Print edition of essays!

51E8o9iuGgL._AA200_Real, actual ink on paper!

Here they are. In all their unvarnished glory.

Buy one for yourself and one for your auntie.

Or just one for yourself! Who am I to judge.

Contains rants about art, explanations of various tattoo things, stories about tattooing, about squatting, and about zines. Also contains some taxidermy info, essays about madness, and more.  A ton more! 166 glorious pages!

My next book will likely be the horror/cryptid coloring book. You can find individual downloads of the pages here if you like.

just out of the oven.

CAM02745[1]I’m baking all the clay I have been working on, today. And I am finishing up an e-pipe from some of it.

I’ve also put up a slew of new prints, too. And a few downloadables. I’ll have a handful more next week, too, I think.

I’ve been working on making some ivory-look clay, I think I want to try to make a pipe that looks like ivory. I’m carving out another skull too. I think I may start messing with shapes, since the clay can be any shape at all I can make an epipe look like anything really.

Messing with some iridescent power pigments too.

I am also thinking of making a few drip tips- long crazy ones, not churchwarden style but long like that, maybe a twisty one. If I seal the mouthpiece part (or use a tiny bit of silicon to cover it) it will be safe to put in your mouth, at that end.

This is today’s project. I started sanding and carving the Meat Pipe too but I don’t have process photos ready yet.

Here’s some of the new prints and downloads in the meantime.

flat,140x140,075,t.u1 (7) flat,140x140,075,t.u1 (6) flat,140x140,075,t.u1 (5) flat,140x140,075,t.u1 (4) flat,140x140,075,t.u1 (3) flat,140x140,075,t.u1 (2) flat,140x140,075,t.u1 (1) flat,140x140,075,t.u1il_170x135.498528713_37av il_170x135.439961484_lf3s il_170x135.490900072_eo2y il_170x135.496864927_qfl4 il_170x135.496814182_bs30

some new, and some old.

Spent the day scanning things, drawing. And relisted a few things on etsy. And then planted out the garden, the rest of it.

I got a few images of healed tattoo work I’ve done from some clients I love very much. Here’s a few of those…

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Here’s a few of the things for sale (originals)…I’ll have some new stuff coming too later this week!

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cobra lily cover-up.

original before cover-up, done very well by Lisa Hill. It's a pity such a nice, dark and creamy tattoo had to get covered- but that's what happens when you get small pieces in big spaces; eventually you want to fill that canvas, and the smaller tattoos have to get fit in or covered somehow.

original before cover-up, done very well by Lisa Hill. It’s a pity such a nice, dark and creamy tattoo had to get covered- but that’s what happens when you get small pieces in big spaces; eventually you want to fill that canvas, and the smaller tattoos have to get fit in or covered somehow.

my sketch for this cover-up. we've finished his upper arm, this is a sleeve of oregon places, animals and plants. So today we're adding a section of cobra lilies.

my sketch for this cover-up. we’ve finished his upper arm, this is a sleeve of oregon places, animals and plants. So today we’re adding a section of cobra lilies.

here you can see the cover-up under the stencil/drawing. luckily the shapes are pretty close, so I can use the black line from the previous tattoo to add dark areas in the right places.

here you can see the cover-up under the stencil/drawing. luckily the shapes are pretty close, so I can use the black line from the previous tattoo to add dark areas in the right places.

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partially done. I used really bold lines in this piece.

partially done. I used really bold lines in this piece.

the other part. oh yeah, and the beetle is one found on mt. hood.

the other part. oh yeah, and the beetle is one found on mt. hood.

we'll finish the lichen, as well as start the back of his forearm, next time.

we’ll finish the lichen, as well as start the back of his forearm, next time.

autumn birdsong.

bird with autumn leaves tattoobird tattoo with oak leaveshe’s got a white berry in his beak. This took about three or four hours, total. we did it all in one session because she is a tough cookie!

I had originally drawn this as a bird flying down, with loose leaves in the wind around it. she wanted to make the branch more prominent and loved the oak leaves in that drawing- and wanted the bird perched. This was the second round of drawings.

I really like using subdued colors right next to bright ones, like the yellow on the bird’s head among all the greys and browns in this piece.

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more bird art from me is available here.

You poor kids.

my blog: like a hundred baboons writing shakespeare with assault rifles

My standard advice to anyone wanting to learn to tattoo is “MOVE OUT OF OREGON AND GET A REAL APPRENTICESHIP”. I find the idea of “schools” laughable and repugnant.

You simply cannot teach “class” of more than one person hands-on, tattooing is not like other fields in this sense. Apprenticeships served one-on-one, by the person who plans to hire you afterward, are and were the tattoo industry standard.

Being here is the first time I have ever heard of a tattoo “school” being taken seriously by ANYONE as anything but a scam that teaches the student nothing.
Churning out people without being responsible for their future career is a terrible idea; I’d never before heard of ANYONE being taught without being hired by the teacher once they’d learned.

An artist who is very skilled and dedicated does not have time or interest in teaching twenty people. They may take the time to properly apprentice one or two during their career. In order for an artist like this to have an apprentice in Oregon, they must open a school in a manner that assumes they will want to teach multiple people; they must charge money, they must do a lot of things which deters them from bothering at all. The system in Oregon is set up so that the very best tattoo artists won’t teach, and those with less skill, will.

SHE DOESN’T EVEN HAVE ANY TATTOOS


People who are proficient at filling out forms and such; not good tattooers. We end up with under-educated people with no place to work, turned loose to fend for themselves.

I feel like a lot of these younger artists were completely ripped off by the system, taken advantage of, their ambitions falsely turned against them. We could have so many highly-trained young artists here, instead we have a pile of people who COULD be great, but are flailing around trying to learn on their own. It’s a waste of time, and it’s bad for tattooing.

Again- you can NOT teach tattooing in a class. This requires apprenticeship and mentoring beyond that; should be done in the interest of furthering our art, not raking in cash from naive starry-eyed kids and then tossing them out in the street to beg for work (or worse, open their own shop because they can’t find a job…how are they going to learn more then? When they are working alone with only their limited knowledge to go on?)

A few people have done the best they can teaching under these rules, but a first-year OR tattoo artist is still, STILL, light-years behind almost any other first-year tattooer.

In tattooing, it’s not good form to talk down on whoever taught you, no matter how fucked-up things ended, or how poorly the teaching as done. I feel that the current rules in oregon were passed without any insight into the general standards of tattooing nationwide and have really made us look bad in comparison to other places. The school/apprentice thing being the biggest issue.

Y HALO THAR TINY JACKASS

It’s not so much the number of new artists, because demand is still high and rising. it’s the quality and skill of those artists! YOU SHOULD NOT TEACH SOMEONE YOU DON’T PLAN TO HIRE. simply put!

The input given by a mentor during the first few years of tattooing is just as important as the original apprenticeship, and a formal apprenticeship gives in-depth, hands-on information that can’t be given in a class setting, or by someone who is teaching a herd.

For you guys who are wanting to learn tattooing: MOVE OUT OF OREGON. If you have other things in your life preventing that, be aware that YOU WILL NOT HAVE TIME FOR THOSE THINGS ANYWAY. The time during your apprenticeship, tattooing needs to be the first and only priority in your life.

So, move! Find someone who wants to INVEST in you, share their knowledge, and guide you. Don’t slap down cash on the barrelhead and expect to be a respected artist because you bought in.

I’m crossposting this rant from a forum where I posted it all; I have snipped out a few bits that were more technical, but the gist is the same. Learn from someone who wants to hire you, teach only someone you plan to hire.

Alien Dad, and a lotus tattoo.

My friend Melissa came in today to get tattooed. We did a memorial piece for her Dad, who died recently, and was apparently an AWESOME guy, because he LOVED Aliens.

She sat like a champ- we joked and talked the whole time.

This is the cameo-alien-dad-memorial.

(I know her from an amazing website called regretsy, in case you were wondering. She’s one of my internet friends! This was the first tattoo I have done on my friends from that site, but I plan to work on a shitload of these guys on my trip!)

 

We talked a lot about movies too- she told me to watch a movie whose name I forget, but it was because we were talking about the movie “Parents” with Randy Quaid.

geiger tattoo horror movieAlso I am amassing a VHS tape bin for her- since she likes crappy horror movies as much as I do (and I want my collection to go to someone who will love it, since I am clearing space and paring back my things)

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Then, right after that, I worked on my other friend Dottie, doing a Mom memorial tattoo. A tiny bit more classic, this one- a lotus with some swirls and text. The swirls are open and fade at the edges so that we can do more connecting flowers on her arm later.

She knew she wanted a floral piece, so we sat and talked about what flowers she likes, and then I asked her what her favorite colors are…blue, purple, and orange!

I need to get better photos of this. She had dry summer skin (Like I do!) and so it was still shiny in this photo.

SUPER fun, also!

cack.

fighting cock tattooI worked on a good friend today. I like spontaneous tattoos a lot.

There’s something to be said for the energy that builds up when you talk over an idea, do the art together, find reference, and then tattoo- all in one day. It’s my favorite way to work, really- with the client right there, hanging out the whole time.

This is Chicken’s cack.

Chicken is an old friend. He’s covered in no-nos, tattoos that are funny or offensive. He came in to get tattooed with no idea what we ought to work on (he is, like me, running out of space!) so we sat down and started throwing ideas around. He doesn’t have a cock tattoo, so noticing that the front of his leg below the knee was empty it was the first thing that popped into my mind – both as something that’d suit him, and something I’d really enjoy drawing. He asked me to make sure it was damn serious and kinda pissed, so I did.

We looked up a ton of photographs of the actual animal, so that I could get a good feel for the body structure and feather patterns on these guys. Our piercer, Tigger, showed me some photos of Aurmarca(spelling?) roosters, too- very simple and direct colors on these guys. Red, brownish-yellow, and a greeny-black iridescence.

All in all, a fun start for a big giddy tattoo.

I’ll be at the shop tomorrow too- it’s the tail end of the slow season here. Next month I will likely be busy tattooing, but for right now I have the time to work on some close friends and colleagues, which is a nice segue back to regular working hours from camping season!

 

(note, this cack is about halfway done. we still have to do the tail, wing, and background.)

oregon tsunami. work in progress.

We did a 4 1/2 or 5 hour session on this. It’s a cover-up of an older tattoo, a medium-sized rose and banner was there before.

This fellow lived in Eugene for a good long while, and so he wanted a memento of Oregon. We’re doing Mt. Hood at the backdrop of the waves, on the underside of his arm.

This, a version of the great wave as painted by Hokusai, is simply that- a great wave. Our man Joe is a surfer, and currently lives in Socal- we talked a bit about my fear of swimming in the ocean (SHARKS.) and his lack of fear (DOLPHINS AND PUPPIES). He works as a biologist, right now he is working with condors. I LOVE VULTURES AND CONDORS.

We also had some good book conversation, we’d both read Mutant Message, and a bit of McKenna, and he recommended some music to me, and I recommended he read The Flounder.

He also sat like a champ. It was a long, and brutal session, encompassing both his front and back armpits AND the knob up top by the collarbone, not to mention a large raised scar up there that must have stung! But he sat quite still through it all.

I can’t wait to finish this. I still have to refine the splashed droplets of white, and blue- and reline the cloud areas- and finish the mountain underneath.

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