tarot tattoo series; reading your inner symbolism

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I’m currently doing three-card reading tarot tattoos. I pull cards and use related symbolism to do a spontaneous image tattoo on whoever signs up for it. these tattoos can’t be planned in advance, but can be booked ahead as a time slot.

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images are based on symbols/reminders/ideas that the deck suggests; are drawn by both of us together, on the spot; I want to make it a collaborative process. the colors and symbolic images that call to you and the design elements that carry a positive message to you- that’s what we’re reading for.

14 Temperance (Art)

I did tarot readings before I was a tattoo artist. I’ve always worked with the Thoth deck, and I consider tarot to be a way to access our subconscious mind and find ideas and solutions, rather than any kind of outside or spiritual communication. I am not theistic and I think that connecting to our inner selves is valuable, in its own right.

I’ve worked with tarot in this way for 25 years or more.

 

I see tarot as a way to access our inner selves through symbolism. the tattoo tarot work I’m doing, I’m reading the cards to see what imagery will best fit you in the present and give you a positive feeling into the future.

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with your input, I’ll pull three cards and we will examine them for their connection to you and your life, your goals. then we will use symbolism and color choices from those cards to create an image for the tattoo. these readings are to find the right tattoo, not for further life guidance. (they’re readings for a specific purpose instead of a general reading).

The reading we do is only about the tattoo you will get, and is to guide us to choose the right combination of items and symbols to give your subconscious self a boost, or reminder.

 

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As I said I approach it as a way to access the inner, higher self- a kind of Jungian approach. Spiritual content in these readings is fully your decision and what you bring with you to the cards, and isn’t my work. that is the content of your contribution- it’s your decision, your choice. I’m simply a conduit for this.

it’s up to you to decide what to take from it. for me, it’s a way to clarify and condense into an image, the things your full being wants or needs to see. I would not presume to call it “healing” work at all, I am not a therapist. I’m simply there to explain the cards, help you find symbols that resonate with you, and make a good tattoo from them. if there is healing, it has come from within you, because inside you is a whole, healthy being. this is not me, it is you, your own self. I’m honored if you let me be a tool you can use for this.

 

you can call the shop to book- simply decide the amount of time/money you’d like for a session, and we will draw to suit that. we’ll draw together after the reading, so the art is collaborative between us.

I’m leaving Sundays open for this through the winter, but any day is all right. they’ll note that it’s a tarot piece in the appointment notes when they take a deposit and set up the time. the shop is aware and ready to set up time for you, our counter staff is amazing and they handle all my scheduling for the shop. (509-426-4465) is the number here- you can also email me and I can have counter staff set up a time and date via email.

I know limited ASL but can likely find a fluent translator if text/writing isn’t enough. we are wheelchair accessible and I can put up screens if you need an enclosed space. you may bring a comfy pillow, headphones to wear during the tattoo itself, or a friend to talk to.

if you need anything else in the form of accommodation, let me know.

everyone here is amazing.

everyone here is amazing and helpful

I use proper and modern, clean and sanitary techniques to apply the tattoo. using a premium machine and a full setup, with all disposable, single use equipment.

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if I’m going to ask the muse (in any form) to assist me I feel I should carry out the work in the best possible way I can, do the very best tattoo I’m capable of, with the best tools and equipment available.

I feel that to use less than the optimal equipment and setting would be an insult to the process used to find the design.

I will not be doing these at conventions, as there’s too much distraction from the crowd for us to focus properly. if I am visiting a shop near you I will offer these there.

 

xox

the world on fire; new art, end of summer.

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my current interest/deal.

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the crew . i love these fine people.

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i have the spice.

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seattle tattoo convention.

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with some of my heroes.

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devil shin is nine years old, well healed and settled in.

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i also saw the eclipse and retreated to the forest.

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the world is on fire.

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why some shops are cut rate, who drew the lion?

the reason some tattoos/piercing shops have really low minimums or hourly costs:

  • little experience or inconsistent abilities,
    substandard, imported inks (could be risky to you),
  • don’t provide follow up
    like good aftercare and personal answers to questions (this should always be available!),
  • don’t care about touchups or fixing a piercing that healed improperly,
  • substandard materials in jewelry, (dangerous!)
  • inconsistent machinery or other actual tattooing gear,
  • not paying for licensing or training (legally required but people will cut corners),
  • not paying taxes, insurance, or other necessities
  • they have known you for twenty years and actually are your real life friend.

my minimum/hourly ensures that I cover the shop’s commission, my equipment (good stuff), and a living wage for a professional in a trade. it also covers any and all time you need to ask me questions afterward via text or email, touchups if needed, aftercare info and good bandaging, continued contact with me in case you have questions, and twenty years of experience.

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it’s my hope that everyone I tattoo, even when they get tattooed by other artists besides me, ONLY ever gets AMAZING tattoos after they get work by me. I want all you guys to get worked on by great artists that treat you well and value your patronage. I know the piercers I work with are the same, they use the best, modern, safe, high quality things and will always help you after.

If you’ve been tattooed by me you can always contact me with questions about anything tattoo related. I’m always here. even if I only did a dot on you. You guys are my people. I want you all to look and feel good.

This is what my hourly and minimum cover, and they’re cheap at the price.

(also, I have PUMPKIN SPICE)

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Below, the first kind lion with cherry blossoms and lotuses, was drawn by Guen Douglas. It’s a really good drawing.

She drew it as a custom tattoo for one of her clients. Since then, tons of people have fallen in love with it. That’s fine. A lot of people have copied it exactly though, and that’s not fine!

If you want an amazing lion tattoo it’s OK to say “look, like this, amazing” and bring it as reference or an idea that appeals to you… then have your artist draw you your OWN lion and flowers. Pick your favorite flowers. Make the lion have the kind of look on its face that you want to feel. Hell, pick an animal you identify with instead of a lion! All these things are possible.

The second picture is a fierce lioness with acacia and freesia that I drew for someone. If you pick a good artist they will make you something amazing that is YOURS, not a copy of someone else’s. If you don’t have a good artist… GO GET ONE. If you’re completely fixated on that lion that Guen drew… may I humbly suggest that you contact her and GET TATTOOED BY HER.  She drew it! She’s really good!

Of course if you find a tattoo online that you love, I’ll use it as the basis for your idea. YES. I won’t copy someone else’s tattoo exactly, line for line. that’s THEIR tattoo. We will come up with changes so that it fits YOU .

xox

by Guen Douglas

by Guen Douglas

 

by me, anji marth

by me, anji marth

things I’d like to do this year.

looking through the year’s work so far. for next year’s portfolio, I’d love to have:

a full sleeve of mums with soft background
at least one non-pine forest landscape
an angery shrew holding red nightshade berries
one completed abstract backpiece
rough lettering galore, like loose marker or ink
a witch with cauldron
at least one really grody, wicked harpy.

if these ideas appeal to you, get on it. I usually put together the year’s portfolio in February- I’d want to start the bigger pieces now. and finish them by then.  share with any interested parties, or hit https://resonanteye.net/gettattooed/ to sign on.

 

also, some drawings I want to do as tattoos. these are ready to go when you are!

 

start rough, then refine

working with landscape in tattooing, getting a natural look to a landscape

 

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also some extra things that have happened recently

 

 

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“gathering” show ending, Feb 2

show is ending. if you bought pieces you can pick them up; giveaway piece will be going out on the third, and the remaining pieces will be listed on our shop page for sale!

 

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100<100

for the Kendall Yards first Friday artwalk in February, we’re doing one hundred pieces of art, each priced less than one hundred dollars! prints, originals, mini paintings and full sized works. it’ll be a mix of works by Traci Manley, Anji Marth, and Beth Swilling.

 

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over the holidays, December ’16

a few recent things.

 

I’ve added a few of the skull mounts to the shop section, I’m still photographing them and figuring out shipping costs.

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December! the Inlander, and a few ideas.

I had an interview in the inlander, which was great. They were very easy to talk with and they quoted me correctly!

 

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also, a reminder; I’d like to do more works like the following images.

painterly flowers, solid black heavy rough edges, and high contrast works. winter is a good time to get a tattoo, mainly because it’s easy to heal this time of year. I’ll be at mom’s in Spokane (and in Eugene for the evergreen convention in March)

ukokprincess

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Gathering, Art Opening, First Friday of December

Nature isn’t cruel or kind; it’s just hungry.

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"Phineas"

Statement for the collection, “Gathering”, which will be on display for First Friday in Kendall Yards in Spokane in December.

 

Facebook event information.


I work with the feelings that remains and found objects give me, to make a piece that expresses that creature’s life.
Many artists who work with animal remains are more humorous than I am about it. I see the remains as a medium for art, with some neutrality, but I don’t make jokes with them. The horrors of life, death, and the hard times most animals go through, are the stories behind each of my works.

 

Usually, animals live difficult lives, and their bones speak to me about this.

 

rugged dog skull, taxidermy art

I often get questions because there are other artists that do slaughter animals in the context of their work. I don’t do this.

 

Many of my pieces come from road strikes. I have been working on a series of photographs and an extended essay about roadside nature and roadkill, human safety, and how highways effect the animals that live near them.

 

As a consequence of this work I have seen that these wild animals are the survivors of repeated injuries (fractures and old healed injuries in their skeletons attest to this) and the way they interact with the road, the difficulty of their lives, fascinates me.

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I work with human bones too. It is easier to buy human bone than many animals. I get my human bone from places which sell vintage anatomical displays and specimens. Yes, these bones are legal. I didn’t kill anyone to get them. I don’t use anything illegal, and I avoid using items which violate CITES or the MBA.

These works are dark. I don’t get silly feelings from death.

her roses resonanteye

I’ve sold work and done commissions for vegans- for people who are animal and conservation activists. My work speaks of  people’s misunderstanding of the natural world. Nature is full of drama, death, struggle, and strangeness. I try to use the materials I have to portray that.

Reminders of mortality are not for everyone. And yet, we need to be confronted with these reminders, because there’s a beauty in impermanence, a longing sensation, and we crave the reality of time’s dark passage.

The winter is the best time to think about endings, about death. Rebirth will come, but first we have to pass through the solstice- the darkest hour is always just before dawn.

 

 

 

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