electric eye candy tattoo convention, seminar info

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LINK TO PRE-REGISTER HERE

ONLINE AVAILABILITY OF WRITTEN MATERIALS HERE

On Sunday, September 11, I’ll be teaching my seminar on the use of social media and the internet for passive income, for tattooers. This seminar includes a huge packet of resources and information as well as access to a private group on which you can ask follow up questions, get recent information on changes, and talk and network with anyone else who’s taken the course. Location: Electric Eye Candy Tattoo Extravaganza
you do not have to be working at the convention to come to this seminar.

It’s a two-hour seminar- usually runs a bit longer for questions. I cover “branding”, username and site selection, basics of building a site, consolidating media, passive income streams, how to leverage your client base and word-of-mouth to reach further online, how to protect your copyright, and go over free or cheap tools you can use to share your work.

Even though we all make our daily bread tattooing, we all are also human beings, living inside bodies that can get broken or worn. When you’ve got slow times or an injury or illness, passive income is a good backup, and if done properly it will complement and improve your work on skin.

If you’re using social media at all- to share your tattoo work – or if you would like to start selling your other artwork online to reach a wider audience- this class is for you.

the course does count as continuing education credit for two hours. (I know a lot of you may not need that accreditation, but in some states your license requires this and yes, this seminar counts)

at this convention the seminar will cost $100 per person. tattoo artists at any level AND apprentices, are welcome. if you are an artist in another medium you may attend as well, although a lot of the information may be things you cannot utilize the same way.

to pre-register, email me at resonanteye@gmail.com. I accept paypal and Square. you can also show up on Sunday and pay at the door with cash or credit.

Bring pen or pencil, a piece of art you’ve made (or an image of one) and your smartphone, tablet, or laptop. there will be a wifi hotspot in the room for everyone to use as you follow along with the class.

If you’d like to speak to people who have taken this seminar to find out more, you can ask Curby Dickens, Bonnie Gillson, or Joanne Martian. All three have put a lot of the information to good use.

I can’t wait to meet you guys, I hope we have a good turnout, and good questions asked at the end! xox

password to the clubhouse.

Originally published on 07/28/2012

When I started tattooing, anyone I saw with large, visible work was very nearly guaranteed to be someone who was in my tribe. I don’t mean tribe in the sense that we shared every opinion, but that we shared the expectation of being considered somewhat beyond the margins of the common, outside the mainstream, someone who was not acceptable in mixed company. We were subversive. I could look at someone, see their work, and know they were on my side of that equation.

Because of this, I felt a connection to everyone I worked on. I could open up to them, exchange ideas and energy with them, and really bond. We both knew, after all, what it was like to be outcast, to be strange, to be the “Other”.

That has changed. Now, at work, I block energy. I try to keep things light, and a bit distant. I only can connect like this after I have worked on someone a few times and gotten to know them. There are exceptions, of course. But the exceptions are indeed exceptional.

I don’t think that my own approach to my work can change this. I can educate people about getting better tattoos, but the kind of life experience and wisdom that a tattoo used to signify is NOT something that can be bought, or sold.

You have to earn it in your own life, with your own bitter tears. Nobody can give it to you in a few hours for a few hundred dollars. Not even me.

I don’t advertise myself as a “shaman” or healer of any kind. I am aware that at times I am performing healing work, that for some, the process itself is ritual and meaningful. Tattoos are incredibly meaningful and important- but they’re not necessary. I don’t think I could live up to the responsibility implied by the word “healer”. I’m not an actual priestess. But I try very hard to let that energy exist in my work when I feel that it’s possible.

It’s just possible a lot less often these days.

I think this shift in expectations, from then til now, has made me more withdrawn, more reclusive. I know that I am harder to reach for tattoos now than I ever have been before. That the process of getting me to tattoo you is more difficult, more drawn-out. That I no longer am in a hurry.

I think it is a good thing. I think I do better at the tattoos that I make now, than I have before. And I think it makes me more able to connect with my clients than I had been recently.

Just rambling. xox

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