hand-painting prints


Sometimes I feel like just making prints of a painting isn’t enough.

I feel like- man when I buy stuff, I buy prints because I like the artist but can’t afford a bigger piece- but I always feel like it’s not as good as an original. So I end up kind of going halfway sometimes, and painting over a print of my own work.

I’ll do the painting first.

I did this in watercolor and colored pencil on plain tinted paper,then painted over the prints with blood and white highlights.

If you plan to try this, make sure your original art has decent contrast and a solid area or three where detail or added color would add, rather than detract, from it.

further instructions after the break:

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the struggle to decide; prints or not? downloads or not?

(originally published Published on: Sep 5, 2013)

I always struggle with the question of whether to make downloads of my work available, or prints. In one way, I hate doing it, because I like the idea of something I made with my own hands going to your hands, as it is, with no other stuff there. Then I realize some things.

  • If I was a musician, I’d sell records, not just perform live.
  • I can only make so many original things, in so much time.
  • I’d like to be able to earn enough from my art to make it worth the time and energy (see footnote)
  • I have to eat.
  • Many people want to be able to enjoy my work but couldn’t afford the cost of an original.
  • I can’t manage shipping and storefronts online and promotion for all of that, and STILL HAVE TIME FOR MAKING THINGS.

I will take these point-by-point.

shirtsIf I was a musician, I’d sell records. I’d want more people to enjoy my work than I could perform for in person. I’d want people to be able to take me anywhere with them. If I was a writer, I’d print books of my work. I wouldn’t expect people to only access my work through attending readings, or by buying the hand-written manuscript. I’d want my work to be accessible, something people could enjoy.  I also would maybe still sell the manuscript, or some signed first editions…but the books would be published, out there, even on a kindle.

I have two hands. If I work the equivalent of fulltime hours, I can make maybe four things, of substandard quality, in a week. I can make maybe one or two things of good quality in a week. I can make one great thing a month. Now…how much is minimum wage? Should I set all the art aside and get a job at McDonald’s? Because if I can only sell a piece of art one time, mcdonald’s will pay better, and maybe I should set this art stuff aside permanently and get a real job…I can only make so much stuff with my own two hands. But if I sell prints and let people download the works, I can post it – set it and forget it. I can sell those while I am busy making other new things, and can continue to make money from a piece for years sometimes, long after the original is sold or destroyed.

I love making art. I spend all my time making things. I do have to eat. So therefore I have to charge money and sell my work- my choice is, work a job which takes all my time, and rarely make anything, or sell my work at a reasonable price and live off that money. I love making art. The process of actually making things, well, I will do that no matter what. I’ve had my Kafka years, working fulltime then coming home and putting in another eight hours painting. But my work wasn’t as good. And I had no time to show it to anyone. I need the time to show my work- to scan it, photograph it, share it, post it. If I don’t make any money from a piece, I’ll still MAKE the piece- but I will not spend the time posting it and discussing it and sharing it with you, or with anyone. If I was lucky enough to have inherited wealth maybe I’d have that kind of luxury, but I don’t. I wish I did, really.

EPSON MFP imageAnd yeah- YOU GUYS are broke too! I mean everyone is hurting. Being poor shouldn’t mean you can’t enjoy or own art! I want to make things accessible to everyone as much as possible. So- digital downloads. Most people have a printer- or access to a library with a printer in it- and can pay me a few dollars for a file, take it there, pay a buck or two to print it, and hang it up. Prints are next in line- the quality will be better, professional grade, the print will last longer, years even. Limited run? Why? It seems like a waste of time, of energy. I put my initials and a number on them and they’re magically worth more somehow? No. I do handpainted prints though- the next higher price things- and those are fun. I can take an hour and embellish a painting I already did- make new details on it, play around. The buyer gets something unique, like an original, and I get to play…

I spend maybe an hour or two a day online writing copy for my work, explaining it, discussing it, sharing technical stuff, writing, posting, and keeping track of what has sold. I spend another hour or so every day taking photos, scanning, fixing the damn scanner. And another hour every other day packaging stuff to mail out, trying to keep track of what goes where. I am not good at any of these things. They are REAL WORK, hard work I don’t enjoy very much. I’d rather be actually making things. So this work- I need to streamline it, make it as handsfree as possible. Selling originals is difficult. I have to post it everywhere, and hope the right person sees it, and then once it’s sold, do it again, the entire process, from documenting the work to explaining it to answering questions and pricing it and packing it and shipping it. All that work has to be done completely from scratch, every time I sell an original.

A print? I scan it, touch it up, post it, and it’s done. I can leave it there, just like that, for years. People can buy it a year later, without any additional work from me. It’s what they call a secondary income stream, and as an artist working alone I NEED that to happen as much as possible. It frees up my hands for making more better things. The digital downloads are the same- even easier, in fact. There’s no parameters to set, no material-checking, no worrying about quality control. It’s set and forget.

EPSON MFP imageSo, in order to be able to make more and better art, and in order to live, I sell originals, downloads, AND prints of most things. I charge people a tiny bit extra if they buy an original and only want me to do a limited run of prints. I charge A LOT extra if someone buys something and wants me to make no prints at all…for example, A painting I make- the original is a hundred bucks. I will probably (if it’s a good painting) make another two hundred off of prints and downloads of it over the course of a year. For me to sell ONLY THE ORIGINAL and still pay my rent, I have to charge three hundred for that original, now.

Should I do that? Sometimes I want to. Because I love the idea of something I made with my own hands, being in YOUR hands, with nothing in between us. Also because I like originals myself. But I can’t manage to, or figure out how to, promote myself well enough to always sell my originals, let alone for three times what I have them priced at now. So unless a magical fairy of promotion comes and makes me famous or rich, without charging me anything or requiring more of my time to work it…I will keep selling prints and downloads, of nearly everything I make.

I love you guys. Those of you with two bucks, and those of you with a million. You’re all people I like, and I want you all to be able to touch and enjoy my work.

Gel medium to transfer drawings and sketches, DIY

So I got a huge tub of soft gel medium, and immediately decided I wanted to put some of the drawings I’ve been doing (mostly figure studies) onto some cedar planks I had. I searched for a how-to, and could only find people discussing photocopies, printed photos.

Nobody seemed to be interested in putting their own drawings onto other surfaces- or if they were, they were willing to photocopy them first.

I wasn’t interested in that- I wanted to draw the piece on paper myself, in reverse, and then transfer it right to the wood.

I read up about the way gel medium works. If you’re using something that soaks into the paper, it won’t transfer. You need to be using something that sits on the surface of the paper, like prismas on tracing paper, or like inks on copy paper, or dry paints.

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hobo how-to, makin an old-timey drawing

Here’s an old timey post for you guys. Tattoo artists that like old-timey stuff will recognize some of the in-jokes here that others might not- I kind of wrote it for you guys as a joke anyway, but these directions WILL work…so enjoy. You can actually buy prints of this guy here, YES PLEASE FUCKING BUY ONE I AM A FUCKING BROKE HOBO.

How to make an extremely old-timey picture

1.First, You have to brew coffee.

Good strong coffee.

The kind your grandpa would make at a hobo camp.

Coffee that will put hair on your chest.

Shit your sister would never drink.

The kind of coffee that people see in the glass and look confused about.

Brew your coffee first and brew it strong,

Not only will it keep you alert throughout this process, and taste better with whiskey in it,

but we’re going to use it as a dye.

2. Then, pour into a tray. Soak some cardstock or watercolor paper in the coffee,
crumpling it and savaging it at random, if you are in a foul mood. or just soak it flat if you feel pretty amiable.

3.Lay the paper out on a towel or other handy surface, to dry out a bit. You want the paper to be just about totally dry when you start working with it. Not damp, just chilly. You’ll notice that the crumpled scapegoat paper looks kind of cool.

4.Next find yourself some reference, or using your brain and its own images, start drawing in light pencil on the paper. I used a 6h pencil so it would be very faint.

If you use a hard pencil don’t get too angry at the paper.

You’ll rip it to bits.

If you’re using a softer pencil go ahead and be a jerk to it.
Then take a small soft filbert brush, dip it into black waterfproof ink, and draw some more.

Right over all the pencil marks.

I use either FW or higgins ink, for this.

5.I have used reference for my hooter picture. Whatever you are drawing, remember that you only have a few minutes before the yard bulls show up and stick ya in the pokey, so hurry the fuck up.
Keep it extremely simple.

6.I mean real simple. You can use watercolor black from the tube. Or you can use some liquid watercolors.

Or you can use kid’s paint, dry watercolors, although those are a pain in the ass. I suppose you can also use sharpie or prismacolor with alcohol on the brush, too, but those dry really fast, too fast for me to do old timey stuff with them. They do have the benefit of using up your whiskey spit.

Here is my ink and brush- as you can see, my brush is flattened and curly? That’s because I’m too lazy to clean them up right away, so they sit in the water til they dry out weird and curly. Don’t do that.

7.I usually lay in the darkest areas first, then come back through with a dry brush and smooth out the edges, then with a only very slightly damp brush I moisten the edges of that again, making it blend. it doesn’t take long and you don’t need water- it’s easier to use a damp sweaty hand or your spit to do it. if you are drinking your coffee like you should be then your hands will be nice and sweaty by now. I know a lot of people will have the unbearable urge to wet the paper then paint onto it, like you’re supposed to use watercolors.

WE’RE NOT DOING THINGS THAT WAY IN HERE, GO BACK TO WETCANVAS FORUMS.

8.At this point, just crank up the music and keep going. you wanna
keep it minimal.

Suggested music would include baby gramps, tom waits (early works, or like bone-machine)
I actually think I did way too much on this one, way more shading and fucking around than I should have.

The simpler, the smoother, the less work, the better with this stuff.

If you mess up somewhere, just find a way to hide it with more black.

That’s what it’s there for, right? I guess if I was truly old timey I’d be using lampblack soot, dirt, and saliva  to make the picture.

I try to get pretty close, anyway.

Eventually, you will come to believe you are finished, or the yard goat’s light will pick you out, and you’ll have to stop with the feverish sweating and blending.

9.Now, since you’ve come so far, finish out any little things you got confused about,or forgot to do, while you were blending.

Like his fucking feet and the perch.

Everything will probably look a little rough and shitty at this point. It helps when doing this kind of artwork to make sure your lighting is inadequate, and that you have someone sitting near you drinking and exclaiming at random intervals,
and that you work on a shitty piece of uneven wood, or at least a stained old clipboard precariously balanced
on your knees.

Markers are only considered cheating if you do them with your right hand.

roughed out

10.Now if you want to be schmancy, you can pick a few spots and put a color in it. One color. What do you think this is, art school?
One color only. Remember, you’re a bindlestiff, a wayfarer, a gandy…you ain’t got no room for paint pots in that sack, kiddo. One color. It’s not even 1940 yet, so simmer down.

I like to use red everytime. Feel free to use green, yellow, or brown if you prefer.

No blue, no purple, definitely no hot pink- you’re in the wrong place to get fancy.

Put a dot where you think the darkest red should be.

11.Do this for every place red will go.Then use the almost all the way-dry brush you’ve been chewing on, to blend them out. I like to make the areas of color into little half-circles.

12.Wow, that’s come along pretty far. Looks nice and clean. At this point I usually would put on a monocle and top hat.

No matter what you are drawing, just go ahead and do it,
trust me, monocle and top hat.

Man, if you can give it a cigarette in a long holder, even better.

The closer you get to the monopoly guy, the better.

You want the art to be classy, goddamnit.

If you can’t do a monocle and top hat, whatever you do, DON’T ADD A MUSTACHE-

This is old timey, not HIP.

13.At this point, get out a thin liner brush, or a permanent black non-water soluble marker,and clean up the edges of the black and all the lines.

Now if you want to be a dick you can add a bunch of crap around it. This one looks like a capitalist pig owl to me, so I’m giving him a name and a joke.

It’s a shitty joke, I know.

No really. I know.

You will be tempted to draw blood, or if you are a tattoo”er” some raindrops, around the object. Resist this temptation!!!
Your picture should be a combination of items that is humorous to you, and you alone.

that means no unicorns, no mustaches, no ironic shit.

Nothing that popular modern culture would enjoy

(says the one painting an owl in a top hat)

14.Now get a damp, really damp rag, and a candle, and set that shit on fire!

15.The rag is for putting out the fire, so that you only burn the parts
of your page that seem useless to you, or where it would look cool to have a singe.

You need the rag.

I should make it very clear that if you’re kind of half-assedly following the instructions and didn’t bother to get a damp rag you might be kind of fucked right now,

because you set your shiny new art on fire.

That’ll teach you to follow instructions.

16.Bet you like it so far, huh?
Think you did a good job?
That’s some kinda cool picture?

BULLSHIT, IT’S GARBAGE!
THROW IT THE FUCK AWAY!
YOU SAD SACK OF SHIT,
YOU CAN’T DRAW!!!

UGH SERIOUSLY YOU SUCK!

JUST CRUMPLE THAT WASTE OF TIME INTO A BALL AND THROW IT AT A POKEY OR A COP!

IT’S NO GOOD FOR ANYTHING ELSE!

Damn, I was just kidding!
Sheesh, man, try to have a thicker skin!
Why you gotta be so worried
about what I think, anyway? flatten that
thing out again, let me get a closer look.

Go easy on it. I mean it’s still kind of-

oops oh shit hey I’m sorry-

Hey waittaminute…ok

dry that crap off with the rag. the burny rag.

You really needed that rag.

17. Crumple it up, flatten it out,
spill coffee all over the back of it,
and let it soak for a few. Don’t do this
until ALL the paint has dried completely.
That looks right out of a hobo museum.

Good show, sir, good show.

Originally Published on: Nov 12, 2007

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