rats win races, sloths succeed.

556740_10151360701822712_101340810_n559917_10151362094257712_740607251_nDSC_1159a reminder tattoo for a tattoo artist friend of mine. he wanted to remember to slow down, and do more focused work, instead of hurrying up and rushing himself. He is the kind of artist who feels a lot of pressure from his clients, he tends to feel so glad to be tattooing that he forgets that his work is valuable, that his BEST work is worthwhile…that people who want really good tattoos are willing to pay for them, and that he is capable of doing great tattoos, and therefore shouldn’t undervalue his time…

If you undercharge people, you start to feel rushed. it’s inevitable- you end up booked solid for months but barely making ends meet. hurrying up to get that tattoo done in time, in the small amount of time you quoted them for. it’s far better to quote high, to take your time, take that extra hour to do your VERY BEST work on people.

any rate- I love fucking sloths. And this one is particularly classy, too.

also,

 

298323_10151361506522712_1862424666_n

You poor kids.

my blog: like a hundred baboons writing shakespeare with assault rifles

My standard advice to anyone wanting to learn to tattoo is “MOVE OUT OF OREGON AND GET A REAL APPRENTICESHIP”. I find the idea of “schools” laughable and repugnant.

You simply cannot teach “class” of more than one person hands-on, tattooing is not like other fields in this sense. Apprenticeships served one-on-one, by the person who plans to hire you afterward, are and were the tattoo industry standard.

Being here is the first time I have ever heard of a tattoo “school” being taken seriously by ANYONE as anything but a scam that teaches the student nothing.
Churning out people without being responsible for their future career is a terrible idea; I’d never before heard of ANYONE being taught without being hired by the teacher once they’d learned.

An artist who is very skilled and dedicated does not have time or interest in teaching twenty people. They may take the time to properly apprentice one or two during their career. In order for an artist like this to have an apprentice in Oregon, they must open a school in a manner that assumes they will want to teach multiple people; they must charge money, they must do a lot of things which deters them from bothering at all. The system in Oregon is set up so that the very best tattoo artists won’t teach, and those with less skill, will.

SHE DOESN’T EVEN HAVE ANY TATTOOS


People who are proficient at filling out forms and such; not good tattooers. We end up with under-educated people with no place to work, turned loose to fend for themselves.

I feel like a lot of these younger artists were completely ripped off by the system, taken advantage of, their ambitions falsely turned against them. We could have so many highly-trained young artists here, instead we have a pile of people who COULD be great, but are flailing around trying to learn on their own. It’s a waste of time, and it’s bad for tattooing.

Again- you can NOT teach tattooing in a class. This requires apprenticeship and mentoring beyond that; should be done in the interest of furthering our art, not raking in cash from naive starry-eyed kids and then tossing them out in the street to beg for work (or worse, open their own shop because they can’t find a job…how are they going to learn more then? When they are working alone with only their limited knowledge to go on?)

A few people have done the best they can teaching under these rules, but a first-year OR tattoo artist is still, STILL, light-years behind almost any other first-year tattooer.

In tattooing, it’s not good form to talk down on whoever taught you, no matter how fucked-up things ended, or how poorly the teaching as done. I feel that the current rules in oregon were passed without any insight into the general standards of tattooing nationwide and have really made us look bad in comparison to other places. The school/apprentice thing being the biggest issue.

Y HALO THAR TINY JACKASS

It’s not so much the number of new artists, because demand is still high and rising. it’s the quality and skill of those artists! YOU SHOULD NOT TEACH SOMEONE YOU DON’T PLAN TO HIRE. simply put!

The input given by a mentor during the first few years of tattooing is just as important as the original apprenticeship, and a formal apprenticeship gives in-depth, hands-on information that can’t be given in a class setting, or by someone who is teaching a herd.

For you guys who are wanting to learn tattooing: MOVE OUT OF OREGON. If you have other things in your life preventing that, be aware that YOU WILL NOT HAVE TIME FOR THOSE THINGS ANYWAY. The time during your apprenticeship, tattooing needs to be the first and only priority in your life.

So, move! Find someone who wants to INVEST in you, share their knowledge, and guide you. Don’t slap down cash on the barrelhead and expect to be a respected artist because you bought in.

I’m crossposting this rant from a forum where I posted it all; I have snipped out a few bits that were more technical, but the gist is the same. Learn from someone who wants to hire you, teach only someone you plan to hire.

excerpt from “through the looking glass”, an article by Mary Cecil about her experience with psychosis and commitment

Mary Cecil voluntarily committed herself to an institution in the early 1950s. This account was published in its entirety in Encounter, in 1956. Again, the article is excerpted from the book “The Inner World of Mental Illness”.

(for other excerpts, see here, or here)

After a fortnight in a sort of reception ward in the mental hospital, I complained to the doctor that nothing was being done. They didn’t appear to appreciate the urgency of the position. There was I, helpless in the hands of a fiend from Hell and anything might happen any minute. (Ms. Cecil believes that a hallucinated voice is the Devil, sent to harass her.) The Hospital ambled through its days, sweeping us off to Occupational Therapy or out to grass, as the mood took it. One might be suddenly singled out and, eager with hope, be subjected to a blood test or some flippancy like that.

“Ah, but we’re doing so much for you,” the doctor said earnestly…”In fact,” the doctor continued fatly, “we’re going to give you some injections. You’ll be moved to another ward.”

I’d learned already that it was a waste of time asking questions. Psychiatrists thrive on their air of mystery. Anyway, the fact of strange surroundings was enough. In this ward there had been some outbursts from explosive patients. …I noticed that the more obstreperous patients were dragged off, protesting violently, to some outer dungeon spoken of in whispers as the Villa. I added that to my fears and redoubled my attempts to appear totally harmless.

She discusses insulin treatment she received after being transferred to the next ward- a treatment used commonly at that time.

After tea I saw a lady doctor who said I was to have some injections. I saw myself ablaze with vitamins in next to no time. At bedtime the men disappeared into one dormitory and we women into another, so that was all right. Just as I was getting into bed I noticed a sheet marked the Villa. There was a curious taste in my mouth, had I been tricked into the place? Heart thudding, I gazed out the window and saw a small building by itself. “That’s the Villa,” breathed the woman in the next bed.

(more…)

We believe in nothing, Lebowski.

I am an atheist. Well, technically, I am a nihilist.

Atheists tend to believe in the good nature of humanity, or the ability to make the world a better place, or willpower, or some such like. A lot of them enjoy viewing the Universe as a remarkable place full of wonder.

A lot of them want to build community, work together to improve life for everyone. Many are generous and kind, and think that empowerment of others is a good thing. Most atheists are dedicated to making this world, the only world they believe in, a better place in general.

I like atheists. I like them a lot. You can tell that a lot of them are optimistic about humanity’s chance to survive, about our ability as human beings to turn around the destructive forces within us. Forces like hate, religion, patriotism, racism. Most atheists I know want some kind of peace, some way to make it easier for human beings to work together.

They aso are very curious about the way the world functions, about the mechanics and the meaning of it all, in ways that religious people simply are not. Religions answer all the questions, without giving any explanation, and to question is heresy. For atheists, questioning and finding explanations is the purpose.

Did I say I like atheists? Because I really, really like them.

Anyway, I’m a bit more of a nihilist. I think the human race, as a species, is doomed to certain extinction, and sooner rather than later. I think that it’s already far too late to do anything like make vasectomies and abortion mandatory and oil and fossil fuels illegal; I think we have passed the window in which such drastic measures would have saved us. We’ve pretty much shitted this place up beyond repair.

The world will go on. The earth and whatever animals and plants manage to evolve to suit the coming changes. Humanity, on the other hand, I do not think will persevere. We haven’t destroyed the planet, only our own chances of surviving on it. If perhaps we’d been able to overcome our lizard-brains long enough to stop breeding and greeding, we might have staved it off.

But now- with the top tiny number of humans in control of almost all resources, and the rest frothing at the bit to revolt- it is likely too late for turning back.

I may be an old woman when this happens, or I may not live to see it. Or it could begin now, tomorrow, tonight. I have no way of knowing. But I will, as all humans do, live out my life. If that means a grim aeon in a cage or cell, so be it. If it means eating soylent green, ok then. If it means starving or being shot, well that’s what happens to some humans, right?

We’re all doomed to die. It’s a certainty. And we’re doomed to die OUT, as well.

People who are breeding, driving massive SUVs, cutting forests, and the like- well, technically that’s evil. If I believed in such a thing. What was once the highest purpose for most people- hoarding and breeding- is now the worst imaginable modern demon. Greed and narcissistic reproduction have been allowed to flourish until- now- we are all doomed.

All of this is not to say that I do not enjoy my life. My life is all there is, and right now, it’s enjoyable. I will always want to know what happens next, even if my doomsaying nature thinks it can’t possibly be anything good.

Also, it’s fun to watch atheists try. They would give me hope, if I believed in such a thing.

And yes I know- I’m not supposed to talk about what I really think or believe. I’m supposed to be mute, or at the very least neutral, or else nobody will want to buy my art.

I’m sorry- but Picasso was an avowed womanizer and plenty of conventionally-moral women hung his works in their home. Van Gogh publicly adored hookers, and now the middle class has bunches of sunflowers in their front rooms.

I feel that if someone likes my art, they like my art, and will buy it. If they don’t personally like me, it shouldn’t matter- it adds strength to the story behind the piece, actually. (“I got it from this eccentric crazypants”) And if people disagree with me, I suppose I will just starve, as most vocal artists tend to do.

It’s our punishment, you see. Society likes to watch us frustrated, poor, and suffering. They don’t like their artists rich, fat, and happy- they save that for people whose skill is in manipulating others, owning cheap labor. and moving it from place to place.

enough ranting, time to draw.

watermarking images.

spider skeleton mount taxidermy artI’ve seen my work posted and reposted a lot online (it probably started in earnest, with my work, when this image was the main image on the wikipedia “tattoo” entry for almost a year) and I’ve never really thought about the amount of people who may be seeing it with no idea who made it.

A few things recently made me consider starting to watermark my stuff with this site’s address. First, I was looking at sketches done by some artists on a social network site I use, and found a sketch of my spider monkey mount’s skull and jaws. It was a great sketch, and I commented on it saying I loved that someone was using my work as inspiration. The artist blew it off, saying “Yes, I found this randomly online.” They had no idea they were talking to the creator of the work they were (tracing) drawing.
I explained that it was my work, she was excited to find out where it came from, we made friends.
It was a really good sketch.

Then, I found my spider skeletons posted to a russian site- and have no idea what on earth it says, whether it links back to me (update- it does) or not, and would love to comment but have no idea which buttons are for commenting or anything since I don’t read cyrilic.

Should I start watermarking things? I’d love it if every time my work was reposted or re-used, someone new came to see the rest of what I do, came here and maybe even said hi or spoke with me.
Having the site address on each photo is something I have alternately been too obstinate, or too lazy, to do. I don’t think even if I did this, that I would have the patience to go back and watermark all my older images (about twenty thousand images of my various works exist online) but maybe, going forward, I should make the effort.

What do you think?

home tattooing, round 13,879

http://resonanteye.net/2012/01/06/on-learning-to-tattoo/

 

Needlestick injuries, are also a consideration.

The risks associated with home tattooing start with minor Staph infections and end with septicemia (which can be fatal) and transmission of serious, life-threatening viruses. Also, using your home as a tattoo studio puts you and your family at extreme risk of infections and diseases. Simply put, this is not safe, and is most likely against the law.

Learning on your own will not allow you the ability to use modern techniques and equipment, since most retailers will not sell professional-grade equipment to amateurs. Despite what you may have read on the internet, there are NO books that will teach you everything you need to know to be a tattoo artist. These will only give you bits of information, and without good, working equipment and true, complete information, you just can’t tattoo all that well.

If you’re planning on doing this for fun, don’t bother. It is an actual, honest-to-god, real-life career, and should be approached as one.

online selling, etsy, ethics.

Update: people are beginning to migrate from the (myspace )I mean – etsy. Here is a page attempting to list their new shops and venues. And other are protesting it all.

The place has always had resellers; people breaking the rules to pass off mass-produced stuff as handmade.
There’s a lot of money to be had from people who want to NOT support corporations, who want to buy local, handmade stuff. A lot of people don’t like buying things that were made for pennies by slave labor. Lots of companies know that, and will lie about how their stuff was made, to get that dollar.

The people who produce things with slave labor want that dollar, too.

“Former eBay and PayPal executive Stephanie Tilenius has joined the Board of Directors of Etsy, joining Etsy founder Rob Kalin, FlickR’s Caterina Fake, Union Square Ventures’ Fred Wilson, and Accel Partners’ Jim Breyer (also on Walmart.com.’s board) on the board. Tilenius left eBay last year and now heads Google’s commerce division.”

So they invaded etsy (and a few other places) and have been trying for a while now to find ways to successfully sell to people who don’t want to buy from them. Recently, an attempt to pass off furniture built in Bali as “handmade in CA” was busted. The thing is- etsy isn’t supposed to be a place to buy factory-made goods being resold. Its own mission statement says that buying direct from people who are making things by hand, not in factories, is the point.

I signed up there because of that but now…well, the fact that when confronted with a (GIANT SHITPILE OF) evidence, including an email from the man who actually makes the furniture, that the stuff is not produced in CA, and that the original seller is a fraud, etsy chose not to apologize, not to admit fault and remove the seller—but to close discussions about it and deny. (note- the fraudulent seller? is not only still open, but still in their list of “featured sellers”)
So, I’m in the process of migrating. (check out my home page– new links to my stuff for now! All my rocks, sticks, logs, and moss will stay on etsy- but anything I made, art, paintings and stuff- originals- has been moved. still debating whether to keep my prints there or not, my “production work”)

(more…)

no sopa no!

I am totally against SOPA, therefore I have contacted my government reps to shout about it. I suggest you do the same. I’ll be adding this little plea to all my images today—but I won’t black out.

Content is king- and if someone reading this happens to like my picture and read it, so much the better. SOPA would pretty much put me under. I post my original works to sites which sometimes include violating images- while my work doesn’t violate any copyright law, shutting those sites down because of other people’s sins would punish ME, an innocent bystander.

I also feel that there are enough and proper copyright laws right now to defend original works. If someone “steals” my image and uses it commercially, I can right now, without any additional laws, stop them. Legally. SOPA is good for huge conglomerates who don’t want competition, but would absolutely DESTROY the small, lone, artists, those of us who toil away in relative obscurity.

It will take away the venues we use to sell our original works, and it will destroy our ability to self-promote. It will make us vulnerable to any jerk that wants to take us down- and enable censorship by the few. If someone finds a work online offensive, right now, they can flag it or ignore it. Under SOPA, they could report it as a violation, and it would be immediately removed.

The burden of proof is on the person accused, not the accuser- and this is contrary to ALL previous law and statute in the US.

If you are not from the US, imagine all your US viewers GONE. Unable to see you. As well as the sites you use that are from the US- GONE.

For our sakes, and for your own, stand against this utterly stupid law. You can contact your representatives through this site:

https://action.eff.org/o/9042/p/dia/action/public/?action_KEY=8173

and let them know how wrong they are about what the voters want.

on learning to tattoo.

owl tattoo brown tattoos on hipI get a lot of people asking me how to get started, wanting to show their art and find out if they should try to be tattoo artists.

They will ask about apprenticeships, teaching, equipment, schools, kits, “practicing at home”, “teaching themselves”, and all kinds of other stuff. I took the time a while ago to write up an article explaining how to get into tattooing the right way, how to learn without fucking people up, and how to find a decent place to learn from.

I hope this helps someone decide to go the right path to tattooing, and helps others decide it’s just not worth that much to them.

If you really are dedicated and persistent, if you really, really mean it, then you will eventually get there.

Unless you take shortcuts. Don’t take those. Do it the right way, even though it’s harder at the start.

I don’t review portfolios or teach anyone; but if you have more questions after reading this article, feel free to email me.

 

“The most difficult subjects can be explained to the most slow-witted man if he has not formed any idea of them already; but the simplest thing cannot be made clear to the most intelligent man if he is firmly persuaded that he knows already, without a shadow of doubt, what is laid before him.”
– Leo Tolstoy

(more…)

kafka

When I die, please pile all of my creative work high on the pyre.

Burn it all down.

Please don’t go through it all, re-edit and assemble it for sale,

and then make a million dollars from my sad,

overworked corpse.

Kafka was firmly of the opinion that if they don’t want it now,

while it can do me some good to sell it,

they can’t have it later,

the bastards.

He worked full-time, NOT as a writer, throughout his life. He would come home tired from long workdays and stay up all night writing.

I’d have been pissed too. They always blame his lack of confidence in his own work- but I think, deep down, it was his fury that he had had to work so goddamn hard all the time while lesser authors had the leisure and funds to write, and to enjoy their lives.

Every time you think “I wish he had written more” ask yourself- when is the last time you PAID A CREATIVE PERSON for something, and spread the word, so they’d have time to write or paint more? People didn’t pay HIM either, so there’s your answer. He never had time, because he had to pay the rent. That’s how most creative people tend to live- I am lucky because my day job is art too, but even so, it’s not free, it’s not MY WORK wholly. Even so.

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