vervet shadowbox

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some flowers

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prismacolor/tinted paper
tattoo pictures tomorrow!

feather and tar

human bones, on the other hand, are just fine. as long as you didn’t collect them yourself.

The most recent revisions to the migratory bird act can be found online; my favorite part, and the most useful, is the list of species NOT covered by the act. These are the birds I find, use, and adore (along with game birds, and pets). If you decide to scroll to the bottom (or actually read the notes, I don’t know what kind of sicko you are, after all) you will find quite an extensive list, many of which you will also find represented in my artworks.

I collect a lot at wildlife facilities, and the feathers and bone I collect there are from birds that do not inhabit north america or the US.

As for bones, skulls, and incidentals of mammals and reptiles/amphibians- I don’t use anything on the CITES list, I either purchase or obtain my pieces legally; sometimes through roadkill salvage where that’s permitted, by finding natural remains, or by beach combing.

It’s not hard to find beautiful natural objects. Simply taking a walk away from other people is often enough. I use plant materials, as well, and collect those in the same way. There’s something deeply fulfilling about walking, looking, and finding. I will use anything I find in some way, just about- whether for my private collection or for artwork.

I do have an artist’s statement hanging wherever these sorts of works are shown. If you’re at the gallery it’ll be right by the first piece you see when you walk in. I will probably post it up here this time too.

my daily routine.

 

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I have two separate routines for work. it depends whether I am having a tattoo-studio day or a home-studio day.

if I’m working at the shop, I wake around ten or eleven and lay around like a slug until it’s time to rush to work. I arrive, drink coffee, plan out my hours. talk to clients. clean my inks off or monkey with a machine until  “real work” shows up. I leave right after the shop closes for the day. I usually don’t do any other art on these days; working on commission is draining (satisfying though!)

if I’m not going in to the shop, I wake up late, noon or one. I have coffee and laze around a little.then eat, and start looking over the mess I left the previous day. usually I will have something drying and ready to be worked over a little more. so I pick up where I left off. at some point I’ll reach a moment where everything is tacky. then I start something new…I work a little, stop and stare. smoke, have a sandwich and more coffee.

a lot of times I’ll just get in the car and go exploring, searching for objects or supplies, detritus. things that make me feel creative. it’s a lot of walking along the river or the side of the road.

I work until very late at night when I’m doing my own art. I’ll stay up until the birds are talking. sometimes I work all night and into the next day. coffee is my friend. this happens a lot more in the winter. I tend to have a very hard time waking up in the mornings, it’s always been that way.

of course I spend about two months each year  “on the road”; I can’t call it a vacation because I usually am tattooing just about that whole time- I don’t like not working anyway. but when I travel I have no routine at all, and when I return it takes me a while to get back in rhythm with my schedules and routines at home.

Where do fairy babies lie?

imageDuring this tattoo session I treated my client to a reading of a terrible saccharine poem about a fairy flower baby.

I think the tattoo came out well, all things considered.

a few recent paintings

art opening

Had a great time at the Unfine Art’s 8th anniversary.

I had a piece hanging in the show—

I enjoyed Honey Vizer’s reading of the manifesto to Shawn’s awesome sax madness—

The Ninkasi and some of the food was delicious—

And I even had an attractive date to bring with me, who was willing to help re-build a bucky ball, and discuss the PNW-china connection with some strangers.

All in all a successful evening.

(more…)

Crazy Horse

I made this for my friend Jared a while back, and just came across this picture of it.

I used some quotations, things crazy horse actually said (while he was in custody) as backdrop.

I have no idea about the authenticity or whatever of the headdress. I just made what I thought looked cool.

I’d like to draw more like this- portraits of dead heros, I guess. Skully type portraits.

FORGED STEEL REDEMPTION

forged steel redemptionhttp://www.cafepress.com/resonanteye

help us out, pony needs a new set of shoes

painting in progress

work in progress

I usually don’t post paintings in progress, but I am in a generous mood today. So here you have it, some kind of strange bird creature which I am working on. It’s two feet wide by three feet tall so it might take a while.

I’m working pretty fast and loose with this one, just having fun.

I’ll certainly post the finished product when I get there.

Posting unfinished paintings seems a bit like looking at a baby pinky mouse- unformed and kind of ugly. But I guess I’ve let someone film me working start to finish, so I haven’t much left behind the curtain.

Side note: I added information to the “sales” and “about resonanteye” pages, too, if you’re interested in that sort of thing. (Go buy my work!)

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