basic lettering for tattoos, script

lettering in script tattoo styleI do not know enough about lettering to call myself any kind of expert.

seriously. (check out some of my art with lettering in it for verification of that)

I am sometimes shaky, I am often confused by fonts, and although I have done thousands of tattoos with text in them, I still struggle with the forms and shapes. I owe the little I DO know about lettering to B.J. Betts, who is well-known in tattooing as a real expert on this stuff- he has some books out, if you are a professional tattoo artist you should keep your eyes peeled for them and buy them. (but if you work in a shop or have been around a while you already own all his stuff…)

I learned to do lettering before I ever heard of his work- the way I learned was through calligraphy, and through sign painting. A combination of those things and Betts’s work has formed my meager abilities.

Here’s a walk through on drawing this stuff. If you’re a tattooer you will naturally make the proper adjustments to the text as you go in order to make it applicable to skin, so I won’t be explaining the precise tech needed for that. If you just want to add a tattoo to a painting, a drawing, if you are not a tattoo artist you can use this how-to to make script lettering … or if you are doodling reference for your tattoo artist to build you a tattoo from, you can do this to give them an idea of what you’re after.

This is a step-by-step for script, cursive lettering in a slanted style in which the letters are connected.

I will post a separate one for block or stylized lettering next.

My tools:

Liquid acrylic ink,

fountain pen

(with round nib- just what I prefer)

colored pencil

(for beginning sketch/marking symmetry)

standard black #2 pencil

tracing paper, paper that is easy for ink lines

(I am using a scrap of srches hotpress here)

The rest of the steps, after the jump.

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on learning to tattoo.

owl tattoo brown tattoos on hipI get a lot of people asking me how to get started, wanting to show their art and find out if they should try to be tattoo artists.

They will ask about apprenticeships, teaching, equipment, schools, kits, “practicing at home”, “teaching themselves”, and all kinds of other stuff. I took the time a while ago to write up an article explaining how to get into tattooing the right way, how to learn without fucking people up, and how to find a decent place to learn from.

I hope this helps someone decide to go the right path to tattooing, and helps others decide it’s just not worth that much to them.

If you really are dedicated and persistent, if you really, really mean it, then you will eventually get there.

Unless you take shortcuts. Don’t take those. Do it the right way, even though it’s harder at the start.

I don’t review portfolios or teach anyone; but if you have more questions after reading this article, feel free to email me.

 

“The most difficult subjects can be explained to the most slow-witted man if he has not formed any idea of them already; but the simplest thing cannot be made clear to the most intelligent man if he is firmly persuaded that he knows already, without a shadow of doubt, what is laid before him.”
– Leo Tolstoy

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moss terrariums, a primer

Formerly known as Wardian cases, moss terrariums are pretty easy to take care of, if they’re put together right.

I’ve been making these off and on for years, and have a few well-established ones growing in my house.

They’re really nice for times when you want to see some outside nature but for some reason(such as cold or work), you can’t go hiking.Since I moved to Alsea, I’ve spent a lot of time in the woods.

I live next to the Siuslaw forest, which is one of the least-developed natural areas in the northwest.

It’s gorgeous, silent, and old.

The house I live in has its own patch of woods, which is its yard. I spend a lot of my days poking around there, growing things, picking mushrooms, and gathering moss. This is what I do with all that stuff, and it’s not hard to do yourself.

(here’s a supply list, and another, and another, in case you need to buy some of these things)

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my daily routine.

 

image

image

I have two separate routines for work. it depends whether I am having a tattoo-studio day or a home-studio day.

if I’m working at the shop, I wake around ten or eleven and lay around like a slug until it’s time to rush to work. I arrive, drink coffee, plan out my hours. talk to clients. clean my inks off or monkey with a machine until  “real work” shows up. I leave right after the shop closes for the day. I usually don’t do any other art on these days; working on commission is draining (satisfying though!)

if I’m not going in to the shop, I wake up late, noon or one. I have coffee and laze around a little.then eat, and start looking over the mess I left the previous day. usually I will have something drying and ready to be worked over a little more. so I pick up where I left off. at some point I’ll reach a moment where everything is tacky. then I start something new…I work a little, stop and stare. smoke, have a sandwich and more coffee.

a lot of times I’ll just get in the car and go exploring, searching for objects or supplies, detritus. things that make me feel creative. it’s a lot of walking along the river or the side of the road.

I work until very late at night when I’m doing my own art. I’ll stay up until the birds are talking. sometimes I work all night and into the next day. coffee is my friend. this happens a lot more in the winter. I tend to have a very hard time waking up in the mornings, it’s always been that way.

of course I spend about two months each year  “on the road”; I can’t call it a vacation because I usually am tattooing just about that whole time- I don’t like not working anyway. but when I travel I have no routine at all, and when I return it takes me a while to get back in rhythm with my schedules and routines at home.

totally, totally worth a read.

http://tattooartistmagazineblog.com/2011/08/11/guen-douglas-how-to-properly-examine-a-tattoo-portfolio/

a damn good explanation of how to decide whether a portfolio is good…and whether it’s an artist whose work you like.

sun, fish, smurfed

   

she already had the sun outline.

   
“not a bluefish. blue fish.”

dammit

Infection/invasion.

Dear movie makers:

I don’t want to watch any actor- let alone a shitty one-on-one emote for sixty three minutes. That’s not a movie.

Blair witch sucked.

I don’t want to watch someone hiding in a closet, a static shot of the back of someone’s head, a poorly lit cellphone or dashcam shot,  or any other single image FOR AN ENTIRE MOVIE.

THAT ISN’T A MOVIE.

The movie? Your plot? Is what is happening OUTSIDE the closet, copcar, or tent. We came yo watch SHIT HAPPEN. The radio era of drama has been over for at least fifty years- LET IT DIE. you’re FILM MAKERS.

FUCKING FILM SOMETHING.

Sincerely,

The movie watching public.

(In reference to “infection (invasion)”, 2005…as seen on Netflix instant play. IMDB tt0472465 “starring” Jenny dare Paulin.)

my friend sean

art by sean schock

dm3

he makes amazing art.

srsly/ I love his stuff. I keep grabbing copies of his posters whenever I can. Most of the stuff he makes is for bands I really like, too, which makes his stuff all that more appealing…

he has some process stuff posted too, step by steps. really interesting to see other people’s way of working…go check him out.

classy

sharpdsc_1049I was on the road once and stopped to visit Gil Montie. He’s a very helpful guy to younger artists; I really liked him once I spoke to him a few times. I stopped at his awesome shop (Tattoo Mania) in Texas, just to say hello, after seeing him and hanging out with him at a convention. He took a look at me- in road gear, dirty shirt, busted up cowboy hat, tired, bedraggled. and he told me that I had to make myself look better.

That I should respect the work I do enough to be professional about my appearance, and that I was better than that. That tattooers are important people, that we do useful work, and we should care about ourselves, each other, and the work we do. That what we do, who we are, means something. And that it should be taken seriously by us (if not by the world at large)

It kind of stunned me because I’d never thought of it before. I’d been a crusty like punker when I was younger and went through years of politically-charged poor hygiene…but now I was a professional.

He was right. Ever since then I’ve tried to maintain at least some semblance of good hygiene. I usually dress down for work but I wash my face before I go in. Anyone that’s worked with me will tell you that I have good days and bad days…I tend to the smelly side, always have, even when I’m clean. But some days I can manage to do it right. I’m not usually in a three piece suit, but it’s not unheard of. So here are some pictures from work yesterday…that sum it up well.

collaborative

tiger tattoo

tiger tattoo

I really, really enjoy doing collaborative work. I like the cameraderie, I like seeing how other people do stuff, I like having someone to ask about color choices, I like the way it makes everything go faster, and I like sharing the load. It’s fun to draw with someone else, see what comes out of their mind, it’s awesome.

that said, I hate it when their wiping disturbs my stretching. and vice versa. If only skin could wipe itself without moving, collaborative work would be the easiest thing ever.

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