classy

sharpdsc_1049I was on the road once and stopped to visit Gil Montie. He’s a very helpful guy to younger artists; I really liked him once I spoke to him a few times. I stopped at his awesome shop (Tattoo Mania) in Texas, just to say hello, after seeing him and hanging out with him at a convention. He took a look at me- in road gear, dirty shirt, busted up cowboy hat, tired, bedraggled. and he told me that I had to make myself look better.

That I should respect the work I do enough to be professional about my appearance, and that I was better than that. That tattooers are important people, that we do useful work, and we should care about ourselves, each other, and the work we do. That what we do, who we are, means something. And that it should be taken seriously by us (if not by the world at large)

It kind of stunned me because I’d never thought of it before. I’d been a crusty like punker when I was younger and went through years of politically-charged poor hygiene…but now I was a professional.

He was right. Ever since then I’ve tried to maintain at least some semblance of good hygiene. I usually dress down for work but I wash my face before I go in. Anyone that’s worked with me will tell you that I have good days and bad days…I tend to the smelly side, always have, even when I’m clean. But some days I can manage to do it right. I’m not usually in a three piece suit, but it’s not unheard of. So here are some pictures from work yesterday…that sum it up well.

squid vs whale, collaboration

tattoos hurtspent the night at work doing a collaborative piece with splat, hanging out with jason, our new artist, and making erok cry. A good time was had by all.

I have been doing collaborative work for a while now. As long as both artists are really communicative about the plans for the piece, things work out really well. You can use all your own strengths and ride on theirs, to compensate for your weaknesses.

For this tattoo, we each drew a side and then tattooed there mostly. But I’m sure once we get into the color we’ll start jumping back and forth.

He sat for two hours. Not a bad sitting for having two mean artists drill on you at once. Of course, this happens to one of my coworkers, too, so he knew what he was in for.

The hardest thing in a collaborative tattoo is getting a decent grip, enough to hold em still when your collaborator moves, stretches, lets go. That can be a pain in the ass. Sometimes you can have  just one person do the outline on their own then both jump in for color, but with this tattoo we both worked the whole time.

More pictures after the jump.

(more…)

« Newer --

This is a unique website which will require a more modern browser to work!

Please upgrade today!