laughlin tattoo convention!
Fair warning: this is a very image-heavy post and may take a moment to load. Click through for all the pictures~!
Laughlin convention:
tattooing at the linq!
I’ll be here today and tomorrow! Vegas people, desert people, now is your chance. xox
open dates: tattoo time available in may, eugene and seattle.
I’ll be tattooing at high priestess in Eugene, May 3-9. If you want time with me in Oregon, let me know soon.
I will be back at the end of June/beginning of July. I’ll possibly be in Vegas the first few days of May.
To book time in Oregon, use this form. (Vegas too)
I’ll be in Seattle the second week of May. To book time with me, contact the shop at 206-329-8274.
To see some of my work, look here! xox
Inkess crew at the Laughlin River Run Tattoo Convention, 2016!
Hi there, all you tattoo lovers on two wheels! We’re a group of four chicks from the Pacific NW, coming down to ink you up at the Laughlin river run. We’ll be at the Laughlin Tattoo Convention, inside the Colorado Belle, all day and all night from the 27-30 of April. We’re bringing plenty of art pre-made for you to choose from, plus we all love to draw custom work that’s uniquely yours.
Let us introduce ourselves! Click our photos to see work we’ve done and find out more about us.
Our booth manager is Brook. She can answer your questions when you get there, and will be selling our art, books, jewelry, and prints too! She can schedule you to get tattooed, too. Don’t be shy, come up and say hello to us.
We’ll be working first-come, first-served — so just head on over and let us know what you’re looking for.
If you have questions ahead of time or want bigger work from one of us, please click on our face up above and there will be contact information so you can reach us ahead of time.
See you all there! Ride fast, ride safe.
No, the magic is not gone.
(originally published 07/04/2012)
I was reading both a blog post, and some forum posts, about the state of tattooing this past week, and had a startling realization.
There are tattoo artists out there who have never worked in a studio without being asked about a TV show.
The demand for tattoos, good tattoos, and the number of people tattooing, makes this a completely different subculture than it was when I started out.
Does this mean the magic is gone? Am I no longer a wizard? Did reality TV really eat the soul of tattooing?
Maybe a year or two ago I would have said yes, and ranted for a while about it. But right now- No. I don’t think the soul is gone, we are still wizards, and the magic is still there, and as potent as ever.
upcoming times for tattoos…
I will be at the Laughlin Tattoo Convention in late april.
I will be in Eugene at High Priestess – Downtown from May 2-8.
I will be back in Seattle at Laughing Buddha Tattoo and Body Piercing from May 11-16.
my books are open now and I’m already starting to schedule. Go HERE to get a time in the schedule!
newest paintings; preparing for travel
All oils. I’m nearly ready to go on my march trip- finishing up the new seminar materials, making prints, and packing up books and equipment. You can find all the info over at the events page.
I updated some things at the portfolio site, and I’ve also been doing some writing.
This landscape series was really enjoyable; I think I’ll be doing more of these when I get back from the tattoo tour.
rock caves, snow birds, and postcards.
I finished this oil painting, and then this other one. The birds are from Oregon and so is the rock formation on the coast. The rock formations will be for sale in the shop when it dries (it’s an 18×24″ oil painting) but the original of the birds has sold. Prints of that one are available here. I’ve also added a bunch of new originals to the shop- including the predatory animal paintings that remain from the show in Eugene.
I’ll be working a convention in March. I’m working the whole month, actually. I’m looking forward to springtime.
I’m doing a postcard project this year, sending out a drawing on a blank card every single day. Here are some of my favorite I’ve sent out so far.
this past week’s painting, process shots, and sadness
I’ve been painting every day since I last posted. Here is my current favorite brush and some rags, in front of the cloud section of a painting I’m working on. No matter where you are, there’s always a storm on the way.
The day after xmas my elderly lady dog died. She had been sick, off and on, with laryngeal paralysis all year. She was 16. She died in her sleep after a long day of rough times breathing- We’d had the vet coming in the morning, but she was gone when we woke up. She was one of the best, sweetest dogs I’ve ever known, and I miss her. I’ve gotten a lot of condolences, so thank you guys, it did really help.
I went back to painting the day after that. These are the things I’ve been working on all week. (For solstice, I got an espresso maker, stretcher bars, and some brushes…it was a lovely holiday despite the sad time right after.) I also got a popcorn maker. I have been living on lattes and popcorn now for a week, by the way. It’s just fine.
Here are the initial stage of the piece I’m currently working on. I’ll probably finish this one today. It’s an area near Ona Beach in Oregon, where a creek washes out to the surf, causing a little rift and depression in the sand. I made sketches of this just after sundown. The sky was far too crazy red for my taste in the beginning, but I think it’s better now. I kept messing with the clouds, scraping them off and trying again. I think that it’s all right now.
The next thing I want to show you is a painting that was really hard for me to finish. I liked the rocks, the low point of view, with the ocean at my back. Just damp puddles in the sand that had been churned up by people walking around. This was near Heceta Head. There were SO many people there that day, all my sketches say “too many people” in the margins. I also took a photo that day, for reference, because there were birds. Flocks of odd birds and the way they were flying around the people was what I really wanted to paint. So here you see the beginning sketch in paint, then the landscape alone. Then…
Then I used my reference to scrape out areas for the birds. As soon as I started painting them I was unhappy. They were difficult. I didn’t like birds any more. But I’d already committed, mentally, to having them there. I cursed the birds, I fought the birds, I finished the birds and they look all right, for little salty bastards that just happened to fly into the painting. You can see the finished image here, or buy prints. The original for this is spoken for.
When the birds were done I did this small, quick study of a logging road on Rte 34 near Alsea. I had sketched this site from every angle many times, and it’s one of my favorite subjects. Always finding new little things to emphasize or change about it. The mood there was always damp, diffuse, misty. I started then finished this one in a great mood.
The original is for sale, as well as prints which you can find at this link.
Then, going through my sketch pad, I realized that on my last visit to Phoenix I had done some sketching at roadside. I love roads, highways or side roads, I really enjoy drawing them and painting them. This was in Northern AZ. I stopped to mess with my GPS, pulled off onto a frontage road, and realized that the sky ahead was very ominous. VERY ominous. If you have seen this blog entry you know what happened about an hour after I made the sketches for this painting. I think I decided to stay a bit and draw just to avoid driving into this maelstrom.
I did still of course have to drive through it. I liked the way the road ended in a little hummock though, in this sketch- the road of course continued over that hill on along the way but it looked like the end of the road, like that would just be the end of the trip. I did another recent painting from another sketch I made that day, facing south. That one is here. This one was drawn facing north along the frontage, away from the storm. The light was very weird. It was near sundown but not quite.
On the left you can see it’s mostly turpentine and a little scrubbing with an old brush to start with. Then I went at it with very thick paint to finish. This one has been scanned now, and the varnish is drying. The original is for sale and prints are at this link.
Getting your feet tattooed, and how to handle the aftermath.
I really like foot tattoos. I think they can look great, and it’s a good place to get a smaller tattoo done. That said, there’s a few things you should think about when you decide to get tattooed on your feet. First of all, there’s not a whole lot of room, so you’ll have to pick one idea, and keep it pretty simple. Any more than that and the inevitable spreading and wear-and-tear on the ink will make it indecipherable very quickly.
So next, make sure the image has a good amount of contrast. Edges! Soft stuff won’t hold up as well in the long run, and while you can get away with that in other areas, the feet aren’t the place to gamble with.
The next thing to think about is healing. When you get your feet tattooed, you’ll have to go without socks, and wear only shoes that do not directly rub against the tattoo while it heals. So if that means you can’t work, wait until you have at least ten days off in a row, to allow for the skin to settle down. Also, feet can swell a lot, so be prepared to elevate your foot the next day, and maybe even ice it.
Placement is super important too. It’s pretty obvious where the skin changes from regular skin to that wrinkled, shiny kind of skin that you find on the palms of the hands and soles of the feet. The areas that are very shiny or wrinkled won’t hold ink very well at all, at all. So plan to get the tattoo on the top of your foot, not out onto the sides very far. While you CAN tattoo back near the achilles tendon or off to the side a bit, it simply won’t hold as well as the normal skin on top of the foot does.
To keep your foot tattoo looking good for a long while, after it’s healed (according to the aftercare your artist gives you) then be sure, in summer, to use plenty of sunscreen or wear closed/covered shoes over it. Feet get a lot of sun and you might not even think about it! Sun is the biggest destroyer of tattoos. So cover them up or give them a good layer of screening to protect them.
