DEAR FILM INDUSTRY:

more and better wolves please. and no cgi shit either.

Please produce an original well-written, non-cgi werewoilf movie as soon as possible, in order to entice me back to a theater again.
This means no remakes, no sequels, but a real, awesome, SCARY werewolf movie. No teenage love stories either, please.

I say non-cgi also because far too often I see movies that lean on the ffects when the rest sucks; however cgi LOOKS LIKE A VIDEO GAME and doesn’t improve a movie; it’s dated and ugly, like seeing an 80’s film with computer effects. So knock that shit off.

No remakes or sequels either. Jesus fucking Christ Hollywood, what the fuck are we even PAYING you for? Just because you’re cheap profit-driven fuckheads that won’t pay for a decent writer…ugh. I avoid remakes. I want to see something fresh- I will spend my money on films that take risks, not the same shit over again.

Werewolfs seem to be such an easy hit, too. Like really, we have so much connection to dogs/wolves. Our folklore (western) is practically MADE OF wolf; and yet we get more  vampire in our movie diet…Think dog soldiers or american werewolf in london- but don’t remake …those. WRITE SOME NEW ONES. Thanks.

Sincerely,
your former audience

az

breaking sticks

headless horseman

rain on dark city streets

terrible dreadlockssmoking girlWhen I was much, much younger I lived in a second-floor apartment across from a gay bookstore in Philadelphia for a while. (Thanks to them for introducing me to Hothead Paisan at such an impressionable age, by the way.)  It was a decent apartment, with a nice fireplace. We had several cats, my girlfriend and I. I owned an ancient underwood typewriter, which I place on a board in the window, I drank a lot of coffee and smoked way too much. And on rainy spring nights I’d sit in the window watching the people go in and out of the bookstore, and I’d try to write…poetry. This was before tattooing, before the west coast, before the zine, before I squatted, before I dropped out of civilization for the wild years. This was the start of that. It was the BEFORE TIMES.

It was horrible, in retrospect. But at the time I felt like it was a way to recognize that inside me hides an angry intellectual snob, someone who could rise above living in shitsville, who’d worked in factories. Some kind of Henry Miller/Bukowski/Hemingway persona. Some kind of talent that made me better than what I’d come from. I hadn’t started working at art in earnest yet, collage and a few drawings or paintings were all I’d done, so writing seemed a natural outlet for me instead.

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