Kristof Corvinus's black tulip shine.

TheHidden1. Most artists have a favorite medium, what is yours? If you work in multiple media, which one is the most enjoyable for you?

If I am painting I prefer oils first then acrylics second best. Drawing and illustrating I love using colored pencils ( I only will use Prisma color) . Recently however I’ve discovered a love for watercolor pencils. They have become invaluable to me when I am out in what I call my “world studio” to draw people and places in my sketch journal. I have found I can make some nice finished work with them. Traditional watercolor not in pencil form, however, I am pretty lame with.

When I don’t have time, supplies or inclination I love playing around in my various digital art programs.
Mixed media has become more important to me; either in ATC form or larger canvas art. My favorite thing is to use flat back “bling” that are typically used in scrap booking and Mardi Gras beads. Anything that will give extra dimension to color and shape in the paintings I use. Whatever I have handy actually. Glitter, wire, dryer lint, paper products, baked polymer clay, beads, etc.

The little whimsical sculptures I do are always polymer clay and painted with acrylic.

2. Do you have any secret shortcuts? I mean, do you use odd tools, techniques, or anything else that isn’t strictly status-quo for your medium? How did you figure out that it worked? 

One of the oldest and most favourite odd short cuts/techniques I use is to blend my colored pencils. Grumbacher’s Fixative is sprayed on something small and absorbent but sturdy ( such as small bit of tightly rolled cotton cloth )to rub over the pencil. It makes effects one sees in paint.  How I found it worked was by being excessive with it when spraying over colored pencil drawing back when I was a teen. It pooled of course and made the color bleed.

OLYMPUS DIGITAL CAMERA3. You’ve sold work before? What was the first thing someone bought from you, that you made? How did it feel to sell that piece? Are there pieces you keep hidden away, or keep for yourself, and why?

Yes I’ve sold my work. I believe my first official art sale was when I was either sixteen or seventeen. It was our local hair stylist in the small swamp town I lived in. She wanted a portrait of her daughter for a memorial library in town at the private school. Her daughter passed away from drowning at an early age; about three or four. The woman  has only this one faded photo of her from the sixties. Nothing else. I painted it in oil. The drawing was painstakingly slow because I was nervous and wanted to honor this child as best I could. I breathed life into her. The first thing my client did was clap a hand over her mouth and left the room crying. It had touched her so much. Later she confessed to me she had almost forgotten what the daughter really looked like. That was truly inspiring and emotionally touching to me. I will never forget that reaction and experience.

As to what art I have hidden or keep to myself? I have a few drawings, mixed media pieces and such that I use for imagery work. To help manifest the reality that these images portray. With some exception no one sees them. They live in my studio on a small alter I have or travel with me in a special sketchbook so I can look at them all of the time.
I used to have some paintings that depicted very dark and troubled times for me. I couldn’t part with them but also I couldn’t stand to look at them. I have since then destroyed those.

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Kristof Corvinus’s black tulip shine.

TheHidden1. Most artists have a favorite medium, what is yours? If you work in multiple media, which one is the most enjoyable for you?

If I am painting I prefer oils first then acrylics second best. Drawing and illustrating I love using colored pencils ( I only will use Prisma color) . Recently however I’ve discovered a love for watercolor pencils. They have become invaluable to me when I am out in what I call my “world studio” to draw people and places in my sketch journal. I have found I can make some nice finished work with them. Traditional watercolor not in pencil form, however, I am pretty lame with.

When I don’t have time, supplies or inclination I love playing around in my various digital art programs.
Mixed media has become more important to me; either in ATC form or larger canvas art. My favorite thing is to use flat back “bling” that are typically used in scrap booking and Mardi Gras beads. Anything that will give extra dimension to color and shape in the paintings I use. Whatever I have handy actually. Glitter, wire, dryer lint, paper products, baked polymer clay, beads, etc.

The little whimsical sculptures I do are always polymer clay and painted with acrylic.

2. Do you have any secret shortcuts? I mean, do you use odd tools, techniques, or anything else that isn’t strictly status-quo for your medium? How did you figure out that it worked? 

One of the oldest and most favourite odd short cuts/techniques I use is to blend my colored pencils. Grumbacher’s Fixative is sprayed on something small and absorbent but sturdy ( such as small bit of tightly rolled cotton cloth )to rub over the pencil. It makes effects one sees in paint.  How I found it worked was by being excessive with it when spraying over colored pencil drawing back when I was a teen. It pooled of course and made the color bleed.

OLYMPUS DIGITAL CAMERA3. You’ve sold work before? What was the first thing someone bought from you, that you made? How did it feel to sell that piece? Are there pieces you keep hidden away, or keep for yourself, and why?

Yes I’ve sold my work. I believe my first official art sale was when I was either sixteen or seventeen. It was our local hair stylist in the small swamp town I lived in. She wanted a portrait of her daughter for a memorial library in town at the private school. Her daughter passed away from drowning at an early age; about three or four. The woman  has only this one faded photo of her from the sixties. Nothing else. I painted it in oil. The drawing was painstakingly slow because I was nervous and wanted to honor this child as best I could. I breathed life into her. The first thing my client did was clap a hand over her mouth and left the room crying. It had touched her so much. Later she confessed to me she had almost forgotten what the daughter really looked like. That was truly inspiring and emotionally touching to me. I will never forget that reaction and experience.

As to what art I have hidden or keep to myself? I have a few drawings, mixed media pieces and such that I use for imagery work. To help manifest the reality that these images portray. With some exception no one sees them. They live in my studio on a small alter I have or travel with me in a special sketchbook so I can look at them all of the time.
I used to have some paintings that depicted very dark and troubled times for me. I couldn’t part with them but also I couldn’t stand to look at them. I have since then destroyed those.

(more…)

winter hare, drybrush over wet wash, 9×12"

finished work framed. prints will be available when the full series are done (four seasons)

finished work framed. prints will be available when the full series are done (four seasons)

Process photos after the jump, from start to finish.

First of a series of all four seasons of hares.
(more…)

winter hare, drybrush over wet wash, 9×12″

finished work framed. prints will be available when the full series are done (four seasons)

finished work framed. prints will be available when the full series are done (four seasons)

Process photos after the jump, from start to finish.

First of a series of all four seasons of hares.
(more…)

more creatures!

you can also pre order the coloring book now, the unsigned edition.
http://anjimarth.com/2014/01/18/books-and-written-works/

newly completed pages:

imageimageimage

 

The Sweet Mercy of Mademoiselle Rat.

1507979_652634554798130_164619109_nMost artists have a favorite medium, what is yours?If you work in multiple media, which one is the most enjoyable for you?

For more than 25 years my favorite medium has been putting ink on people’s skin. Now I love oil on canvas and is what I mostly work on.

Do you have any secret shortcuts?

I did for tattooing,when I started nobody wanted to teach me,so I had to find out techniques by myself, 25 years ago female tattoo artist in France was just hell. Tried everything to solder needles,from super-glue to blowtorch. SoI opened up a shop and threw myself at the deep end of the pool,soon after I started attending conventions and finally got help and advice from others.

You’ve sold work before? What was the first thing someone bought from you, that you made? How did it feel to sell that piece? Are there pieces you keep hidden away, or keep for yourself, and why?

Before tattooing I was a fashion designer,sold my collections all over europe to big companies and had the great pleasure to see my clothes worn by unknown women in the street! At the time I did everything in watercolours.

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The vibrant grit of Albert Jeffers.

1098191_445911528850316_1376786094_n Most artists have a favorite medium, what is yours?

I can’t decide. My main focuses are acrylic and skin. Working in skin gives me a way to hone my craft when I don’t feel like thinking too much. I’ve been doing it so long that I really do my best to let my clients express themselves through my eyes and hands. So in that sense I feel like I’m kind of a medium for less visually creative people so that they can express themselves. It’s a very powerful form and I feel sometimes it borders on magic, which introduced me to skin art in the first place.

My first tattoo was from Mike McCabe, who was a student of R.O. Tyler, featured in Tattoo Time magazine by Ed Hardy. So at that time in my life the visual symbolism on the body being connected to the spiritual sybolism in my life, they had intersected. Acrylic is a serious departure from that. It dries fast so it allows me to rework any mistakes, where skin is not so forgiving, I can go off on a tangent and still make it look good. I dabbled in watercolor for a few years and I got pretty good at it technically, but it didn’t allow me to express myself the way acrylic has. With acrylic, if I get stuck or bored or my mood changes, I can just let it dry and take the piece in another direction. If you work in multiple media, which one is the most enjoyable for you? Again I enjoy both.

With tattooing there’s a social component that I would never have seen in life had it not been for the job. I was a really shy introverted kid, always afraid of being shunned or thought of as weird. With tattooing I was in control and had something people wanted and they seemed (and still seem) to look up to me. It really has made me the man I am today, otherwise I fear I would be this shy shy psychotic shrinking violet, just too weird and afraid to express myself. So like before I had children, tattooing taught me that some people actually cared about what I had to say or who I was and were interested in me, for many years it was totally ego driven and I turned into a real asshole and offended a lot of people and fell from grace and then I kind of felt the world had turned on me, but it was really just me being self-important and selfish. Treating tattooing as if people were privileged to be wearing my work. A few things changed that.

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Korinne Robertson floats away.

1. Most artists have a favorite medium, what is yours? If you work in multiple media, which one is the most enjoyable for you? 

1. As a photographer, my medium could or should be film, but it’s not. To keep up with high demand, workflow and ease of use, I use a digital camera and photoshop.

1579947_10153689904190332_755628487_n2. Do you have any secret shortcuts? I mean, do you use odd tools, techniques, or anything else that isn’t strictly status-quo for your medium? How did you figure out that it worked?

2. I am not sure if I use secret shortcuts. I have my camera set and adjusted for my personal use, and if another photographer picked up my camera, they may find that they wouldn’t choose my default metering choice, or the fact that I am set up to burst shoot on demand. With my recent foray into levitation photography and surrealism, I figure I’m less “status quo” because I look for wind, light and environments that portrait/consumer friendly photographers would not gravitate towards. I spent countless hours learning how to shoot a model and encourage them to not look like a mannequin. Flow and movement play a huge part in my “other” photography work that doesn’t include my mainstream clients.

The Horrors- IT’S ALIIIIIIVE

My kickstarter has been fully funded. Hooray! There is still one full day left, so I’ve decided that for every fifty dollars the total goes up now, I will add an extra creature to the book. Basically, everything over the goal is what I am actually going to get paid to do all this! Woo hoo!

You can read the update, and see the list and some sketches, here: https://www.kickstarter.com/projects/1390602110/the-horrors-coloring-book-of-cryptids-ghosts-and-m/posts/730062

or check out this image. If I go a few hundred over…the last creature in the book will be a VERY ANGRY UNICORN.
So if you want the book, or the prints, there’s still one full day to go back the project. Or if you just want that angry unicorn to appear in print.

Thank you, EVERYONE who has backed me, shared the project with friends, and helped. I’m starting in on the relining tonight, and will be doing some scans as well. I’ll keep everyone updated there at the ks page, so check back there for updates!

Take advantage of my stupidity!

art prints for sale

I have in front of me a small pile of prints. These are gorgeous prints, which I made for sale at conventions and the like. They have been kept in a nice flat file, ever since I started using a print-on-demand service. I stopped selling prints direct, and I sort of forgot about this little pile of treasures…until now.

all gone, you done missed out

I take that back, there’s FIVE left. thirty for a pair, sixty for all five. the largest is 12×16″, the smallest is 9×12″.

to buy them- click here to buy two, click here to buy all five.

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