

I began doing this because of the greek character Ξ, Xi. There’s a few layers of meaning there, and all of them combined made me interested in the symbol/shape, and that interest led to me using it as a part of my signature for a while. After that it migrated, getting further detached from my initials, and becoming more a part of the artwork. And from there it just sort of infiltrated every piece I make.

Back in the 80s-90s I was really interested in mindhacks and psychedelics and pTv and related art and music.

I did some work with sigils. I’m not a believer, not even agnostic, but I do know that our subconscious is a strong force, and that affecting it, changing it, tinkering in there, can bring some odd results. Working with visual symbols is one of my ongoing experiments- using an eye as the main focal point in a painting that is smaller and might be stolen from a gallery (even the most abstract eye affects the behavior of the people around it- see this study for details) or using hands, in various gestures, to suggest action to the viewer.

So while I have an abiding interest in all these things I am not any kind of believer. I do entertain the idea that Jung may have had a good point about how symbols and visual cues lead us, and have an impact on our lives, so it’s always been my effort to find ways to incorporate these things, at least subtly, into my work. The three lines/dots is a personal symbol, though, which I use in my art to influence MYSELF. So in the sense of it meaning something to the viewer, maybe- it’s done intentionally as a prompt to myself while working, though.

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