Primer: Juice
- In original art,
Pretty good primer on nicotine liquids, for beginners.
Pretty good primer on nicotine liquids, for beginners.
Nearly 1 in 10 people quits smoking after trying electronic cigarettes, suggesting a potential alternative to government-approved tobacco-cessation tools such as nicotine patches and lozenges, according to a new study.
The research published Monday in the peer-reviewed journal PLOS One could heighten debate over how to regulate a small but fast-growing rival to traditional cigarettes.
Regular cigarettes are widely viewed as more harmful than e-cigarettes because they release toxins through combustion. By contrast, e-cigarettes rely on battery power to heat nicotine-laced liquid and convert it into vapor. But the science remains incomplete.
The U.S. Food and Drug Administration says it plans to regulate e-cigarettes, adding that more study is needed about their safety and whether they help smokers kick the habit. European Union health ministers called Friday to regulate e-cigarettes as medicinal products, which would subject them to extensive health testing.
In the new study, the first large, lengthy clinical trial of e-cigarettes, Italian researchers at the University of Catania in Italy tracked 300 local smokers who agreed to try e-cigarettes between 2010 and 2012. They found 8.7% weren’t smoking traditional cigarettes after 12 months. Quit rates ranged from 4% for those who were given e-cigs without nicotine, an addictive agent in cigarettes, to 13% for those given e-cigs with the highest dose of nicotine.
I’ll be back soon though…
Spent the day scanning things, drawing. And relisted a few things on etsy. And then planted out the garden, the rest of it.
I got a few images of healed tattoo work I’ve done from some clients I love very much. Here’s a few of those…
Here’s a few of the things for sale (originals)…I’ll have some new stuff coming too later this week!
I’m in the planning stages of a larger oil painting so I thought I’d share the process from the start. These are my thumbnails, ideas, and notes for “storming the castle”, a painting which will not include a castle.
I’ve been reading about neanderthal and sasquatch (as usual) and thinking a lot about the medieval myth of the wildman. I have been reading a bit about the iconography and symbolism of wild people and had a dream last night about a shesquatch with a classic old-tyme unicorn. There’s a lot of other things going into this as well but that, so far, is my base idea.
I did some additional research today and reading and took notes. I’ve also got a few pages from my sketchpad showing both the notes I took today and the sketches I did last night. I took the time to go back through and find another few pages of notes and sketches (stuff like sasquatch fur, symbols of purity and of untamed nature, like that) and cherrypicked them into this page of rough notes and sketches. (The deer-man face among those.) As I read more about sasquatch encounters and then about wildman images in the medieval era, I realized that the war there seems both metaphorical (oh, taming nature, the invention of the printing press, you know- whatever happened in the olden times) and very real. The illustrations don’t look like the ones of anomalies and “monsters” but more like the everyday scenes of people that are realistic.
In other words, I’ve decided that there is a secret history of war between us and our near-relatives, the hidden species of hominid that used to be far more common. Like wolves or bears, I think they were wiped out in most of Europe back in those days. The images of battles and ‘hunting down the wildman’ are pretty brutal and detailed. I’d call it a genocide, maybe?
At any rate, these thoughts, along my underlying mood of slight nostalgia for my younger mayhem and chaos, are starting to turn into something. These pages are the beginning of it. And this is how a really big painting always begins, for me.
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I always have enjoyed drawing more than finishing, but lately since I have been doing so many commissions and smaller pieces, I’ve started to get better at time management.
I take a lot of notes early on and do a lot of small compositional sketches. I think I’m addicted to the thumbnail, as far as the part of the process I enjoy most. But at the same time I get such a good lift from seeing a big work finished, there’s really nothing to compare to that feeling, especially when I don’t feel the piece failed.
I also got a bit of progress in on this jellyfish lady today.
I found this little list of ways to criticize art. It’s interesting that not until four steps in, the final step, does the list include
In fact, your personal opinion of a piece of art is the last thing to consider.
This is a good thing, and a bad thing. I mean, every piece of art is trying to communicate, to get across something- to YOU. You are the viewer, and what you think of the work outside of all formal critique, is really the most important thing. Really. You don’t have to know the elements of design or the formalities of color theory to know what you like.
You either like it, or you don’t. Maybe learning more changes your mind, maybe it doesn’t. But your initial response to a piece, without any external or additional information, is really the meaningful part of a critique like this.
I said it’s a good thing, too, didn’t I? That’s because if you don’t know why you like it or hate it, you can’t explain that to anyone else- most importantly, the artist who’s asking for your response.
Learning the terms for different techniques and processes can help with this, but just knowing basics, such as he gives at the end of this list, go a long way. You definitely don’t need to go to class to learn these things. Fuck, I’m an uneducated/self-taught artist; I think you can learn these things, and how to express them, just fine, by reading online, by looking at art, and taking the time to think about your opinions.
I don’t know much, but I know what I like. And if I tell someone how I feel about something they’ve made I like to try to tell them why I feel that way. A negative opinion expressed by a great critic is the most helpful thing on earth.
i can’t imagine having the balls to let strangers into my work space where i paint.
and yet, every day that i tattoo, strangers suit directly in the muddle of my work space and stare around the room for hours at unfinished sketches, broken pencils, and the glass case of bones.
why am i so comfortable allowing people in to one and not the other?
part of it is cleanliness.at the shop, everything is clean, scrubbed, mopped, dusted. my equipment us lined up neatly. everything is arranged with the health and safety of both my customer, and me, as the highest priority.
my painting and drawing space, though…
it’s clutter in every direction. i know where the tools i use constantly are at-right there, in front of me. but to anyone not sitting in my chair doing the work it’s got to be an awful sight.
and then…tattoos are commissioned works. every tattoo i do has to be worn, permanently, by that person. their ideas and personality must shine through. they’re bringing their soul to the surface; any part of my soul that gets in the mix is just for the aesthetics, the visual impact. and yes,i throw myself into the work, but it’s not the same. it’s not the same.
my private work area is where I am. I’m the one surfacing, the one exposed. and i can’t let people into that without feeling invaded.
close friends, nomads, and certain other artists i can welcome, but i don’t understand how some artists allow collectors they haven’t met, or spectators,i guess, is a better word, into that space with them.
even thinking about it makes me a little claustrophobic.
For an awesome foofoo tattoo salve company I adore. here’s some progress shots:
Ok so- this is the promised post about vaporising and ecigs and all that.
another REALLY USEFUL beginner’s guide is here. I’m just talking about my own personal experiences.
As regular readers already know, I’ve been smoking one or two packs a day since I was twelve. That’s…well, it’s a lot of years. I’ve tried the following to quit:
Now, I have never quit for more than a day. I think chantix came closest- I lasted a day and a half on that. And managed, for a few weeks, to cut back to half a pack a day. But every time I’ve tried, I’ve ended up smoking again within a day.
Maybe I’m weak. Maybe part of it is that I start going crazy mentally when I go a few hours without a cigarette. Maybe I just didn’t “WANT TO QUIT” hard enough- maybe pep talks have never helped me do much of anything.
At any rate I’ve been unable to quit before. I’ve currently not smoked for five days. six? I’ve smoked one pack in the last three weeks (up until however-many-days-ago) which in itself is some kind of miracle.
I am using a nicotine vaporizer, otherwise known as a PV, to stop. These come in a lot of different forms, but I have no clue about most of them so I’ll just be talking about what I’ve used/tried. if you know more about these feel free to comment and tell me!I started out trying a blu. This did not work. It kind of looked like a cigarette, and tasted like one sort of. But I just wanted a cigarette after using it. It didn’t satisfy me. And what’s more- I was “smoking” it only when I wanted a cigarette, and feeling bad if I used it more often. It wasn’t enjoyable- it was like the gum, like the patch. A crappy-tasting replacement.
I ended up smoking anyway, and just setting it aside somewhere (in my car) and forgetting about it.
Then I tried a starter kit from vaporsmiths. Strangely enough it lasted a few days longer than the blu had; the battery on it is a little more powerful, and the nicotine content a little higher, so I actually didn’t want to smoke after I had used it. I was still smoking, mind you- just not as often.
Then, I found a good small group of people who use ecigs/PVs (here, if you’re curious) and one of them sent me gear, as a favor, just because. This setup worked. It made strong, flavor-filled vapor that felt like I was smoking. I could puff and notice the “smoke” going into my lungs, into my throat. I had something to fiddle with and chew on. I only smoked one or two cigarettes the first day after it arrived.The gear I started with was an eGo twist battery, and a drip atomizer. That’s it. Nothing fancy- you just charge the battery, then attach the atomizer and tip, and pour a few drops of the juice into it.
I started out with tobacco-flavored juice that he’d sent me along with the setup. But I realized pretty quickly that real cigarettes don’t actually taste like tobacco- unless you’re smoking a pipe, you’re not really getting a tobacco taste. So I started trying out more flavors, mostly from this place (cheap, so you can try lots) and this place (delicious)
I also finally had a little spare cash and ordered a backup battery, one of these, and clearomizers.
To get started trying this PV thing out, if you’re going to use it to quit or cut back on smoking:The gear.
I have:
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There are a few good resources out there for information about this stuff, but I’ve gotten the best answers by either asking the community at large, or emailing one of the vendors. The people involved in this (with the exception of the crappy gas station brands) are all pretty much small businesses, and are really willing to take the time to help out.
or maybe i can. at any rate my schedule has been all night for a while.
i could get up and draw, paint. I’m working on a logo project, i could finish working up sketches for that.
i could also just give up and make coffee, and call three thirty AM my morning, read and sit on the couch.
i haven’t had any of the usual problems that come from quitting smoking, so maybe the sleep schedule shift is related to that. but more likely it’s my usual a-few-hours-later-every-week sleep shift happening, which crops up midday strongly in fall and spring, when the weather changes.
it’s a good thing I’m an artist and can (usually) do at least some work at odd hours.
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