Contest, tarot deck project, tattoos, and skull mount projects.

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the “coordination” series is listed in the store here and also as prints in redbubble.

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my patreon project is a tarot deck! go check it out and jump on board- you’ll have to be a patron to order the final deck.

https://www.patreon.com/resonanteye/posts

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IMG_20180511_003954edition three, uncensored, of the Horrors is now available!!!  HERE

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I’m running a cover-up contest on my Facebook and Instagram.

http://Facebook.com/resonanteye

http://Instagram.com/resonanteye

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interview in Pain magazine! thanks guys!

new skull mounts and taxidermy/nature assemblages in progress.

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here’s some newer works:

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evergreen tattoo invitational, year five

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the world on fire; new art, end of summer.

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my current interest/deal.

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the crew . i love these fine people.

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i have the spice.

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seattle tattoo convention.

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with some of my heroes.

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devil shin is nine years old, well healed and settled in.

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i also saw the eclipse and retreated to the forest.

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the world is on fire.

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The truth about fan art.

Now, I’ll admit  that I’m a fan of things. I enjoy things. I have problematic favorites just like anyone else. wanted to get that out of the way before I proceed.

case in point.

case in point.

 

now, about fan art. I’ll do it. I’ll do a caricature tattoo (more painterly- I don’t do photorealism) of any thing you like- especially if I like it too. however, I don’t want to copy a still frame of a film, a production photo or an exact image of a character someone else owns the rights to. it seems like bad karma somehow. those folks worked long and hard and they need to get paid for that, they own the character, the art, the film itself.

 

so my solution has always been to find a reference, a pertinent moment, and refine it into an idea that references the original without interfering in the ownership of the image. I’ve fallen down on this, all tattoo artists have. a tattoo is personal use, you see, so as long as I’m not using it to promote or create follow-up products, I’m on the ok side of things.

 

I prefer the subtle approach. for example, right now I’m obsessed with Westworld. I’ve got sketches of every damn character, based on extensive research into the actors, not based on any one moment in the series. they’re loose, painted. I’m ready to tattoo these. once. one person gets them. I may post them and tag we online (they are open to fan art) but I’m not interested in exact reproductions. I want to capture a moment or meaning, not a face.

 

all the things there were mechanical until the "upgrade" to cheaper materials like meat and bones. they were beautiful, now they're just like us. including the horses, the bison. so there it is.

all the things there were mechanical until the “upgrade” to cheaper materials like meat and bones. they were beautiful, now they’re just like us. including the horses, the bison. so there it is.

 

they can't ride that train anywhere. it's a goddamn loop around the park areas. it's headed nowhere. they can't escape. who laid those tracks? there it is.

they can’t ride that train anywhere. it’s a goddamn loop around the park areas. it’s headed nowhere. they can’t escape. who laid those tracks? there it is.

 

I’ve been obsessed with other things over the years, of course. mostly horror and sci Fi. I’d rather do something that contains the meaning of a scene, rough and raw and laid in strong, than copy and break a law or even piss someone off. there’s a lot of celebrity images in the public domain, I tend to rely heavily on mugshots, government images, and my paid Getty images access for these. I’ll use these and some of the character’s words or token totem items to make the piece. crossovers are fun, too, if I’m a fan of the actor.

 

looking at you, Walken.

looking at you, Walken.

 

looking directly at you, goldblum.

looking directly at you, goldblum.

 

 

I’ll do some things. I have dodgy soft spots. if I’m geeking on the same thing as you, I am a marshmallow and I’ll do it. I feel bad afterwards, but I love some things too much to say no outright. and I usually only do this if the creator has died.

 

Ernst Haeckel, public domain actually.

Ernst Haeckel, public domain actually.

 

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I really want to change the things to make then more my style, more to your fit, more important. I want to bring out the abstract qualities the original creator didn’t do- I want the meaning, the pith. if you’re a fan of a thing I’m a fan of, expect our consultation to be a geek fest about our fan theories and conceptual framework, finding symbols to use without infringing on copyright. that’s my goal every time.

 

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they never kiss.

from the literary description of It.

from the literary description of It.

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painting of a little sister.

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I wanted a real turtle.

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I’ll go abstract as fuck to capture the most powerful Disney villains.

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had to add sex appeal, sadness, and painterly feeling.

if, like me, you find important moments in media, like books, movies, shows… come talk to me. I like a lot of stuff, mostly horror/sci Fi and a little weird standard fiction. I’ve got a list of things I’d love to do, on standby. if our interests match, we’re going to end up with magic.

 

I was more lax about copyright in the old times of my career. after all, I need the word of mouth, the internet brings me about half my clients, and known franchises and characters will consistently outpace original works. people like the familiar and you’ll see a crap copy of a screenshot from a movie with 19,900 likes and hearts and comments, while thoughtful original content gets ignored. it’s really difficult to deal with as a creator. I’ve chased that little bump before. Won’t do it again. anything related to a media franchise from now on is all OC based on the universe in which the characters are set, all characters drawn from copyright free sources.

 

I’m an artist and I know artists need to get paid. while I need the exposure copying and making fan art gives me, and I enjoy it with my particular interests, we’ve got to find ways to change things- to use elements that are meaningful in that universe, without simply tracing a damn thing.

 

currently I’m interested in Westworld, the Wire, better call Saul, Ursula k Leguin sf (not fantasy though), everything from Stephen King, Octavia Butler, any horror movie you can think of, and of course, any celebrity who’s a little off their rocker. I’d like to do an Idris Elba, Antony Hopkins, Charlize Theron, Gary Bussey, Grace Jones, any woman in a good strong character actually from any era. I’d like to paint character actors. I’d like to tattoo a lot more characters from fiction instead of movies. true crime! but then also, I’m a horror movie creep so I’d like that too. inglorious basterds! hey just try me. if I’m not a geek for it, I’ll know someone who is.

don hertzfeldt tattoo

OH GAWD HELP ME MY ANUS IS BLEEDIINNNN-

just no direct copies. I’m not made for photorealism, my work is rugged and strange and won’t work that way. you can contact me if you’re interested by email, or with the link here: resonanteye.net/gettattooed.

I’ve been focusing more on skin and less on paper, so these images start out loose, they get refined on the skin. it’s about your interest in a thing matching mine, and your trust in the process. but I’m gritting my teeth waiting for more of this in the schedule, so please, bring it my way.

 

please. my inner nerd is underfed.

 

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outline of center areas done elsewhere, repaired and added the rest. xox John Waters

ka is a wheel. piece still in progress.

ka is a wheel. piece still in progress.

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bring these to me. please. I’m in the mood.

start rough, then refine

working with landscape in tattooing, getting a natural look to a landscape

 

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also some extra things that have happened recently

 

 

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you just found the perfect tattoo idea online.

listen to me.

if you see tattoos and artwork online that you really like and would like to have tattooed on you, that’s totally a good thing. the next step is not to copy that thing exactly, but to find a tattoo artist whose work you like, bring them that thing, and say “I want something like this, and I like this piece because (reason you really like that idea)”

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the tattoo artist will tell you they can’t copy it, and will draw you your very own tattoo using your taste and that idea as a starting point. that’s what good tattoo artists do.

it’s OK if you printed it out, traced it, or saved it to your phone for us to look at. don’t panic. it’s OK. just tell us that you found it online and want something like it because (reasons you like it so much). seriously, it’s OK, bring it along and tell us why you like it.

it’s good when you find things you’d love to wear. showing us that stuff helps us figure out what your taste is, what qualities you want in the finished piece. it’s totally fine to want similar ideas to other people’s tattoos. it’s just not OK to try to copy exactly.

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find a good tattoo artist, then talk to them. show them things you like. show them that perfect tattoo and tell them why it’s perfect. they can make it fit YOU.

we get into tattooing because we like to draw. part of our job is to figure out how to draw a thing that fits you and nobody else.

the other part of our job is to be able to reproduce a thing exactly. so if you find tattoo flash, (it’ll be labeled “tattoo flash” and have the artist’s name attached) let us know!

because usually you, or we, can buy the rights to do that. cheaply. plenty of artists draw works that are designed to be sold as tattoos. if we know the source, we can often get permission. you can also ask us what we have drawn- most of us have flash, prepared art, ideas and sketches of things we’d like to do.

 

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keep in mind you don’t HAVE to find exactly what you want. find your tattoo artist first, then show them the things related to the tattoo you want. we can work from stick figures and bad explanations! it’s part of the job.

(also, if you lie and say you drew it, we know you’re lying. although the internet is big, the tattoo industry is small and we all know each other.)

 

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Seminar: Passive income and social media use for tattoo artists

13912592_10153856265657712_6602799035210498873_nSeminar: Passive income and social media use for tattooers.

Even though we all make our daily bread tattooing, we all are also human beings, living inside bodies that can get broken or worn. When you’ve got slow times or an injury or illness, passive income is a good backup, and if done properly it will complement and improve your work on skin.

If you’re using social media at all- to share your tattoo work – or if you would like to start selling your other artwork online to reach a wider audience- this class is for you.

If you see the internet ad social media as a chore, hate pinterest, and fear theft- this class is for you.

Learn to use social media properly — without compromising your copyright.

This class relates to the sale of secondary mediums beyond tattooing, and will go over the relationship between your existing client base and the collectors who will buy your work on paper rather than skin.

We’ll cover print-on-demand services, pros and cons of social media use, networking as a strategy to find collectors, consolidating your media management, and getting more reach with your work online.

Seminar text and cheatsheet handout packet, aftercare instructions, and legal consent form templates included.

Pennsylvania: Heritage tattoo in Easton, Abaddon tattoo in Pine Grove, and some family time.

female tattoo artist at shop

walk-in sign at abaddon

 

Photo-heavy post after the jump!

I’ll be at Abaddon until the 8th. I’m booked full except for an hour or two on this saturday.
After that I go on to Frankfort NY, to the electric eye candy convention. I’m teaching the seminar there on sunday at noon- if you want in on that, you can pre-register HERE (preregistration gets you a little extra swag.)

I think I have an hour or two open friday and saturday at that convention. Sunday is solidly booked though! Again…get a hold of me. You can use the form HERE if you’re not sure how to reach me.

(more…)

round two of the DayStar tour!

Eugene, Seattle, and Auburn WA.

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high priestess, downtown eugene (so far)

High Priestess, Downtown Eugene, Oregon (so far):


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