another few days at high priestess in eugene!
I get so homesick. It’s been a great few days so far and there’s a few more on the way though!
Tattoos of lettering are classic, of course. There’s nothing wrong with getting words tattooed on you. Sometimes, though, you can overdo it.
(This woman did not overdo it.)
For example, let’s say there’s a poem you really like. It’s four lines long. It goes like this:
Brave men who work while others sleep,
Who dare while others fly…
They build a nation’s pillars deep
And lift them to the sky.
(Emerson)
Or, another example:
The woods are lovely, dark, and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.
(Frost)
sometimes you really do want to dedicate a lot of skin to words. that’s ok, too, but only if it’s a flatter area where curving muscle won’t impede the reading of it.
These are lovely sentiments. On skin, however, with the limitations due to cellular changes over time, they wil end up being about ten inches across and six inches tall. That’s a HUGE area dedicated to text alone. Let’s say you want a tattoo of a hammer and some clouds, with that Emerson poem. Or you want some trees and a path, with that Frost quotation. What’s going to happen is the text is going to completely overwhelm the imagery, and dilute it.
Tattooing is a visual medium. The whole point of a symbolic tattoo is to take a concept (words) and use the tattoo (image) to express it. Adding lines and lines of text to an image….it’s a bit redundant. Like getting a tattoo of a bird with the word “BIRD” on it- unnecessary and really odd to look at, in the end.
You have choices here, of course.
this poem, in full, would have taken up her entire side, leaving no room for the drawing of a woman representing her mother. (the poem in its entirety is on her mother’s headstone.)
I usually suggest to my wordy clients that they go with the third option- I love poetry and books, and think that a snippet of text in a tattoo can actually add to its impact. It also serves as a reminder to the person of the entire written piece. I usually limit the amount of text to about five words, maximum, if there’s any images being tattooed along with it.
If someone wants a very, very long quotation I will do it- but I usually suggest treating the text block as an abstract shape, making it curve to fit the body area being tattooed. It helps a little, and allows you to get neighboring tattoos later in life without too much fuss. Having a lot of straight lines on a floating block can really limit your future options.
If you want one word or short phrase, though, it’s easy. We can treat the text itself as an image, and make it fit. Simple lettering is really fun, playing with text forms is enjoyable and placement becomes a breeze. You can be selective in your quotation and still carry the meaning of the entire text pretty well.
22×30″ sheet of flash for tattoos, I did this to bring to the evergreen convention.
22×30″ sheet of flash for tattoos, I did this to bring to the evergreen convention.
new set, these are for sale at laughing buddha in seattle. 7/16″ saba wood with oak and nut dangling on silk wrapping.
set I’m working on- 1/2″ saba wood with glass, oak, and maple beads, silk threadwrapping, and copper-wrapped hand polished agates.
Sometimes I like the small, simple tattoos the best.
I also did some more painting today.
Now I’m off for a week- I’ll be posting a few articles and some art, too.
touched up one spot in the light green, the rest is healed!
I did a bunch of tattooing on saturday. It was the kind of day when I grab a few bites to eat in between talking to people and tattooing, when I don’t get to spend much time in the waiting room with people because I’m working every hour I’m there. In other words, it was my favorite kind of day.
I also got to work on an old friend I haven’t seen in FAR too long. So that was just gravy.
penguin done by Ludwig, at Under the Needle tattoo. ADORABLE. Background/geometry by me.
little ax! touched this up today, one corner was missing a spot.
in progress! we’ll be doing background AND more flowers around it.
I just liked this photo of her hair.
that’s a tall vanilla latte and a short shot.
Since I’ll be working a convention in early March, I’ve been going through all my unused sketches, drawings, tattoo flash collection, and sketchpads and assembling some big sheets of flash to bring along. I want to make it possible for people to look around at a bunch of things and pick something; to let people be spontaneous, and to give them ideas. So I’ve been doing this rather than putting a ton of smaller drawings in books to flip through.
These big sheets are pretty common in tattooing. We call them porkchop sets or pick and sticks, flash wallpaper. When a tattoo artist wants to do a bunch of small-to-medium sized things in a short time, they’ll often be using a sheet like this for people to choose a design from. You can see them pretty often when shops do a friday the 13th sale, or events similar to that.
(if you like something you see, hit me up at the evergreen convention. I’ll have these with me and be ready to roll! or email me, too.)
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